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03/07/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Berliner Zeitung 27.06.2009

In good Austrian literary tradition, author Josef Winkler used his opening speech at the Festival of German-Language Literature in Klagenfurt, to criticise the city for not having a public library and to blame the death of a young boy two years ago, on the city's construction and traffic policy. Karsten Krampitz picked up on this story and reports: "People who were at the scene of the accident are now stepping forward to explain that the nine-year-old Lorenz Woschitz was crossing the road on a red light at a pedestrian crossing, and had almost reached the other side, when some adults called out to reprimand him. The boy did as he was told and turned round, and that was when tragedy struck." (A cautionary tale that deserves to be inscribed into the tarmac at every German pedestrian crossing to ward off the over-zealous watchmen of the red light -ed.)


Die Welt 27.06.2009

The writer Georg Klein takes an alchemical approach to the Michael Jackson phenomenon, in which, he says, "physical presence and media propulsion" entered a new alliance. "Even as a child Michael Jackson was a performer, one who was forced mercilessly into the spotlight on countless tours. Night after night he was sent out to use his stage presence and talent to seduce a more or less welcoming collection of concert goers into the sphere where an audience's fascination fuses with the artist's love of performing, to form an intoxicating substance. Charisma is a synthetic gas which makes the person who inhales it forget that he is participating in its synthesis. In the early film footage that show Michael as a member of the Jackson Five, you see the mercurial substance lighting up the eyes of the young Jacko. The lad can hear how well he's singing, and at the same times he senses with every bone in his body, the burgeoning enthusiasm of his audience."


Berliner Zeitung 30.06.2009

Ingeborg Ruthe visits the Hungarian city of Pecs, European cultural capital 2010 alongside Istanbul and Essen, which now has to contend with a right-wing government and crisis conditions: "The multicultural city of 160,000 inhabitants and its surrounding region has a wealth of culture to offer and a defiant goal of attracting one million guests next year. Even if at present, it has no more than 6,000 hotel beds and a restrictive budget, which means the 17 beautiful but rather moth-eaten classical museums will not be treated to more than cosmetic renovation."


Neue Zürcher Zeitung
01.07.2009

Lilo Weber grieves for the choreographer Pina Bausch (68) who died suddenly on June 30 just 5 days after being diagnosed with cancer. "She was less interested in how people move, than what moved them – the choreographer's much-quoted credo ran through her entire oeuvre. Her first pieces "Iphigenia in Tauris" (1974) or her 1975 version of 'The Rites of Spring' (excerpt on youTube) were still indebted to modern dance. But soon the members of the Tanztheater Wuppertal started talking on stage, singing, warbling, even screaming. Into a dance world that had waved goodbye to narrative and in which expressive emotions were considered anti-modern, Pina Bausch reintroduced storytelling and emotional explosions."


Die Tageszeitung 01.07.2009

The paper prints excepts from diary of the Iranian blogger "anonyma": "Sunday 28 June, just after midnight, I wake from a nightmare. I've just heard that a crowd of people has gathered in front of Evin prison, to try to find out what has happened to their friends and loved ones. They have obviously set up camp in front of the prison. I will go there in the morning myself to find out more. A friend told me they are taking prisoners to Karaj, where thousands of demonstrators are already behind bars. He said they are putting them in cells with brutal criminals to make their stay a horror trip."


Frankfurter Rundschau
01.07.2009

The Chinese artist Ai Weiwei is leaping in protest against the censorship and spy software which Chinese censors want installed on every computer in the country, as Bernhard Bartsch reports. "Ai's naked jump is a double insult to the censors. On the one hand Ai is cocking a snoot at the failings of the 'green damn's automated porn-detectors. Bloggers have showed that plenty of naked images manage to slip through, but pictures of swimmers and Garfield comics get sifted out. On the other hand the soft toy which Ai is using as a fig leaf is an icon of Chinese blogger resistance. It is a fictitious creature named 'Cao Ni Ma', which literally means 'grass-sludge-horse' but phonetically sounds like an unpleasant swearword meaning 'screw your mother'." More photos on Ai Weiswei's blog. And here are two photos from a competition launched by Ai Weiwei showing Chinese people giving their country the bird.


Süddeutsche Zeitung
01.07.2009

Susan Vahabzadeh listens raptly as John Malkovich tells her why he decided to play the serial killer Jack Unterweger in "The Infernal Comedy" at the Viennese Ronacher theatre. "What attracted him, when five days filming in LA would obviously have generated a lot more cash? The music, the bizarre story of the murderer-cum-writer who was given a second chance by Austrian intellectuals (Elfriede Jelinek included) in the 80s – only to return the favour by strangling a series of prostitutes. 'I saw him on TV,' John Malkovich says shaking his head, 'and I could tell that Unterweger was obviously lying, although I didn't understand a word of the language he was speaking. It intrigued me, that people were taken in by him."


Neue Zürcher Zeitung
02.07.2009

In a fictitious dialogue Serbian-Canadian author David Albahari explains why Serbian writers don't have it easier than their, say, Canadian counterparts, just because Serbia is riddled with problems: "No matter what Serbian writers do, they will not be able to avoid stepping on toes. If their books appear in Latin script, they are betraying Serbian tradition; if they are printed in Cyrillic, they will have pro-EU faction breathing down their necks. If they write about Serbian issues, they will be branded nationalists; if they don't they will be accused of pandering to the enemies of Serbian orthodoxy. If they use the language of Northern Serbia they will be attacked for neglecting the dialect of the South.


Neue Zürcher Zeitung 03.07.2009

Iraqi author Najem Wali has written a book about Israel, "Journey into the Heart of the Enemy" (due to be published in English by MacAdam/Cage), in which he allows himself to sympathise with the country. Now he is being accused of naivete by the Israeli Left, Arabs and Germans alike. But he is determined to remind the world, and also the Israelis, of the ideals which they have realised, at least in part. "All of a sudden they remember the shattered visions on which the founders of the Jewish state wanted to build a multi-ethnic democratic state – a state which respects human rights and which protects the non-Jewish minorities living there. Over the course of 60 years of confrontation, conflict and war, this image has paled beyond recognition, suppressed by the later militarisation of Israeli society." See our feature by Najem Wali about his book.

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From the Feuilletons

Saturday 24 - Friday 30 July, 2010

Applause thunders in for the rats of Lohegrin, Klaus Maria Brandauer as Oedipus in Colonus, and Wolfgang Rihm's constructive irony. lovegermanbooks loved the German independent book fair. Liv Ullman remembers an historic meeting - between Ingmar Bergman and Woody Allen - that was shrouded in silence and punctuated by meatballs. It was not booze and drugs and thumping music that killed the Love Parade, writes the NZZ in its obituary. And how many phone calls does it take to shut down an Iranian newspaper?
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Saturday 17 - Friday 23 July, 2010

Nothing is more expensive than yesterday's papers: Telepolis explains what Brazil would do to a Springer Verlag that tried to charge 27,000 Euros to read the Vossische Zeitung from 1934. Alice Schwarzer takes the Left to task for defending the burqa. The city of Weimar is not letting a little thing like the Holocaust get in the way of its friendship with Iran. The SZ prays for the worn-out souls of 21st century office workers. And the taz frolics in the dirt of Bonaparte's farting electro beats.
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From the Feuilletons

Saturday 10 - Friday 16 July, 2010

Fifteen years after Srebrenica, Germanist Jürgen Brokoff says you cannot separate politics and poetry in Peter Handke. The sentence handed out to the Russian curators Andrey Erofeev and Juri Samodurov is lenient only on the surface, the papers say. The SZ passes on some painful advice from Fritz Teufel, the comedy '68er who died on July 6. Publisher Klaus Wagenbach explains the "heart clause" and when it kicks in. And the integration miracle of Marxloh is now attracting international therapy tourists.
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From the Feuilletons

Saturday 3 - Friday 9 July, 2010

David Grossman calls on Israel to offer Hamas a ceasefire. Kent Nagano has handed in his resignation at the Bavarian State Opera, due to bad blood between him and a man who eats intrigues for breakfast. John Bock has transformed Berlin's Temporary Kunsthalle into a FischGrätenMelkStand full of burnt pizzas and black soup. The NZZ raves about Christoph Marthaler's "Papperlapapp" at the Papal Palace in Avignon. And Prague is haemorrhaging artworks to London, Paris and Vienna.
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From the Feuilletons

Saturday 26 June - Friday 2 July, 2010

The former publisher of Peter Wawerzinek, this year's Ingeborg Bachmann prizewinner, celebrates the comeback of the wandering bard. Micha Brumlik explains the German dilemma in all things Israel-related. Peter Demetz rediscovers the writer H.G. Adler. The SZ is worried about Munich's museums where the cobwebs are multiplying. The Voodoo priest Max Beauvoir talks about bad vibrations in Haiti. Video artist Shrin Neshat discusses her first feature film, "Women Without Men".
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Saturday 19 - Friday 25 June, 2010

At the Berlin Biennale, Belgian artist Renzo Martens encourages the Congolese to enjoy their poverty. Historian Dan Diner supports Turkey's foreign policy somersault. Philosopher Daniel Dennett says the media squandered a massive opportunity by not publishing the Mohammed cartoons. Hanover's local paper reports on an intercultural dialogue that had to be put on hold for a moment - due to flying stones. The Süddeutsche Zeitung was winded by the harshness of Christa Wolf's revolutionary zeal. And the taz just can't get enough of really long Asian films.
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From the Feuilletons

Saturday 12 - 18 June, 2010

Curator Jean-Christophe Ammann explains why the female body is the first victim of global art. The taz checks out the South African design scene. Necla Kelek presents a new study which links religious belief in young Muslims with a reluctance to integrate. Dutch writer Geert Mak blames provincialism for the election results in the Netherlands. The Slovak elections, says Michael Hvorecky, were a triumph against populism.
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Saturday 5 - Friday 11 June, 2010

Warsaw curator Pawel Leszkowicz talks about changing attitudes to homosexuality in Poland. Der Freitag profiles Pierre Assouline, the first literary critic to elicit 1000 readers' comments with an essay on Georges-Arthur Goldschmidt. Western liberals are to blame for dismantling universal human rights, according to Caroline Fourest in Perlentaucher. Speaking in honour of Marcel Reich-Ranicki at the Börne award ceremony, Henryk Broder bids him to show more engagement for Israel. And a German book on the mafia has Italians seeing red.
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From the Feuilletons

Saturday 29 May - Friday 4 June, 2010

David Grossman voices his desperation about the "Free Gaza" debacle. Henning Mankell, on the other hand, describes it as a resounding success. Composer Heinz Holliger declares his love for Schumann's madness. The Tagesspiegel decries the moral chestbeating of the German media in condemnation of former president Horst Köhler. Iranian film maker Jafar Panahi diagnoses the prison guard's fear of the cinema. And we learn why the sonic 'mosquito' is just enough to keep the kids at bay.
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Saturday 22 - Friday 28 May, 2010

Laszlo F. Földenyi joins Canetti is asking a thoroughly unfashionable question: What is man? Joachim Gauck, former commissioner of the Stasi archives, talks about fighting the system. Novelist Sibylle Lewitscharoff sinks her teeth into toothless literary criticism. The Tagesspiegel visits Andres Veiel on the set of his first feature film - about Gudrun Ensslin and Bernward Vesper. Hoo Nam Seelmann describes South Korean methods of crisis management. And the taz calculates the true price of the Ipad, which just might be a padded cell.
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From the Feuilletons

Saturday 15 - Friday 21 May, 2010

Jürgen Habermas gives German political elites a sharp dressing-down. Former Israeli ambassador to Germany, Avi Primor, denies that anti-Semitism is on the rise. Memorial's Swetlana Gannuschkina reveals what is really under the uniforms of dead Chechen insurgents. At Cannes, the non-stop cheering in Adrej Ujica's montage "Autobiografia lui Nicolae Ceaucescu" elicits murderous emotions. Two South African directors discuss the effects of apartheid on theatre audiences, 16 years after it ended. And decapitated heads go on show at the Musee D'Orsay.
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From the Feuilletons

Saturday 8 - Friday 14 May, 2010

"Why are raindrops always trickling down the window? the taz asks new Turkish cinema with a sigh. Albert Speer dresses down the vanity of the UFO building, and those designed by Zaha Hadid in particular. Filmmaker Eva Munz describes a night in Bangkok on the verge of civil war. Italian writer and politician Fiamma Nirenstein discusses the origins of left-wing anti-Semitism. And an Albanian Autocephalous Orthodox bishop remembers the dangers of coloured egg shells under the Hoxha regime.
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Monday 3 - Friday 7 May, 2010

The new Documentation Center of the Topography of Terror museum on the site of the former SS headquarters in Berlin, meets with universal approval. The same cannot be said of the Holocaust Memorial five years on: Henryk Broder describes it as a ten-tonne exonteration. The public broadcaster ZDF has cancelled an interview with Danish cartoonist Kurt Westergaard - but is denying it. And the FAS has witnessed a miracle, in the form of Igor Levit on an out of tune piano in China.
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From the Feuilletons

Saturday 24 - Friday 30 April, 2010

Mikhail Khordokovsky refuses to abandon hope for Medvedev and Putin. Lower Saxony's first Muslim minister Aygül Özkan might have failed to get the crucifix out of the classroom, but she should keep up the good work. Jörg Lau has only contempt for the preventative cowardliness of the western media in the Mohammed-in-a-bear-suit fiasco. At the Munich Music biennial, composer Tado Taborda shows why humans don't need to shout in the rain forest. And Kristof Schreuf's new album "Bourgeois With Guitar" returns the sheen to hackneyed pop classics.
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Saturday 17 - Friday 23 April, 2010

Memorial's Arseni Roginski talks about Katyn and Russia's distorted self-image. Olga Tokarczuk pens an essay on the "neurotic theatre of Catholic nationalism" in Poland. Islam expert Olivier Roy distances himself from the term "Islamophobia". In Google's stats of government censorship requests, Germany is currently standing proud in second place. And can we expect more from a 50-year-old Neo Rauch than an endless stream of pseudo-connections?
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