Twenty-five years after his cult TV series, Kir Royal, director Helmut Dietl has now come released a sort of ?sequel? for the big screen. Zettl focuses on the high-flying career of a ruthless media man in Berlin. As satire, however, the frigid figures in Zettl fail to warm up to viewers. ...
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UPDATE: The German Book Prize 2009 has been awarded to Katrin Schmidt for her novel "You're Not Going to Die". Read excerpts from all the shortlisted titles - including one from the Nobel Prize laureate Herta Müller's novel "Everything I Own I Carry With Me".
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Twenty years after Ceausescu's execution, his secret service is still active - only its name has changed. Secret files are being manipulated; shadowing and smear campaigns continue. For the first time, Romanian-born German writer Herta Müller describes her long history of Securitate persecution, uncertain of how much she has yet to endure.
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In a footnote to his latest book, Timothy Garton Ash distances himself from the term "Enlightenment fundamentalism", which he had used in reference to Ayaan Hirsi Ali. John Gray picked up on the ammendment immediately and took him to task in The New Statesman. Perlentaucher editor Thierry Chervel is baffled by Gray's twisted pessimism.
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Alham Abrahimnejad is a women's rights activist who fled Iran two years ago and now lives in Berlin. She talks to Waltraud Schwab about her fear of being sent back home, the soul of the Iranian protest and her lack of freedom in Germany.
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The death of student Benno Ohnesorg saw the birth of the West German '68 movement. Now evidence has emerged that Karl-Heinz Kurras, the West German police officer who shot him during a demonstration against the Shah, was a Stasi spy. Wolfgang Kraushaar, an acclaimed chronicler of '68, asks whether the killing was an unofficial East German act of state.
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We are about to close the chapter on the age of the printed book. It is a time for bullet biting and belt tightening, but not mourning. Jürgen Neffe takes a refreshingly postive look into our post-Gutenbergian future.
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An exhibition in ZKM Karlsruhe explores the enormous range of artistic processes that exist between the moment of conception and finished work. By Kathrin Peters
Image: Dieter Appelt "Partitur" © 2009 ZKM
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In this, the Mendelssohn bicentennial year, Martin Geck looks at why the wealthy middle-class composer, who was Europe's most successful musician in the final decade of his life, brought out the very worst in Richard Wagner.
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Since being diagnosed with lung cancer last year, Christoph Schlingensief has made his illness the subject of a theatre trilogy. In what he describes as a readymade opera, "Mea Culpa", the final part now playing in Vienna's Burgtheater, is a mature, elegiac and exhibitionistic parody of everything the world has ever constructed around the big C. By Peter Michalzik
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The idea that 1989 came out of thin air speaks volumes about historical insensitivities and limited horizons. The fall of the Berlin Wall was preceded by years of erosion and attrition. Historian Karl Schlögel looks at the molecular movements on the margins of history that are much more powerful than any deeds of "great men".
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The doors have just opened on the third major rennovation project on Berlin's Museum Island. British architect David Chipperfield has revealed the vestiges of history in the Neues Museum. By Bernhard Schulz
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Günter Grass has just published his diary from 1990, recording the tumultous events after the fall of the Berlin Wall. "From Germany to Germany" is a list of ominous predictions for the future of German unity. The former GDR writer Monika Maron looks at how blinded Grass was by his own preconceptions.
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Bernard-Henri Levy looks at some of the problems posed by the film "Valkyrie" which are too complex and delicate to be resolved within Hollywood logic. First on the list: the Scientology question.
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The fatwa against British Indian author Salman Rushdie was issued 20 years ago. Today, says Thierry Chervel, Islamism has the West more firmly in its grip than ever before – thanks to our left-wing intellectuals.
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To deny Stauffenberg and the other conspirators any moral and cultural relevance is blinkered and consitutes intellectual bigotry. Even if their ideas seem politically anachronistic today, these men showed the sort of noblesse and strength of character of which today’s politicians and other bureaucratic elites can only dream. Karl Heinz Bohrer responds to the thesis of British historian Richard J. Evans.
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