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03/07/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Berliner Zeitung 27.06.2009

In good Austrian literary tradition, author Josef Winkler used his opening speech at the Festival of German-Language Literature in Klagenfurt, to criticise the city for not having a public library and to blame the death of a young boy two years ago, on the city's construction and traffic policy. Karsten Krampitz picked up on this story and reports: "People who were at the scene of the accident are now stepping forward to explain that the nine-year-old Lorenz Woschitz was crossing the road on a red light at a pedestrian crossing, and had almost reached the other side, when some adults called out to reprimand him. The boy did as he was told and turned round, and that was when tragedy struck." (A cautionary tale that deserves to be inscribed into the tarmac at every German pedestrian crossing to ward off the over-zealous watchmen of the red light -ed.)


Die Welt 27.06.2009

The writer Georg Klein takes an alchemical approach to the Michael Jackson phenomenon, in which, he says, "physical presence and media propulsion" entered a new alliance. "Even as a child Michael Jackson was a performer, one who was forced mercilessly into the spotlight on countless tours. Night after night he was sent out to use his stage presence and talent to seduce a more or less welcoming collection of concert goers into the sphere where an audience's fascination fuses with the artist's love of performing, to form an intoxicating substance. Charisma is a synthetic gas which makes the person who inhales it forget that he is participating in its synthesis. In the early film footage that show Michael as a member of the Jackson Five, you see the mercurial substance lighting up the eyes of the young Jacko. The lad can hear how well he's singing, and at the same times he senses with every bone in his body, the burgeoning enthusiasm of his audience."


Berliner Zeitung 30.06.2009

Ingeborg Ruthe visits the Hungarian city of Pecs, European cultural capital 2010 alongside Istanbul and Essen, which now has to contend with a right-wing government and crisis conditions: "The multicultural city of 160,000 inhabitants and its surrounding region has a wealth of culture to offer and a defiant goal of attracting one million guests next year. Even if at present, it has no more than 6,000 hotel beds and a restrictive budget, which means the 17 beautiful but rather moth-eaten classical museums will not be treated to more than cosmetic renovation."


Neue Zürcher Zeitung
01.07.2009

Lilo Weber grieves for the choreographer Pina Bausch (68) who died suddenly on June 30 just 5 days after being diagnosed with cancer. "She was less interested in how people move, than what moved them – the choreographer's much-quoted credo ran through her entire oeuvre. Her first pieces "Iphigenia in Tauris" (1974) or her 1975 version of 'The Rites of Spring' (excerpt on youTube) were still indebted to modern dance. But soon the members of the Tanztheater Wuppertal started talking on stage, singing, warbling, even screaming. Into a dance world that had waved goodbye to narrative and in which expressive emotions were considered anti-modern, Pina Bausch reintroduced storytelling and emotional explosions."


Die Tageszeitung 01.07.2009

The paper prints excepts from diary of the Iranian blogger "anonyma": "Sunday 28 June, just after midnight, I wake from a nightmare. I've just heard that a crowd of people has gathered in front of Evin prison, to try to find out what has happened to their friends and loved ones. They have obviously set up camp in front of the prison. I will go there in the morning myself to find out more. A friend told me they are taking prisoners to Karaj, where thousands of demonstrators are already behind bars. He said they are putting them in cells with brutal criminals to make their stay a horror trip."


Frankfurter Rundschau
01.07.2009

The Chinese artist Ai Weiwei is leaping in protest against the censorship and spy software which Chinese censors want installed on every computer in the country, as Bernhard Bartsch reports. "Ai's naked jump is a double insult to the censors. On the one hand Ai is cocking a snoot at the failings of the 'green damn's automated porn-detectors. Bloggers have showed that plenty of naked images manage to slip through, but pictures of swimmers and Garfield comics get sifted out. On the other hand the soft toy which Ai is using as a fig leaf is an icon of Chinese blogger resistance. It is a fictitious creature named 'Cao Ni Ma', which literally means 'grass-sludge-horse' but phonetically sounds like an unpleasant swearword meaning 'screw your mother'." More photos on Ai Weiswei's blog. And here are two photos from a competition launched by Ai Weiwei showing Chinese people giving their country the bird.


Süddeutsche Zeitung
01.07.2009

Susan Vahabzadeh listens raptly as John Malkovich tells her why he decided to play the serial killer Jack Unterweger in "The Infernal Comedy" at the Viennese Ronacher theatre. "What attracted him, when five days filming in LA would obviously have generated a lot more cash? The music, the bizarre story of the murderer-cum-writer who was given a second chance by Austrian intellectuals (Elfriede Jelinek included) in the 80s – only to return the favour by strangling a series of prostitutes. 'I saw him on TV,' John Malkovich says shaking his head, 'and I could tell that Unterweger was obviously lying, although I didn't understand a word of the language he was speaking. It intrigued me, that people were taken in by him."


Neue Zürcher Zeitung
02.07.2009

In a fictitious dialogue Serbian-Canadian author David Albahari explains why Serbian writers don't have it easier than their, say, Canadian counterparts, just because Serbia is riddled with problems: "No matter what Serbian writers do, they will not be able to avoid stepping on toes. If their books appear in Latin script, they are betraying Serbian tradition; if they are printed in Cyrillic, they will have pro-EU faction breathing down their necks. If they write about Serbian issues, they will be branded nationalists; if they don't they will be accused of pandering to the enemies of Serbian orthodoxy. If they use the language of Northern Serbia they will be attacked for neglecting the dialect of the South.


Neue Zürcher Zeitung 03.07.2009

Iraqi author Najem Wali has written a book about Israel, "Journey into the Heart of the Enemy" (due to be published in English by MacAdam/Cage), in which he allows himself to sympathise with the country. Now he is being accused of naivete by the Israeli Left, Arabs and Germans alike. But he is determined to remind the world, and also the Israelis, of the ideals which they have realised, at least in part. "All of a sudden they remember the shattered visions on which the founders of the Jewish state wanted to build a multi-ethnic democratic state – a state which respects human rights and which protects the non-Jewish minorities living there. Over the course of 60 years of confrontation, conflict and war, this image has paled beyond recognition, suppressed by the later militarisation of Israeli society." See our feature by Najem Wali about his book.

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Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
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From the Feuilletons

Saturday 14 - Friday 20 November, 2009

Claude Lanzmann is in shock: cinema-goers in Hamburg who wanted to see his film "Why Israel", were attacked by a mob to shouts of "Jewish pigs" - and no one paid any attention. Jonathan Littell sends a reportage from Chechnya, where reality is two bullets in the head. Last week's interview with Imre Kertesz in Die Welt has sparked much anti-Semitic spitting in Hungary, the German paper reports. And according to the SZ, Botticelli did more for male than female sexuality: he introduced vulnerability.
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Saturday 7 - Friday 13 November, 2009

Die Welt remembers how the NZZ reported on the fall of the Wall: increasing its font-size by one point. Bernard-Henri Levy rails against the accepted myth that the collapse of communism was unforeseeable. Imre Kertesz explains why he is so happy to live in Berlin. Ulrich Beck expresses his respect for the pluck of France's undocumented workers. And when presented with a Heiner Müller who hates the innocent, the FR is hugely relieved to switch to Hans Magnus Enzensberger.  
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Saturday 31 October - Friday 6 November, 2009

Much has been written on the Wall this week. Author Volker Braun remembers how important literature was, while it was still standing. Olaf Briese muses on its Bauhaus aesthetic. Author Reinhard Jirgl remembers disdainfully how it fell during a semi-hostile civil-service takeover. And Andrzej Stasiuk remembers how Germans on either side of it quivered in fear while the Poles tormented the Russian bear.
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Saturday 24 - Friday 30 October, 2009

Historian Daniel Jonah Goldhagen explains the difference between the Holocaust and other genocides: it was the work of an international genocide coalition. Swiss author Lukas Bärfuss worries about the spread of blank spots in the IT landscape. German Symphony Orchestra conductor Ingo Metzmacher worries about the hollow sound of classical music. The NZZ raises the threat level for hurricane Silvio. And Victor Erofeyev has given up on the Russian intelligentsia, which is having a crisis in the crisis.
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Saturday 17 - Friday 23 October, 2009

The Frankfurt Book Fair ends as it began: with a scandal. Austrian novelist Robert Menasse deplores the colonialism within the EU. The SZ delights in the sumptuous storytelling of Peter Paul Rubens. The Prague newspaper Lidove Noviny comments on a new document that cements the case against the communist informer, Milan Kundera . Die Welt wonders, as did Derrida, why Van Gogh painted two left shoes. And the FR celebrates the widening girth of Germany's new novels. 
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