Britons find nudity hilarious. Germans take it very seriously. An apostil by Roger Boyes ...
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Having claimed for sixty years that he was no more than a conscripted flak helper in World War Two, Günter Grass now admits that he actually served with the Waffen SS. He also explains that his first exposure to "real racism" came after the war, in an American prisoner of war camp, where the black soldiers were treated as second class citizens. Roman Bucheli finds the Nobel Prize laureate's recent revelations a little hard to swallow.
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Reactions by authors and critics to Nobel Prize winning author Günter Grass' confession that at 17 he served in the Waffen SS, the most brutal Nazi combat unit. An international press review. Updated Thursday September 14, 2006
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For years, Andre Müller has been widely recognised as one of Germany's most intrepid, and most dreaded, interviewers. In 1979 he met and interviewed Arno Breker, who became infamous in the Nazi era as Hitler's favourite sculptor. We have translated the text in full. (Image: Arno Breker: Bereitschaft (Readiness), 1939. Courtesy Breker Archiv Düsseldorf)
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Sylvia Staude reports from Vienna's ImPulsTanz festival, a month-long contemporary dance platform with something for everyone, from the biggest names to the most passionate non-dancers.
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Until today, all attempts to show the works of Arno Breker, Hitler's favourite sculptor, have failed miserably. The potential for failure is again great at the first major solo exhibition of Breker's works since World War II. The show relies on loans from Breker's apologists, and access to the archives was limited. By Stefan Koldehoff
See also Andre Müller's interview with Arno Breker from 1979.
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This summer, Christian Thielemann will conduct Richard Wagner's four-part "Ring of the Nibelung" opera cycle at the Bayreuth Festspiele. He talks to Christine Lemke-Matwey about the festival, Wagner's music, and the dark German sound: tyaaa-tyaaa-tyaaa-tyaa-tyaa-tyaa-tyaaa
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With this story, journalist Kathrin Passig won one of the most prestigious literary awards in German letters, the Ingeborg Bachman Prize. (Photo © Johannes Jander)
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Theatre director Thomas Ostermeier and choreographer Constanza Macras have shaken things up at the Athens & Epidaurus Festival in Greece, with a sexed-up, grotesquely over the top, babylonically confused party called "A Midsummer Night's Dream." By Christine Dössel
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The well-loved German poet and artist Robert Gernhardt died on June 30, 2006. We publish a selection of his poems in English with the kind permission of his translator Ursula Runde, and several drawings from Gernhardt's "German Readers" series.
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Super is a young, smart, seven-headed band from Berlin called Super700 which, with its first and eponymously titled album is well on its way to becoming the German Garbage. By Rene Hamann
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German star comic artist Ralf König on burqas in Germany, the Pope in Cologne and his gay Islamist satire "Jinn Jinn". An interview with Wieland Freund.
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A game is a game is a game: Ludwig Harig is one of the greatest child-brains of German literature and a master of the football sonnet to boot. "Oh trickled ball! Oh toe-flicked leather!" A visit to juggler of words in Saarland's Sulzbach. By Oliver Ruf
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Infected with World Cup fever, Germans seem to be swelling with a strange new feeling: patriotism. Writer Thomas Brussig admits that he too has been painting his face red, black and gold and reassures his compatriots that being proud to be German is healthy, good and by no means mandatory.
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The Ingeborg Bachmann Competition has just ended in Klagenfurt. One of the participants was writer Clemens Meyer, whose debut novel "Als wir träumten" was highly acclaimed at the Leipzig Book Fair in March. He spoke with Gerrit Bartels just before the competition about Klagenfurt, his writing and tattoos.
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Robots have been playing football in Bremen at RoboCup, the robot football world championships, with 440 teams from 36 countries battling it out on 52 fields. The competition, taking place in Germany for the first time, is meant to spur robotics on to much needed bigger and better things. By Manfred Weise
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