Twenty-five years after his cult TV series, Kir Royal, director Helmut Dietl has now come released a sort of ?sequel? for the big screen. Zettl focuses on the high-flying career of a ruthless media man in Berlin. As satire, however, the frigid figures in Zettl fail to warm up to viewers. ...
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In Lettre International, philosopher Michail Ryklin explains how power functions. In Le Point, historian Patrice Gueniffey explains the revolutionary passion of the French. In the London Review, psychogeographer Iain Sinclair watches on as Olympic preparations destroy London's East End. In Polityka Adam Krzeminski is irritated by the Polish neo-National Democrats and the German Left. Atlantic hears the music in Rupert Murdoch's plans for the Wall Street Journal. The New Statesman remembers Austrian football hero Matthias Sindelar. Elet es Irodalom asks why we need literature?
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The Economist watches the evolution of the book market. Theatre director Pawel Demirski tells Tygodnik Powszechny that Lech Walesa is a dead symbol for Polish youth. The TLS tells us why we're all geeks now. Espresso looks into the female face of India's future labour market. The New York Review of Books has the latest on the love affair between dopamine and the human brain. In Nouvel Obs anti-globalisation network Attac explains the effects of globalisation. In ResetDoc Zygmunt Bauman tells us what to do about it. And the New York Times takes us down to PigCity.
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The London Review wishes Elfriede Jelinek's novel "Gier" had never been translated. Polityka provides a history of Polish anti-Semitism - in German too. In Clarin, Spanish architect Santiago Calatrava is confident that our cities will soon become pleasant places to live. In Gazeta Wyborcza, political scientist Ivan Krastev assuages ex-Yugoslavian fears that the end of the EU is nigh. In the Guardian, Ian McEwan pours cold water on apocalyptic belief. Al Ahram looks back at the history of the Jews in Egypt. And the New York Times admires Pakistan's strongest democratic weapon: men in black.
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The New Humanist observes the rise of Muslim Creationism. Nepszabadsag wonders how democracy should deal with covert racism. The New Yorker introduces Dr. Fadl, a reformed terrorist and one of al-Qaeda's fiercest critics. In the New York Review of Books, the head of the Harvard library explains why the news is only a story. Caffe Europa describes the xenophobia of Italian politicians. Die Weltwoche warily watches the vicious hoodies in the new Justice video.
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In the London Review of Books, Kevin Kopelson spills the beans about his plagiarism-littered path to professorship. Elet es Irodalom is green with envy over the independence of the Polish press. The Christians had it better under Nasser and Saddam Hussein, claims Coptic priest Giuseppe Scattolin in Resetdoc. In Le point, Bernard-Henri Levy spits out a colourful array of adjectives to describe the regime in Burma. And in L'Espresso, Umberto Eco analyses how the Mafia is murdering with the times.
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In Eurozine the 69-year-old Catalan philosopher Xavier Rubert de Ventos admits to his growing radicality. In Nepszabadsag the 75-year-old writer György Konrad declares: remembering is rebellion. In Artforum the 84-year-old philosopher Artur C. Danto thinks about art and revolution. In The New Republic Anne Applebaum takes a hammer to Nicholson Baker's pacifist polemic "Human Smoke". In Folio Christian Demand sends out a distress signal for art criticism. And the Spectator portrays the Anglican Church's only openly gay Bishop.
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In the TLS, tenor Ian Bostridge writes about music under totalitarianism. The New Yorker introduces the millionaire-nerd-led group "Intellectual Ventures". Caffe Europe describes Aldo Moro's attempt to reconcile Church and communism. Nepszabadsag and Elet es Irodalom analyse the frequently misundertood concept of "competition" in Hungary. The London Review of Books explains Thabo Mbeki's motivations for backing Mugabe. And in the Weltwoche, violinist Julia Fischer demonstrates how to put up a wall.
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Literaturen searches in the giant haystack of literature on '68 for a book on equal rights. The TLS rediscovers the man who sexed the English language. In Outlook India, political scientist Kishore Mahbubani closes the lid on Western cultural dominance. The New York Review of Books looks at the dominance of the national conservatives in Putin's Russia. Le Monde des livres reports on a clash of historians over the role of Islam in the Middle Ages. The Economist fears for freedom of the press in Eastern Europe. And the New York Times portrays Egyptian author Alaa Al Aswan.
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In the Weltwoche, Tom Ford makes the case for full, natural pubic hair. Vanity Fair blames Bill Keller for the diminishing Timesness of the New York Times. In Espresso, Umberto Eco mourns the diminishing importance of the newpapers all together. The Times waves its fork about over the English breakfast. In L'Express, über ad-man Maurice Levy wants to give the industry a complete rehaul. The LRB experiences the joy of French painting, the TLS the joy of German Romanticism, the Economist the joy of Japanese "infantile capitalism and Al Ahram, the joy of Russian photography. The New Yorker conquers English with Li Yang.
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Elet es Irodolam knows that 'minor literature' doesn't have to be political to be political. World Affairs defends Hirsi Ali, Bruckner and Berman against Buruma, Garton Ash und Ramadan. Rue 89 works through a black book of censorship. In the TLS professor of geriatric medicine, Raymond Tallis, argues that too much brain is the death of literary criticism. Hector Abad speaks out against literary protectionism in Semana. Outlook India is thoroughly put out: revolution is simply not cricket. And Vanity Fair plunges into icy water with the Russians.
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The New Left Review introduces China's most influential intellectual magazine, Dushu. Outlook India would be embarrassed to be embarrassed by the Dalai Lama. "Generation 1,000 Euro" has made into Italian cinemas, Caffe Europa reports. In Nepszabadsag, philosopher Gaspar Miklos Tama declares an end to the days of anti-Semitic journalism. Folio is bowled over by the musical compositions of electronic engineer William Sethares. The New York Times is transported back to the founding of Liberia. And Vanity Fair picks apart Monsanto.
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In the Blätter Jürgen Habermas joins the debate launched by signandsight.com and Perlentaucher about Islam in Europe. Merkur reveals how Adorno pinned his hopes on the Nazis and had them dashed. In La vie des idees philospher Philippe Lacour celebrates the true DJ of digital knowledge. In Literaturen Micha Brumlik reviews the new Carl Schmitt biography by Christian Lindner. Nepszabadsag takes the pulse of the unconscious body of Hungary. In Edge.org evolutionary biologist Iain Couzin explains the importance of one mormon cricket wanting to bite another in the rear. And New Republic puts its favourite Democrat on the cover.
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Le debat explains why the press is on its way out. The New York Times is starting to look like the next victim of a hostile takeover by Murdoch, fears Howell Raines in Portfolio. The New Yorker sees the end in sight for the entire American newspaper industry. ResetDoc examines the role of immigrants in the Italian election campaign. In Europa, Leszek Kolakowski philosophises on success. Aharon Applefeld tells Rue89 what he will be writing about when he turns 268. And Die Weltwoche asks whether anyone in German literature is still taking risks.
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In Lettre a Chinese corpse cleaner recounts how he put the smile back on the face of a dead Red Guard. Bad English is no reason to kill yourself, Outlook India believes. The Spectator dances the Kizomba in Harlesden. In the Middle East Quarterly, journalist Mohamed Sifaoui explains why he prayed for the Iraq war. Al Ahram is thrown into a depression by too much theatre. In the Guardian, Blair's former chief of staff remembers the first time he heard Jerry Adams' real voice. And Nepszabadsag wants to be East Central Europe no more.
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Vanity Fair exposes a scandalously covert, Bush-approved operation in the Middle East. In the NYRB, Nicholson Baker extols the virtues of the Wiki vandal. Edwy Plenel announces the launch of a new independent online paper Mediapart. L'Espresso sniffs out the diabolicalness of cheese. Expert Sibir sounds out the Siberian art market. And the Economist inspects the tumorous bureaucracy in the belly of the tiger.
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