Twenty-five years after his cult TV series, Kir Royal, director Helmut Dietl has now come released a sort of ?sequel? for the big screen. Zettl focuses on the high-flying career of a ruthless media man in Berlin. As satire, however, the frigid figures in Zettl fail to warm up to viewers. ...
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Was it because Hitler was losing the war? Was it to put an end to the mass murder of the Jews. Or was it to save Germany's honour? Whatever his motives, he was no role model for future generations, says British historian Richard Evans. (Photo: Deutsches Historisches Museum)
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Taking off where Sergei Eisenstein left off, Alexander Kluge has made a nine-and-a-half hour film about Karl Marx and the fairytale of "Kapital". And it's not a minute too long. By Helmut Merker
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Kurt Flasch's book "Kampfplätze der Philosophie" strides across the battlefields of philosophy from Augustine to Voltaire. After a weekend spent scribbling furiously in its margins, Arno Widmann was enlightened, exhilarated and hungry for more.
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The age of privatisation is over. Politics not the market is responsible for promoting the common good. Philosopher Jürgen Habermas talks to Thomas Assheuer about the necessity of an international world order. (Photo: Wolfram Huke)
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Emotional chaos in the elderly and the best aesthetic for folds and wrinkles. Birgit Glombitza talks to Andreas Dresen about geriatric love and sex, and his new film "Wolke 9".
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The legendary German poets, Ingeborg Bachmann and Paul Celan, met and fell in love in Vienna 1948. Their electric and torturous correspondence, which continued until 1961, has now been collected in book form for the first time. Ina Hartwig on what was probably the most complicated love story in post-war Germany.
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Last year secularists and multiculturalists converged at signandsight.com to debate Islam in Europe. Both parties want a liberal society where autonomous citizens live peacefully side by side, but the slightest political provocation is enough to unleash an intellectual Kulturkampf. Jürgen Habermas considers both positions and points beyond them to a post-secular society, where religious and secular mentalities are open to a complementary learning process. (Photo: Wolfram Huke)
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When matter leads to immateriality and transcends the actuality of the object, we are reading a text about art. Notes on the crisis of criticism by Christian Demand
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Billed as the inspirational story of one of the greatest legends of all times, "The Red Baron" is flying, driving and healing Germany at dizzy cinematic heights. There are just not enough superlatives to do this film justice. By Ekkehard Knörer.
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An SS man reflects on mass murder - and there's a pigeon hole for every vile deed. Novelist Georg Klein on the Holocaust and the enlightened harmony of trivial realism in Jonathan Littell's novel "The Kindly Ones".
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The 400-page German translation of Jonathan Littell's corpse-littered SS novel, "The Kindly Ones," has put the German-language feuilletons into a critical frenzy, despite the general consensus that the book is bad. We have compiled a selection of the accusations hurled.
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Only one truly original auteur filmmaker made it into this year's Berlinale Competition. With "Night and Day" Korean director Hong Sangsoo proved himself to be one of the great free-thinking talents of contemporary cinema. This aside, emaciated wishy-washy realism prevailed. By Ekkehard Knörer
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With the Berlin film festival well underway we pick out some of the highlights. Jose Padilha's "Tropa de Elite" might have all the components of an Egoshooter film but it's far off. Hongkong star Johnnie To's "Sparrow" is a bringer of unadulterated joy. Isabel Coixet's "Elegy" stars a couple of aging Roth rabbits. And P.T. Anderson's "There Will Be Blood" should be enjoyed on an empty stomach.
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A large-scale and long-overdue project has begun. German historians are documenting the persecution and extermination of the Jews in 16 volumes of primary source texts where metal merchants and budgie lovers all have their say - with no recourse to hindsight. By Eckhard Fuhr
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The Berlin district of Prenzlauer Berg is the playground of the new Germany. But unless you fit in, life can be tough among the beautiful creatives of a gated community that needs no wall. By Henning Sußebach
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