Britons find nudity hilarious. Germans take it very seriously. An apostil by Roger Boyes ...
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At the end of May, Austrian author Peter Handke was informed he had been selected as winner of this year's Heinrich Heine Prize awarded by the city of Dusseldorf. A controversy then flared up over Handke's support for Slobodan Milosevic, whereupon the prize was revoked. We've compiled the major voices from the ensuing debate in the German-language press.
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The Grässlin family is opening an art space in Sankt Georgen, a tiny town high up in the Black Forest. Their collection of sculptures and installations is scattered throughout the locale, to the amazement of the international public and the locals alike. By Ulrich Stock
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20 years after the "Historikerstreit" there is a new lesson to learn in contemporary history: the repugnant aspects of the twentieth century can not be reduced to the major totalitarian dictatorships and they can not be cleanly distinguished from all that we now view as progress and success. By Götz Aly
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The neo-Expressionist painters known as the "Neuen Wilden" were once
what the artists of the Leipzig School are today: international stars,
celebrated by the press, courted by collectors. Twenty-five years after
the pinnacle of their success, they are now fighting for a place in art
history. Cornelius Tittel paid them a visit. (Image: Rainer Fetting, "Self Portrait", 1999)
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The glories of the German football team bring out the poet in Robert Gernhardt. The only thing higher than his lofty lyricising are the chances of his team winning the World Cup.
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2006 is the 150th anniversary of the death of German poet Heinrich Heine and the debate surrounding this year's literary Heinrich-Heine Prize is currently filling out the feuilletons. Here we publish writer Georg Klein's compilation of his top ten favourite Heine quotes on that most controversial of subjects: religion.
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The prestigious Georg Büchner Prize for literature is to be awarded to poet Oscar Pastior. Martin Lüdke welcomes the long overdue decision to honour the work of a mild mannered word wizard.
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In his film debut, Benjamin Heisenberg develops a credible drama in which the fear of terrorism is part of a broader sense of social disorientation. "Sleeper" tells a story of personal betrayal in a world that is as rational as it is paranoid. By Sven von Reden
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For a while, Sir Simon Rattle rode a euphoric wave at the Berliner Philharmoniker. Now critic Manuel Brug feels that his novelty is wearing off, fast.
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On May 5, the tone of John Cage's organ composition "As Slow as Possible" changed in the St. Burchardi church in Halberstadt. A major moment in a piece that will last 639 years. By Thomas Gerlach
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At just 21, Turkish-German singer
Muhabbet is the new pop icon of Germany's immigrant youth. One hit single has been downloaded over a million times, and now his new album, "R'nBesk" has just come out. With his
music he wants to "make things happen in Germany." By Thomas Groß
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Crisis is nothing new to the press. Newspapers will continue to exist, alongside the Internet, soon in paperless form. They must offer their readers exclusive news, bold opinion and captivating language. Mathias Döpfner, head of the Axel Springer media empire, answers Rupert Murdoch.
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The exhibition "Egypt's Sunken Treasures" opened in Berlin's Martin Gropius Bau on Saturday. This is the first showing outside Egypt of some 500 statues and artefacts discovered off the coast of Alexandria by Franck Goddio and his team. Sonja Zekri reports.
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Berlin's favourite Russian writer Wladimir Kaminer sat on the scriptwriting jury at this year's Theatertreffen festival. He recounts the horrors of reading plays by the kilo and reminisces about his own dubious-sounding contributions to the dramatic arts.
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When did I start thinking about feminism again? Last year, the year of my sixth male boss in a row. For us young women, equality of the sexes went without saying. Then we
flirted with old-fashioned roles, and now we're suddenly back in a
man's world. Along with henna hair, drooping breasts and dungarees, have we abolished equality? By Heike Faller
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