Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more
Die Zeit: Mr. Schlingensief, time
seems to be running out for Chancellor Gerhard Schröder. From a
theatrical viewpoint, was he miscast?
Christoph Schlingensief: No,
he was right for the role. You have to remember that he relieved us of
Helmut Kohl. 16 years of Kohl, what a terrible time some of that was!
Schröder was the right person but at the wrong time. When he arrived in
1998, it was the time of the new economy. You thought, now is the time
of the manager, and he can do that. But in reality the new economy was
already at an end, it's just none of us knew it.
Schröder's call for an early election was an attempt to play the hero again. Why didn't it work?
I
don't see anything heroic about him. For me he's a 68er who just wants
to get his fat balls out again. I can't stand it any more. If everyone
thinks the CDU (Christian Democrats) are so great then they should singe their arses on
the hot seat for the next four years, as far as I'm concerned.
Where did Schröder go wrong?
The
process of understanding takes time. And we aren't giving ourselves the
time, and neither is Schröder. He's just breaking off. Schröder has
failed to tell us a story or produce images. Just think about that
appalling photo from the last election, the Chancellor in those strange
oil painting tones sitting at his desk at night. It looked like a
suicide painting, the last hours in the bunker, gunfire is going off
above ground. Didn't Eichinger make a film of this? Well anyway, I rang
the SPD and asked why they'd come up with such terrible election
posters. And I still thought it was possible to do something about it.
What would be a fitting image today?
Well,
you'd have to show an image of 30 people on Hartz IV (new reduced
unemployment money), all rather pale, no smiling into the camera,
desperate-looking. Or a father of a family, cleaning windscreens for an
euro. You see these are the images we have produced.
It's not going to be very convincing in the election campaign.
Of
course not, abyss, catastrophe, it doesn't work. Although it could be
good for the SPD (Social Democrats) in one way. You could show the same
people again after 4 years of the CDU. Then
they'll probably look even worse.
What image do you have of Schröder today?
Of
Gerhard Schröder leaving the plenary after the vote on the motion of
confidence, tiptoeing off round the back of his own people. There's
nothing left of the media Chancellor. Liquidation is the only thing
waiting – so off he runs! I know that feeling from the theatre, after a
performance, when you just think, God what a night! Nothing is going to
work, so just put your hood up and go and get some food, and make sure
you don't go where the others are headed.
Does Angela Merkel at least work as a heroine?
At the moment people seem to be looking for a doctor more than a heroine.
Is she capable of playing that role?
Yes,
I can imagine myself in hospital. Angela Merkel comes in and says, "I've
seen your X rays, it looks catastrophic, we'll have to remove quite a
lot, your leg will have to go, and you probably won't be able to talk
any more afterwards. I can imagine her as a doctor. But I'd rather not
have her as a nurse. I wouldn't want to cry on her shoulder."
You know Angela Merkel?
I
met her for the first time on the TV programme "Der heiße Stuhl". We
were talking about violence in the media, that sort of thing. And after
all, I'd made a chainsaw film. Angela Merkel stood up for me and said
my film didn't belong to all that, it was art. I though that was great.
You see lots of picture of her, when she was young. I have to say I
think she's a total cutie. How old is she by the way?
Fifty-one. Who would you cast as Merkel in a film?
Hannelore Hoger. She's got the same sort of boyishness.
Last year Ms. Merkel was at your "Parsifal" premiere in Bayreuth.
Yes,
she came up to me and said, "I find your production interesting but do
you really need all those videos?" We wanted to discuss it later in
fact.
The federal president plays the deux ex machina in the new election drama. What did you think of Horst Köhler's performance?
Pretty
unbelievable. There he was, a plasticine lump of a president. And all that stuff
he was spouting! We have too few children and not enough work. Was that
some sort of appeal for child labour? Of course he can't say what all
the other politicians can't say, that the labour market in Germany can
only be kept alive by workers disappearing. But it was too
run-of-the-mill. No distance, no dignity whatsoever. Not even a
bookshelf in the background. The speech was fitting for this country
which exists of nothing but polls.
Köhler referred to the fact that the majority of Germans wants new elections.
Yes
apparently 70 percent. And the average man takes three and a half
minutes to have an orgasm. That's the sort of scale we're operating on.
Mr Schlingensief, when you look at Germany in the run up to the elections, what sort of a country do you see?
You
know, I am in a schizophrenic situation myself. On one hand I couldn't
give a shit about Germany and on the other I'm full of rage.
Rage?
Yes,
rage. The general atmosphere of depression makes me furious, the utter
idleness, this uptight existence. It seems to me that the whole of
Germany is sitting on the toilet, groaning. You know exactly what has
to happen for things to get going again but the German sits there
cursing that there's no toilet paper left and that's why he can't do
it. That's Germany.
You used to be more of a fighter. In 1998 you had your own party, Chance 2000, which you founded to give the unemployed a voice.
I'm
afraid that politically I'm in retreat. I can only motivate myself by
being anti something. For example, I can imagine Mr Westerwelle (head of the FDP party) waking
up on the morning after the election, looking in the mirror and
thinking, damn, I'm not foreign minister again. This image gives me
vast pleasure. That Westerwelle thinks "I have to do this neo-liberal crap the whole time, I have put up with Wolfgang Gerhard (FPD party chairman) the whole
time, and again nothing." I'll only vote to really piss him off on
September 19. But that's not good.
It sounds a little destructive.
Yes I should vote because I'm for something. But I can't think of anything.
Nothing at all? At least there's less nuclear power now and more windmills...
I
find these windmills completely bizarre. They have something
apocalyptic about them. I can imagine them communicating with each
other. No I prefer geothermal heat. My uncle heats his whole house like
this and has never spent a pfennig on oil. The place is always boiling
hot. And this is in Germany, it's quite something.
With your Chance
2000 party, you wanted, for example to flood Helmut Kohl's holiday house
at the Wolfgangsee by getting a million unemployed people to swim in
the lake at the same time. What has happened to all your energy?
During
that election campaign I had at a horrible life-changing experience. We
were driving around in our Chance 2000 bus when my girlfriend at the
time got a phone call. Her father had had a bad fall and was in a coma
in the clinic. Her mother had had a nervous breakdown. We got over
there as quickly as possible. My election slogan was still ringing in
my ears: Vote for yourself! Which means choose your own destiny. And
then suddenly, clinic, intensive care, and people rigged up to
machines. We stayed there the whole night, the next day they switched
off the machines. And we just carried on with the campaign. That
evening I was standing in Munich saying: Vote for yourself. You can do
it if you want. I could cry now when I think of it. It was disgusting.
Then you'd had enough after that?
I
could talk in every microphone. I could explain everything, I could
clarify everything. But without I microphone I was just an empty
carcass. I had no fear, no feelings, I couldn't cry any more. After
that I went to Africa for eight weeks. It took eight weeks to get my
fear back. I'm curious to know where Schröder will go when it's all
over.
Fear is the focus of your project "Church of Fear" which you started at the beginning of the Irak war.
It's
not about saying give me peace, but give me fear. Have fear, be scared
because that's the truth. Seek the fear inside you. The worst thing is
the permanent denial of fear. I might even start to like Schröder if he
would face up to his situation, if he would talk about loneliness. About
mourning, about failure.
Oskar Lafontaine and Gregor Gysi (the two
politicians spearheading the new Linkspartei) are looking for the fear
of others so they can turn it into politics. Are they anti-heroes?
No,
at the end of the day, they're more like collaborators whose aim is to
squash the SPD. Lafontaine is a little Alberich, a poison dwarf. Just
that he doesn't have a magic cap but a hate cap. They're basically
addicts who can't stop.
In 1999 you showed your theatre piece "Berliner Republik" at the Volksbühne, Berlin politics as art object.
A
complete disaster. The first 50 minutes were good. Then right in the
middle someone handed me a tax assessment for my Party. I had no idea
about all the financial stuff and suddenly I was being told to pay two
hundred or more thousand marks. It had something to do with donations.
When I saw the demands my vision started distorting chronically and I
had rush to hospital. Then a doctor said to me, "Bad news. You have a
hypophyse tumor. We'll have to operate immediately. But it could happen
that you have problems with your feelings afterwards, because they are
regulated by the hypophyse." Those were the two messages of the day.
Later, thank God, it turned out that the doctor had got it wrong. I've
just got a lump in my optic nerve."
Mr Schlingensief, we are here in
Bayreuth where your "Parsifal" is showing for the second time. Do you
feel at home on the green hill by now?
The working situation last
year was completely idiotic. Katharina Wagner made it out as if she
would mediate between us and the Wagner family. But really all she did
was some sort of family body-building between her father Wolfgang and
her mother Gudrun. This time the Wagners have left me to get on with
it, and that has gone down well outside too. I have been getting on
brilliantly with everyone. We've often eaten out together and talked a
lot. It's nothing like last year when I went once for some Asian food
with them. This year by the way there was an Asian musician in the
orchestra pit. The local papers got all excited about that. "First
Asian in Orchestra Pit". It was like "Pekinese sings Tristran".
How was the premiere?
Amazing. The Wagnerians are all about 150 years old by now, among them a number of pseudo left politicians like Udo Bermbach…
... an opera expert who among other things advised Jürgen Flimm with his "Ring der Nibelungen"...
....
and who drivels on about primitive peoples and re-sacralisation. People
whose world consists of self-pity. I love it when I step out in front
of the curtain and see these zombies raging. One lady dripping in
diamonds cursed me for destroying her redemption. And someone from the
Swiss Wagner society complained that the grail was nowhere to be seen,
and how it was always so lovely when it started to glow, so red. It was
a disgrace that it was missing. I put my arm around him and explained
that the rotting rabbit was the grail. Then I saw his pen knife fall
out of his pocket. But the best moment was when Pierre Boulez the
conductor took me in his arm. That was pure joy. "It's like the old
days. That got the fire started," he said. Of course it's a joke that
there are only five performances of "Parsifal". Bayreuth should open up,
three months at least. The scarcity of tickets is just a marketing
trick. Demand creates wealth, that's their motto.
What does your "Parsifal" have to say to Germany?
Germany
can learn something from "Parsifal". It should learn sympathy through a
process of understanding. We're supposed to feel sympathy for the people
on Hartz IV, for our bank account, for Schröder, for East Germany. But that's
not really sympathy, it's just self-pity. Symbols like Bob Geldof's
Live 8 are not going to get us anywhere. Sympathy only exists when you
don't have anything to eat yourself. There's also a need for real
feelings, for religion, for redemption. It didn't really work with the
SPD, they just showed us their wounds without offering us any
redemption. Now we're trying it with the Christian Democrat religious
society, or the Linkspartei sect.
Politicians make a mass pilgrimage to Bayreuth. Can they learn something there?
Of
course. Politics always has to come up with results. It's like an
eternal test in school, or like a great battle of singers. Each person
has to constantly tune their voice because there's some important
announcement to be made in the morning. And when they do, they know
that the others will say the exact opposite within five minutes. You
always know what's coming. For example at the moment you know that
Friedrich Merz could become the Lafontaine of the CDU. And you learn
that the pitch of the voice has to vary. That's why Westerwelle has no
future. He can only sing one note, always the same sound. Merkel,
Lafontaine, Schröder, Fischer, they are all better at it.
You live much of your life abroad: Africa, Iceland, maybe Brazil soon. Are you turning your back on Germany?
I
enjoy these countries a lot because I feel much freer there than in
Germany's narrow border system. But I still live in Berlin too.
Do you know what you'll be voting on September 18?
Is
that really the date? If you only knew all the things I've voted for.
Mostly strange splinter groups in the left spectrum. I once sold eggs
in Oberhausen for the KPD/ML (German Communist Party/
Marxist-Leninists), one pfennig each. It was supposed to show how
cheaply eggs can be produced. After that I found out that the hens did
not benefit at all. They lived in abject misery. So I'm a swing voter.
*
The interview originally appeared in German in Die Zeit on August 4, 2005.
Christoph Schlingensief's numerous artisitic and theatrical activities are well documented in English here.
Tina Hildebrandt and Stephan Lebert are editors for Die Zeit.
Translation: lp.