Cornelia Funke tells stories of fairies and mud monsters, of adventurous girls, a gang of children in Venice ? and her stories somewhere between fantasy and adventure are Germany?s most successful literary export at the moment....
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An interview with one of the grand old men of German theatre, Gert Voss, about Schiller's Wallenstein, the glories and the disappointments of the stage, and a life-long love of cinema. By Peter Kümmel
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The celebrated German theatre collective Rimini Protokoll gives centre stage to "experts on everyday life". Eva Behrendt met three of its unsuspecting stars: English Literature student Priyanka Nandy, lorry driver Vento Borissov and corporate consultant Sven-Joachim Otto.
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Although Belarus "Free Theatre" stages its critical plays in discreet locations - cafes, apartments and even the woods - they have not escaped the attentions of the state authorities. Ingo Petz on a theatre group that's immune to intimidation.
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The Berlin festival Tanz im August presents human swarms, wailing feedback and the dark side of the pas de deux. This is good for dance. By Katrin Bettina Müller
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A great theatre pair director Luk Perceval and actor Thomas Thieme talk about fear, fury and self-hatred on the occasion of their five-hour Moliere marathon which just premiered at the Salzburg Festival. And about being a potato. By Peter Michalzik
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Fighting the system of informers in the GDR was his life's task. It made him ill - and famous. On the death of Ulrich Mühe. By Matthias Heine
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The Mülheimer Theatertage is a festival of contemporary plays. Christopher Schmidt takes a look at current trends and discovers truth-protocols, text surfaces and the Hamburg telephone book. But is there a dramatist in the house?
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Of mothers and children: Sasha Waltz has staged Pascal Dusapin's "Medea" opera in Luxembourg. Yet while the spirit races, the dancing is in slow motion. By Christiane Peitz
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Germany's top theatre festival is taking place in Berlin, the Theatertreffen. But does the theatre still have anything to celebrate? Absolutely! A defence of the stage in the age of cable TV and computer games. By Peter Kümmel.
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Revolution with a whiff of dementia. Nicolas Stemann stages Elfriede Jelinek's play "Ulrike Maria Stuart" in Hamburg's Thalia Theatre. Intelligent septuagenarian RAF schlock horror, says Christopher Schmidt.
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Sylvia Staude reports from Vienna's ImPulsTanz festival, a month-long contemporary dance platform with something for everyone, from the biggest names to the most passionate non-dancers.
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Theatre director Thomas Ostermeier and choreographer Constanza Macras have shaken things up at the Athens & Epidaurus Festival in Greece, with a sexed-up, grotesquely over the top, babylonically confused party called "A Midsummer Night's Dream." By Christine Dössel
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Berlin's favourite Russian writer Wladimir Kaminer sat on the scriptwriting jury at this year's Theatertreffen festival. He recounts the horrors of reading plays by the kilo and reminisces about his own dubious-sounding contributions to the dramatic arts.
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In an arresting new play, five young Muslim women lift the veil on a taboo: sex. Director Neco Celik talks to Michaela Schlagenwerth about his own conflict with Islam and why he chose this explosive material for his first play.
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Making audiences happy makes other people suspicious. Max
Reinhardt not only staged theatre in Berlin, he also built and ran several of them very successfully. He democratised the closed world of theatre, but he has never been able to
shake the accusation of being apolitical. By Esther Slevogt
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