The Stage As A Work Of Art

Stage designers is developing more and more into the most important element of stage productions. It is set designers or ?spatial artists? like Johannes Schütz, Muriel Gerstner, Stéphane Laimé and Olaf Altmann who are ?to blame? ? they are the ones who can turn an evening at the theatre into a total work of stationary art.... more more

GoetheInstitute

12/09/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 06.09.2008

As Ukraine officially commemorates the forced famine that claimed between three and ten million lives under Stalin, Ukrainian author Oksana Zabuzhko remembers the mass grave in the forest of Bykivnya on the outskirts of Kiev, where the bodies of 130,000 victims of the Soviet secret service have now been uncovered. "Many of the skulls have three to six bullet holes in the back of them, (was this some sort of shooting competition?), the breastbones were broken by square bayonets (a coup de grace or was this carried out on living objects?) and the people were slung into pits without being robbed first (were they in a hurry because the Germans were coming?). They are still in their clothes and shoes, they have gold teeth in their mouths, watches on their wrists – and square pieces of paper that were stuffed hurriedly into their pockets which carry the declaration of their sentence and the stamp and signature of the "executor". Until 1991, the area was closed off and a sign hanging above a gate at the entrance declared that here lay "the victims of the German-Fascist conquerors." Read more articles by Oksana Zabuzhko here and here


Die Tageszeitung 06.09.2008

Peter Glaser, a novelist and Ingeborg Bachmann Prize laureate with intimate knowledge of the technological world, writes a long essay to congratulate Google on its 10th birthday. He describes not only the virtual but the very real power of this "everything-now-machine": "On 16 November 2003 Google changed the way its search results were sorted, with drastic results. Huge numbers of websites which had previously ranked in the top 100 were downgraded, some even disappeared completely. Visitor numbers ran dry on many of these sites, taking turnover with them. The very existence of countless smaller and larger businesses today hangs from the silk thread of their ranking in a Google answer."


Die Tageszeitung 08.09.2008

In her resumee of the Venice Film Festival,Christina Nord is split down the middle. While she was annoyed by the provincialism of a number of Italian films and film importers, she was deeply impressed by festival's continued commitment to aesthetic impurity: "Like everywhere where non-hierarchical variety replaces the avant-garde concept, you can mourn the loss on the one hand, but you can also welcome the realm of possibilities that arise. In Venice this means that alongside 'The Wrestler', a black comedy like 'Burn After Reading' by Joel and Ethan Coen or Kathryn Bigelow's war drama 'The Hurt Locker', more space is allotted to the less accommodating films than would be at any other festival. The Out of competition section, for example, included Abbas Kiarostami's conceptual film which watches 115 actresses as they watch the film version of a Persian epic poem from the 12th century."


Süddeutsche Zeitung 08.09.2008

With an on eye America's worst foreign policy interventions, Marcia Pally warns against pinning too many hopes on a Democratic president. "Looking back over the Cold War, Republican presidents like Richard Nixon, Gerald Ford and Ronald Regan waged proxy wars and secret military operations in Indochina, South Korea, El Salvador, as well as against Salvador Allende in Chile and against the Sandinists in Nicaragua. But the Democratic presidents, Truman, Kennedy and Johnson, did the same thing, whether in Indochina or South Korea, against Patrice Lumumba in Congo, Kwame Nkrumah in Ghana, Juan Bosch in the Dominican Republic, Victor Paz in Bolivia or against Jao Groulet in Brazil. The Democrats have Vietnam and Suharto's bloodbath to answer for; the Republicans have Chile."


Neue Zürcher Zeitung 10.09.2008

Russian author Arkady Babchenko worked as the military correspondent for the Russian daily Novaya Gazeta during the Russian invasion of South Ossetia. In an interview with Jörg Plath he talks about his experiences and Moscow's ambitions: "If Medvedev wants Russian to be a superpower that stretches from the Fiji Islands to Gibraltar, then he should take his kalashnikov and conquer the world himself! But he shouldn't sit in his warm office and send 18-year-old Russian boys to do his dirty work! When Yeltsin wanted to be president of a superpower and attacked Chechnya, little Babchenko was sent to do the job. Now Medvedev wants to be the president of a superpower and is fighting in South Ossetia - and Babchenko is sent off again to photograph burning soldiers. I've had it up to here! Russia is like Germany in the thirties. It is fantasising about world domination and rolling up its sleeves."


Der Tagesspiegel 11.09.2008

There's a good chance, writes Bas Kast, that the particle accelerator in Cern will uncover no usable results whatsoever. But it will still be 6 billion euros well spent. "Yes, Cern dodges direct usability, yes, it couldn't care less about the McKinseyisation of our society, and this is the key to its importance. The physicist Victor Weisskopf once described the particle accelerator as the 'Gothic cathedral of the 20th century' and he hit the nail on the head. Just like in the great churches of the Middle Ages, generations of people are working on something that is far greater than themselves, far greater than the individual. Only that now we are not celebrating God but Nature. Cern is about man, about us: where we come from, what we are, the origin of everything. The only risk is that we will not find our ultimate origins. What is this gamble worth to us? What are dreams worth?"


Süddeutsche Zeitung 11.09.2008

Martina Knoben was bowled over by Matteo Garrone's Camorra film "Gomorrha" which has just opened on German screens. It is based on the book by Roberto Saviano who also had a hand in the script. The result is Mafia film that is absolutely unique "because it presents the dirty war of the Camorra for what it is – concentrating on the footsoldiers and victims. (...) There's no 'Godfather' in sight who can outshine the murder with his sinister charisma. And there are no people fighting to stop the killing for us to sweat with. The only time glamour lays itself over the proceedings, the shine is as fake as the sun in a solarium, which is where the opening bloodbath takes place. Here the killing is routine and professional, with Italo-pop blaring in the background."


Der Freitag 12.09.2008

Georgian writer Dato Barbakadze calls for Russia to put its imperialist complex aside and open itself to modern culture: "Russia communicates with the world in a language that is not only outdated but extinct. Compared with other dead languages which will never lose their cultural-historical and philological import, the Russian politico-cultural language lost its meaning long ago. It is not only unusable and incomprehensible, it is also dangerous for the world of culture, because it not based not on the philosophy of partnership with other countries. And where are the voices of Russian intellectuals protesting against the excessive reactions of their government? Only when Russian writers, artists, philosophers and scientists succeed in separating themselves from this tradition of chauvinism, will the rest of the world listen to what they have to say."

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From the Feuilletons

Saturday 8 - Friday 14 November, 2008

Art Spiegelman talks about his "Portrait of the Artist as a Young %@)*!" The editor of salon.eu.sk, Martin Simeka, responds to the eleven star authors who swooped to Milan Kundera's defence. The FAZ is furious about Ferran Adria's lack of social responsibility. The SZ is amazed at how a sleeping pill can make Turkish blood boil. Alexander Kluge's film of Marx's "Kapital" is a work of art about a work of art. And the veil is finally lifted on WWI documentaries.
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From the Feuilletons

Saturday 1 - Friday 7 November, 2008

The Kundera affair mostly goes unmentioned, despite the collective defence of the author by a group of Nobel Prize laureates. Only the Tagesspiegel demands objective truth. The taz portrays the flamboyant Turkish star author Murathan Mungan. The Finns are having to revise a WWII myth. Navid Kermani hopes that Obama's victory will speed up Europe's long learning process. And philosopher Jürgen Habermas reports back on the Hopperesque melancholy of pre-election USA.
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From the Feuilletons

Saturday 25 - Friday 31 October, 2008

South African writer Ivan Vladislavic describes the literary braindrain in Africa. Turkologist Corry Guttstadt decries Turkish cowardice during the Holocaust. Novelist Slavenka Drakulic explains why the Croatian media has finally opened its eyes to serious crime. And cellist Anner Bylsma agonises over prolonged vibrato.
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From the Feuilletons

Friday 24 October, 2008

Milan Kundera has demanded an apology from Respekt magazine for dragging his name into the dirt. Bernard-Henri Levy leaps to the author's defence, as does György Dalos. Sonja Margolina talks about her own experiences on the border of betrayal in the hands of the KGB. Painter Anselm Kiefer has won the Peace Prize of the German Book Trade but, says the FAZ, he's stuck in a fairytale forest. And the FR reports on a protest by historians against the EU memory police.
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From the Feuilletons

Saturday 11 - Friday 17 October, 2008

In which Milan Kundera is embroiled in a denunciation affair; a Saudi cleric bans the popular Turkish soap 'Noor'; novelist Steinunn Sigurdardottir explains how Iceland became Gordon Brown's Falklands; Turkey discovers its multicultural heritage; the doors open on slavery in Islam and the Bulgarians concoct a plan to raise the sunken city of Seuthopolis.
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From the Feuilletons

Saturday 4 - Friday 10 October

Reactions to JMG Le Clezio's Nobel Prize are at best lukewarm. An anonymous banker discusses the personal advantages of his job. Ralf Dahrendorf refuses to bitch about the Americans. The point is not whether women in Turkey should wear the headscarf, says Necla Kelek, but where they can go without it. La Traviata has been transformed on Platform 9 in Zurich's central station. And now for a blasphemous question: Was Beuys an "eternal Hitler youth"?
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From the Feuilletons

Thursday 2 October, 2008

The SZ celebrates a scattering of doppelgängers in a new production of Kafka's "Trial". It also ogles a philosophical diable de l'amour on Arte. In die Welt, Peter Weibel debunks the cult of the artist. The Berliner Zeitung marvels at the riches of Omsk. The NZZ fumes at the arrogance of Horace Engdahl and revisits the cleavage of Madame de Stael.
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From the Feuilletons

Friday 26 September 2008

Actor Moritz Bleibtreu tells how playing RAF terrorist Andreas Baader like he was could only result in comedy. Simon Rattle, Daniel Harding and Michael Boder have conducted Karlheinz Stockhausen's "Groups for Three Orchestras" like a flight in a helicopter. Bulgarian author Georgi Gospodinov explains why Berlin's urinals are different from Bulgaria's. And Uwe Tellkamp's thousand page novel "Der Turm" about a small GDR elite has hit reviewers like a bombshell.
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From the Feuilletons

Friday 19 September, 2008

The FR castigates the Germans for being so nuts about Obama when they've never elected so much as a Turkish mayor. Author and entrepeneur, Ernst-Wilhelm Händler, declares that it's not capitalism that has failed but the state. Andrzej Stasiuk spent his holidays in the Russian steppes where unlimited space felt penal. The NZZ sings a swan song for German theatre's Utopian dreams and the SZ bids farewell to the man who put the fun back into New Music.
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From the Feuilletons

Friday 5 September, 2008

Jungle World investigates academic anti-Semitism and Jewish self-hatred with Theodor Lessing. It also looks at Gaussian distribution as an instrument of suppression. Christoph Schlingensief talks about his stay in the first station of hell. The feuilletons are relieved to finally close the chapter on the Bayreuth war of succession. And Andreas Dresen's film "Cloud 9" ushers in the grey phase of the sexual revolution.
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From the Feuilletons

Saturday 23 - Friday 29 August, 2008

Sitting in Moscow traffic, Sonja Margolina learns a tough lesson about life in Russian civil society. The Tagesspiegel dismisses the second volume of Günter Grass's autobiography, "The Box", as an orgy of vagueness. Christoph Schlingensief remembers how Wolfgang Wagner stole his urinal. And Die Zeit fears for the youth of today, who have had the protest scared out of them.
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From the Feuilletons

Saturday 16 - Friday 22 August, 2008

Did Carl Philipp Emmanuel hide the end of the 'Art of Fugue'? Organist Ton Koopman casts aspersions on Bach's son. Michel Houellebecq explains why the problem is genital. Diedrich Diederichsen remembers meeting a certain New York waitress back in '82. Ukrainian writer Yuri Andrukhovych explains why he's on Georgia's side. Osssetian literature academic Shanna Chochiyeva explains why she thinks the Georgians are Nazis. And Czech playright Pavel Kohout says what the Russians need is another revolution.
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From the Feuilletons

Friday 9-15 August, 2008

Georgian author Devi Dumbadze criticises the powerless nationalism of his compatriots. Andre Glucksman and Bernard-Henri Levy diagnose Europe in a coma. A new book by Patrick Buisson describes the erotic confusion that gripped Vichy France. Syrian philospher Sadik Jalal al-Azm points to a third way for Islam. The SZ takes a magical history tour of YouTube piano recitals. And old Austrian men in lederhosen take to the streets in protest against Kippenberger's crucified frog.
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From the Feuilletons

Saturday 26 July - Friday 1 August, 2008

This year's 'Parsifal' in Bayreuth is a romp through German history. Twenty years after the fall of the Wall, Ingo Schulze says the West has made less than minimal progress. A group of intellectuals take up Pascal Bruckner's appeal to "Boycott Durban 2". Anselm Kiefer reveals all about his Virgin Mary visitation. Necla Kelek is deeply suspicious of Tariq Ramadan's campaign against forced marriage. And Carlos Fraenkel is wowed by the hermeneutic flexibility of Indonesian Muslims.
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