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06/02/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Rundschau 31.01.2009

"Religion seized power for the first time in centuries! A modern day unicum. I think the West has failed fully to grasp the ramifications of the event," says German-Iranian writer, Said, in conversation with Arno Widmann about the 30 years since the Iranian revolution, when Ayatolla Khomeni – with the sympathy of the Western left - toppled the Shah of Persia. Said sees no end in sight to the Mullah regime. "There are tendencies, sadly also fatal ones. Never has more alcohol been consumed, or more kids fallen into drug addiction. Nowhere in the Middle East are the mosques emptier than in Iran. This Islam, so vaunted as a panacea, cannot even get tomato prices under control. Those who came into power with their slogans against decadence and godlessness are now the reason why Islam is haemorrhaging believers. It is safe to say that Islam has never been more scorned in Iran than it is today."


Neue Zürcher Zeitung 02.02.2009

British historian Ian Kershaw describes Stauffenberg's failed attempt on Hitler's life in refreshingly neutral terms, and he also remembers the failed assassination attempt by Georg Elser. "Elser single-handedly hid a bomb in the Munich beer hall where Hitler gave his annual speech in memory of the failed 1923 Nazi putsch. But the year was 1939 and Germany had just entered the war so Hitler kept his speech unexpectedly brief in order to get back to Berlin that evening. The bomb exploded minutes after Hitler left the beer hall, but had his speech been the normal length, he would have been torn into thousands of pieces."


Frankfurter Rundschau 03.02.2009

This week sees the publication of Najem Wali's book "Journey to the Heart of the Enemy" about his travels through Israel. In an interview the Iraqi writer explains that what fascinated him most about Israel was its multiculturalism. "Haifa managed to achieve a certain balance in daily life between Jews, Arabs, Templars and Druze. Later Russian Jews were added to the mix. I have always been fascinated by this sort of melting pot. Bilingualism has become a way of life. The youth talk Arabic and Hebrew. Haifa is the only Israeli city to have had a mayor of Arabic descent, who received equal numbers of votes from Jews and Arabs, and who has the respect of all religious communities. It would be naive to deny that conflict exists, and there is always a danger of its being fomented. But in Haifa they have found a very pragmatic way of living with it." Read our feature by Najem Wali about his journey.


Frankfurter Allgemeine Zeitung
03.02.2009

Necla Kelek is unsparing in her criticism of Germany's ethnic Turkish politicians. "Not one politician of Turkish descent stands up and says: Yes, there are specific problems that should not be relativised. Why do they not talk about arranged marriage, holiday brides, honour killings, domestic violence, discrimination against women? Why does a social pedagogue like Cem Özdemir (co-chairman of the Green Party) prefer to only write ... about the Turkish middle classes, why does he so often sound like a press speaker in Ankara? Why does the SPD politician and Turkish-community lobbyist Kenad Kolat continue to repeat his mantra of more money for the Turks, and why does Lale Akgün want to get rid of the Islam Conference and the Integration Summit...? The answer is simple and bitter. These politicians of Turkish descent have been working for decades on stylising their clientele as victims and themselves as the defendants of these victims."


Die Welt 03.02.2009

In an interview with Rüdiger Sturm, director Michael Cimino explains why no one in Hollywood will give him any money to make any more films and why he has lost all interest in Hollywood fare: "The films are just copies of copies of copies – without a vestige of originality or vitality. I can't remember being swept off my feet by a single film in recent years. But about a year a go I was on the jury at the Dubai film festival and there I saw wonderful productions from the Middle East which put western cinema to shame. ... Last fall I was at the film festival in Seoul and I had a similar experience. But there I didn't just see fantastic films from Korea but also from Brasil and Serbia too. It's shocking how superior they are to Hollywood cinema. They don't dish up lazy tricks, stagnant dialogues, they are excellently filmed and fantastic acted. These films are full of life and they come from the heart – in the way Italian Neorealism did."


Neue Zürcher Zeitung 04.02.2009

In the debate about the Pope's decision to rescind the excommunication of the renegade bishops, Holocaust-denier Williamson among them, Joachim Güntner notes that the ultra-traditional members of the Society of Saint Pius were actually able to present the Pope with a number of conditions for their return. He later writes: "Although his defenders will make the case for a more nuanced evaluation, the list of the scandals provoked by the Pope follows an unpalatable pattern: he snubbed the Muslims with a derogatory quote about their prophet, he shows contempt for the Protestants, he explains to the Brazilian Indios that their (violent) conversion to Christianity was an answer to their innermost wishes, and he alienates the Jews first with intercessory prayers that smack of missionisation, and then with an act of mercy towards anti-Semites."


Die Welt 06.02.2009

Tom Tykwer
's conspiracy thriller "The International" was an "excellent" opening for the Berlinale Film Festival, Hanns-Georg Rodek was pleased to report, and a shining illustration that glass architecture has little to do with transparency. "Wherever Clive Owen is taken on his crusade against corruption – from Berlin's Hauptbahnhof, to the Interpol HQ in Lyon, a bank in Luxembourg, the Pirelli tower in Milan – the architecture alone reveals how many layers there are between him and the truth. You could write a thesis on the role of architecture in 'The International'. But I will limit myself to noting how youthful and fresh Berlin looks against an aging and exhausted New York."


Die Tageszeitung
06.02.2009

Biologist
Cord Riechelmann wrests Charles Darwin from the clutches of the neoliberals. Vast income differences, he argues, have nothing to do with what god or nature intended, but are a man-made construct. "To this day, no one has desacralised Nature - and by extension human activity - more consistenly than Charles Darwin. He has convincingly denied any ideas of stability, progress, and the logic of target-setting as fundamental for natural processes. Instead he showed us how nature develops and changes. Permanently and ceaselessly, but she does not develop upwards and she does not swing in equilibrium. She does as she likes."

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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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From the Feuilletons

Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
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