We understand the expression world citizenship above all in political terms. Since its beginnings, however, philosophy has attached a wider meaning to the term. The reason for this is self-evident: The medium of philosophy consists in general human reason that transcends all political, linguistic and cultural barriers. In spite of this, the thinking of only a few great philosophers is entirely cosmopolitan. Immanuel Kant, the world citizen from Königsberg, is an outstanding exception. By Otfried Höffe...
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Germany's new Sports Hall of Fame opened this week at the German Historical Museum in Berlin. The project initially contains the names of 40 German sports heroes, with three to ...
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In the TLS, tenor Ian Bostridge writes about music under totalitarianism. The New Yorker introduces the millionaire-nerd-led group "Intellectual Ventures". Caffe Europe describes Aldo Moro's attempt to reconcile Church and communism. Nepszabadsag and Elet es Irodalom analyse the frequently misundertood concept of "competition" in Hungary. The London Review of Books explains Thabo Mbeki's motivations for backing Mugabe. And in the Weltwoche, violinist Julia Fischer demonstrates how to put up a wall.
Travels through the dreams and nightmares of Europe, in a small land of great poets, torn between Balkan catastrophe and Brussels. A reportage on Croatia, this year's partner country at the Leipzig Book Fair. By Gregor Dotzauer 
Billed as the inspirational story of one of the greatest legends of all times, "The Red Baron" is flying, driving and healing Germany at dizzy cinematic heights. There are just not enough superlatives to do this film justice. By Ekkehard Knörer.
Dragan Klaic arrived in Skopje on the day that Greece vetoed Macedonia's bid to join NATO at the summit in Bucharest. He found a nation reeling from this unexpected slap in the face.
Did the Prophet Mohammed only become a power-conscious religious politician in Medina, where he emigrated from Mecca in 622? Author of a new Mohammed biography, Tilman Nagel has found much to indicate the absence of any genuine break in the evolution of this religious founder. 
No-one knows what the anti-Koran film 'Fitna' by the Dutch right-wing politician Geert Wilders contains exactly. But fearing Muslim anger many are ready to make concessions regarding the fundamental freedom of expression. Gelijn Molier looks to nineteenth century philosopher John Stuart Mill for advice.
An SS man reflects on mass murder - and there's a pigeon hole for every vile deed. Novelist Georg Klein on the Holocaust and the enlightened harmony of trivial realism in Jonathan Littell's novel "Les Bienveillantes" which has just been translated into German.
The 400-page German translation of Jonathan Littell's corpse-littered SS novel,"Les Bienveillantes," has put the German-language feuilletons into a critical frenzy, despite the general consensus that the book is bad. We have compiled a selection of the accusations hurled. 
Only one truly original auteur filmmaker made it into this year's Berlinale Competition. With "Night and Day" Korean director Hong Sangsoo proved himself to be one of the great free-thinking talents of contemporary cinema. This aside, emaciated wishy-washy realism prevailed. By Ekkehard Knörer
With the Berlin film festival well underway we pick out some of the highlights. Jose Padilha's "Tropa de Elite" might have all the components of an Egoshooter film but it's far off. Hongkong star Johnnie To's "Sparrow" is a bringer of unadulterated joy. Isabel Coixet's "Elegy" stars a couple of aging Roth rabbits. And P.T. Anderson's "There Will Be Blood" should be enjoyed on an empty stomach.
A frighteningly intense Daniel Day Lewis, musical accompaniment from Martin Scorsese, Madonna and Patti Smith, home-made filmic fumblings from a music video genius, a mere smidgen of German material and plenty of Far Eastern promise. After the Berlinale Film Festival hit rock bottom last year, it seems a sharp upwards turn is on the cards for 2008.
Kurt von Hammerstein was head of the Reichswehr, a grand seigneur, and an implacable opponent of National Socialism. In his new book "Hammerstein oder Der Eigensinn" (Hammerstein or idiosycrasy), Hans Magnus Enzensberger engages in dialogues with the dead to deliver a literary and lunatic precipitate of German history.
A large-scale and long-overdue project has begun. German historians are documenting the persecution and extermination of the Jews in 16 volumes of primary source texts where metal merchants and budgie lovers all have their say - with no recourse to hindsight. By Eckhard Fuhr
At the New Year's concert in the Alte Oper in Frankfurt the audience's excitement was palpable. It was patently clear to all assembled that they were either about to witness the disgrace of one of the world's greatest living violinists, or the triumphant birth of a new piano virtuoso. By Arno Widmann
The Berlin district of Prenzlauer Berg is the playground of the new Germany. But unless you fit in, life can be tough among the beautiful creatives of a gated community that needs no wall. By Henning Sußebach
"Fear" is the punchy title of book about Polish anti-Semitism whose recent publication in Poland has sparked an emotional debate. Very few people have come to the defence of its author, Jan Tomasz Gross, who has taken on the difficult task of making uncomfortable facts known to a wider audience and removing blind spots in Polish history. By Jakub Kloc-Konkolowicz
The Ingeborg Bachmann Competition has just ended in Klagenfurt. One of the participants was writer Clemens Meyer, whose debut novel "Als wir träumten" was highly acclaimed at the Leipzig Book Fair in March. He spoke with Gerrit Bartels just before the competition about Klagenfurt, his writing and tattoos.
Romanian literature is still a tiny niche in the German book
market. Mircea Cartarescu's latest novel to be published here,
"Die Wissenden," shows readers what they are missing. A visit to
Bucharest to meet the man who is probably Romania's most famous author. By Jörg Plath
Cologne Cathedral looks back at a long and eventful history. The inauguration of Gerhard Richter's stained glass window for the South Transept adds a new chapter, bright with 72-colour, frame-breaking abstraction. By