In the latest production of Rimini Protokoll there are again experts. But the main actor is the audience, which guide 200 avatars through a game of life....
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In this, the Mendelssohn bicentennial year, Martin Geck looks at why the wealthy middle-class composer, who was Europe's most successful musician in the final decade of his life, brought out the very worst in Richard Wagner.
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Since being diagnosed with lung cancer last year, Christoph Schlingensief has made his illness the subject of a theatre trilogy. In what he describes as a readymade opera, "Mea Culpa", the final part now playing in Vienna's Burgtheater, is a mature, elegiac and exhibitionistic parody of everything the world has ever constructed around the big C. By Peter Michalzik
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The idea that 1989 came out of thin air speaks volumes about historical insensitivities and limited horizons. The fall of the Berlin Wall was preceded by years of erosion and attrition. Historian Karl Schlögel looks at the molecular movements on the margins of history that are much more powerful than any deeds of "great men".
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The doors have just opened on the third major rennovation project on Berlin's Museum Island. British architect David Chipperfield has revealed the vestiges of history in the Neues Museum. By Bernhard Schulz
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Günter Grass has just published his diary from 1990, recording the tumultous events after the fall of the Berlin Wall. "From Germany to Germany" is a list of ominous predictions for the future of German unity. The former GDR writer Monika Maron looks at how blinded Grass was by his own preconceptions.
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Bernard-Henri Levy looks at some of the problems posed by the film "Valkyrie" which are too complex and delicate to be resolved within Hollywood logic. First on the list: the Scientology question.
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The fatwa against British Indian author Salman Rushdie was issued 20 years ago. Today, says Thierry Chervel, Islamism has the West more firmly in its grip than ever before – thanks to our left-wing intellectuals.
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To deny Stauffenberg and the other conspirators any moral and cultural relevance is blinkered and consitutes intellectual bigotry. Even if their ideas seem politically anachronistic today, these men showed the sort of noblesse and strength of character of which today’s politicians and other bureaucratic elites can only dream. Karl Heinz Bohrer responds to the thesis of British historian Richard J. Evans.
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Was it because Hitler was losing the war? Was it to put an end to the mass murder of the Jews. Or was it to save Germany's honour? Whatever his motives, he was no role model for future generations, says British historian Richard Evans. (Photo: Deutsches Historisches Museum)
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Taking off where Sergei Eisenstein left off, Alexander Kluge has made a nine-and-a-half hour film about Karl Marx and the fairytale of "Kapital". And it's not a minute too long. By Helmut Merker
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Kurt Flasch's book "Kampfplätze der Philosophie" strides across the battlefields of philosophy from Augustine to Voltaire. After a weekend spent scribbling furiously in its margins, Arno Widmann was enlightened, exhilarated and hungry for more.
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The age of privatisation is over. Politics not the market is responsible for promoting the common good. Philosopher Jürgen Habermas talks to Thomas Assheuer about the necessity of an international world order. (Photo: Wolfram Huke)
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Emotional chaos in the elderly and the best aesthetic for folds and wrinkles. Birgit Glombitza talks to Andreas Dresen about geriatric love and sex, and his new film "Wolke 9".
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The legendary German poets, Ingeborg Bachmann and Paul Celan, met and fell in love in Vienna 1948. Their electric and torturous correspondence, which continued until 1961, has now been collected in book form for the first time. Ina Hartwig on what was probably the most complicated love story in post-war Germany.
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Last year secularists and multiculturalists converged at signandsight.com to debate Islam in Europe. Both parties want a liberal society where autonomous citizens live peacefully side by side, but the slightest political provocation is enough to unleash an intellectual Kulturkampf. Jürgen Habermas considers both positions and points beyond them to a post-secular society, where religious and secular mentalities are open to a complementary learning process. (Photo: Wolfram Huke)
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