Physical Dramaturgy: Ein (neuer) Trend?

Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more more

GoetheInstitute

Riot reruns in Belgrade

Wednesday 27 February, 2008

Dragan Klaic returned to Belgrade to give a theatre seminar. It happened to be on the same day that rioting and protests against Kosovo's independence flared up in a replay of a scenario from the late eighties. An eye witness account of self-destructive Serbian theatrics.
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Magazine Roundup

Tuesday 26 February, 2008

A healthy selection this week! Nigerian women should be punished, because they've only got oil on the brain, The Atlantic discovers. Nepszabadsag is amazed: Jan T. Gross has avoided offending the Turkishness of the Poles by the skin of his teeth. Columbian Hector Abad Faciolince sees the human face of Swiss conservatism. The precariat is today's working class, Telerama announces. Al Ahram introduces the first beauty salon for veiled women. And Denis Johnson discovers Paul Wolfowitz's wet dream in Iraqi Kurdistan.
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Magazine Roundup

Tuesday 19 February, 2008

The New York Review of Books sees the future of America in a Harlem hairdressers. In the Gazeta Wyborcza, Serbian historian Slavenko Terzic declares Kosovo's independence illegal. The London Review of Books considers the links between Modernism and liberalism, or the lack thereof. In the Novel Obs, Edgar Morin explains how he became a radical anti-Stalinist. Zanan is dead, long live Zanan! cries Al Ahram. The New York Times portrays the Turkish-Kurdish politician Abdullah Demirbas who wanted to ease the pressure on the Kurds and Armenians to assimilate in Turkey.
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The mild bunch

Monday 18 February, 2008

Only one truly original auteur filmmaker made it into this year's Berlinale Competition. With "Night and Day" Korean director Hong Sangsoo proved himself to be one of the great free-thinking talents of contemporary cinema. This aside, emaciated wishy-washy realism prevailed. By Ekkehard Knörer
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Berlinale box

Thursday 14 February, 2008

With the Berlin film festival well underway we pick out some of the highlights. Jose Padilha's "Tropa de Elite" might have all the components of an Egoshooter film but it's far off. Hongkong star Johnnie To's "Sparrow" is a bringer of unadulterated joy. Isabel Coixet's "Elegy" stars a couple of aging Roth rabbits. And P.T. Anderson's "There Will Be Blood" should be enjoyed on an empty stomach.
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Magazine Roundup

Tuesday 12 February, 2008

Why do Germans like Nicolas Gomez Davila, asks Semana. Le Monde diplomatique goes on a cruise with some Park Avenue ladies. The Spectator buries Venice. Nepszabadsag looks for real Hungarian liberal democrats. In Edge.org, Kevin Kelly looks to the future of the culture industry in the internet. And Portfolio has seen the nemesis of the culture industry in the internet.
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Bordering on miraculous

Friday 8 February, 2008

A frighteningly intense Daniel Day Lewis, musical accompaniment from Martin Scorsese, Madonna and Patti Smith, home-made filmic fumblings from a music video genius, a mere smidgen of German material and plenty of Far Eastern promise. After the Berlinale Film Festival hit rock bottom last year, it seems a sharp upwards turn is on the cards for 2008.
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Magazine Roundup

Tuesday 5 February, 2008

The Blätter für deutsche und internationale Politik warns about Google the monster snoop. Merkur has a transcendental experience with Gerhard Richter and Swarovski. Prospect worries about traditional book reviewing. In Nepszabadsag, historian Dusan Kovac looks into the likelihood of Hungarian-Slovakian reconciliation. And the New Statesman searches for the mild Anglican God.
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Evil and the upright citizen

Monday 4 February, 2008

A large-scale and long-overdue project has begun. German historians are documenting the persecution and extermination of the Jews in 16 volumes of primary source texts where metal merchants and budgie lovers all have their say - with no recourse to hindsight. By Eckhard Fuhr
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