From June to September every year Germans flock to Bad Segeberg in Schleswig-Holstein and to Radebeul in Saxony to celebrate the works of Karl May. An apostil from Roger Boyes...
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A film banned by the former East Germany has finally been given its first public screening. The black-and-white comedy from 1965 was considered too controversial by authorities at the time. ...
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The Internet is changing our brains, philosopher Joaquin Rodriguez Lopez explains in the French magazine, Books. David Hockney shows his new iPhone drawings to the Spectator. In the New York Review of Books, historian Timothy Snyder calls for a new understanding of the Holocaust, that begins not in Auschwitz, but deep in the forests of Eastern Europe. In Literaturen, Aleksandar Hemon remembers an empty reading that turned out to be a success. Dawn introduces Michael Jackson as internalised by the Pakistanis. In the Weltwoche, pedagogy professor Georg Feuser calls for a ban on Ritalin for kids. The NYT witnesses the end of the black middle class in Detroit.
Peter Sellars' "Othello" which premiered last week at the Viennese Festwochen is a psychological study with political muscle. Shakespeare's Venetians are an occupying US force of Afro-Americans and Latinos. The motor of the tragedy, a flabby white brain played by Philip Seymour Hoffman. Barbara Villiger Heilig was impressed. Photo: Gaius Charles by Armin Bardel
Mithu M. Sanyal, a self-proclaimed "provocative feminist", has written a cultural history of the vulva. Richly illustrated and packed with knowledgeable synopses, it has directed the media spotlight into a symbolic and semantic void. By Ulrike Baureithel 
An exhibition in ZKM Karlsruhe explores the enormous range of artistic processes that exist between the moment of conception and finished work. By Kathrin Peters
In local elections at the beginning of the month, the Austrian state of Carinthia effectively granted a governing majority to a dead man. Eva Menasse looks at an idyllically beautiful corner of the world that has been dumbed-down to death. Photo by 
The doors have just opened on the third major rennovation project on Berlin's Museum Island. British architect David Chipperfield has revealed the vestiges of history in the Neues Museum. By Bernhard Schulz
Bernard-Henri Levy looks at some of the problems posed by the film "Valkyrie" which are too complex and delicate to be resolved within Hollywood logic. First on the list: the Scientology question.
Günter Grass has just published his diary from 1990, recording the tumultous events after the fall of the Berlin Wall. "From Germany to Germany" is a list of ominous predictions for the future of German unity. The former GDR writer Monika Maron looks at how blinded Grass was by his own preconceptions.
Was it because Hitler was losing the war? Was it to put an end to the mass murder of the Jews. Or was it to save Germany's honour? Whatever his motives, he was no role model for future generations, says British historian Richard Evans. (Photo: 
Taking off where Sergei Eisenstein left off, Alexander Kluge has made a nine-and-a-half hour film about Karl Marx and the fairytale of "Kapital". And it's not a minute too long. By Helmut Merker
Tunisian-born writer Abdelwahab Meddeb depicts the pain and sadness afflicting Gaza, where the horror of the human race appears in all its nakedness.
The legendary German poets, Ingeborg Bachmann and Paul Celan, met and fell in love in Vienna 1948. Their electric and torturous correspondence, which continued until 1961, has now been collected in book form for the first time. Ina Hartwig on what was probably the most complicated love story in post-war Germany.
Kurt Flasch's book "Kampfplätze der Philosophie" strides across the battlefields of philosophy from Augustine to Voltaire. After a weekend spent scribbling furiously in its margins, Arno Widmann was enlightened, exhilarated and hungry for more.
The age of privatisation is over. Politics not the market is responsible for promoting the common good. Philosopher Jürgen Habermas talks to Thomas Assheuer about the necessity of an international world order. (Photo: Wolfram Huke)
This year's prestigious Büchner Prize went to Austrian writer Josef Winkler. He talks to Paul Jandl about dung heaps, patriarchs, the fear of speechlessness and the elegance of John Paul II's coffin. Photo © Jerry Bauer / SV
Iceland was determined to be a globalisation winner at any price. German-Icelandic writer Kristof Magnusson looks into the culture and history of this mini-state to find out how it became buried in debt.
Why Austria's far-right under Heinz-Christian Strache and the late Jörg Haider are celebrating their election triumph. By Doron Rabinovici
The idea that 1989 came out of thin air speaks volumes about historical insensitivities and limited horizons. The fall of the Berlin Wall was preceded by years of erosion and attrition. Historian Karl Schlögel looks at the molecular movements on the margins of history that are much more powerful than any deeds of "great men".
The fatwa against British Indian author Salman Rushdie was issued 20 years ago. Today, says Thierry Chervel, Islamism has the West more firmly in its grip than ever before – thanks to our left-wing intellectuals.
Svetlana Geier's magnificent translation of Dostoevsky's "The Adolescent" brings to an end her monumental project of translating all five of the author's "elephants", or major novels, into German. Although many disparage the book as muddled, in her eyes it is Dostoevsky at his most modern. Martin Ebel has paid a visit to the Grande Dame of Russian-German translation. (Image © Niklaus Stauss)
In a major interview given a few years before his death, the irascible Austrian author Thomas Bernhard talks about the musicality of language, the eroticism of old men, the corruption of German writers, the twistedness of mankind, the similarities between Christianity and Nazism, the incurability of stupidity and what it means to be branded "Thomas Bernhard" for life. By Werner Wögerbauer (Photo © Andrej Reiser / Suhrkamp Verlag)
Radovan Karadzic might be on trial in The Hague, but he can sit back in his Hugo Boss suit, confident that his work is done. His heirs are young, healthy and full of hate. And as far as they are concerned, the war is far from over. Croatian author Dubravka Ugresic dreams of a procession of collective shame and a ritual of repentance.