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12/09/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 06.09.2008

As Ukraine officially commemorates the forced famine that claimed between three and ten million lives under Stalin, Ukrainian author Oksana Zabuzhko remembers the mass grave in the forest of Bykivnya on the outskirts of Kiev, where the bodies of 130,000 victims of the Soviet secret service have now been uncovered. "Many of the skulls have three to six bullet holes in the back of them, (was this some sort of shooting competition?), the breastbones were broken by square bayonets (a coup de grace or was this carried out on living objects?) and the people were slung into pits without being robbed first (were they in a hurry because the Germans were coming?). They are still in their clothes and shoes, they have gold teeth in their mouths, watches on their wrists – and square pieces of paper that were stuffed hurriedly into their pockets which carry the declaration of their sentence and the stamp and signature of the "executor". Until 1991, the area was closed off and a sign hanging above a gate at the entrance declared that here lay "the victims of the German-Fascist conquerors." Read more articles by Oksana Zabuzhko here and here


Die Tageszeitung 06.09.2008

Peter Glaser, a novelist and Ingeborg Bachmann Prize laureate with intimate knowledge of the technological world, writes a long essay to congratulate Google on its 10th birthday. He describes not only the virtual but the very real power of this "everything-now-machine": "On 16 November 2003 Google changed the way its search results were sorted, with drastic results. Huge numbers of websites which had previously ranked in the top 100 were downgraded, some even disappeared completely. Visitor numbers ran dry on many of these sites, taking turnover with them. The very existence of countless smaller and larger businesses today hangs from the silk thread of their ranking in a Google answer."


Die Tageszeitung 08.09.2008

In her resumee of the Venice Film Festival,Christina Nord is split down the middle. While she was annoyed by the provincialism of a number of Italian films and film importers, she was deeply impressed by festival's continued commitment to aesthetic impurity: "Like everywhere where non-hierarchical variety replaces the avant-garde concept, you can mourn the loss on the one hand, but you can also welcome the realm of possibilities that arise. In Venice this means that alongside 'The Wrestler', a black comedy like 'Burn After Reading' by Joel and Ethan Coen or Kathryn Bigelow's war drama 'The Hurt Locker', more space is allotted to the less accommodating films than would be at any other festival. The Out of competition section, for example, included Abbas Kiarostami's conceptual film which watches 115 actresses as they watch the film version of a Persian epic poem from the 12th century."


Süddeutsche Zeitung 08.09.2008

With an on eye America's worst foreign policy interventions, Marcia Pally warns against pinning too many hopes on a Democratic president. "Looking back over the Cold War, Republican presidents like Richard Nixon, Gerald Ford and Ronald Regan waged proxy wars and secret military operations in Indochina, South Korea, El Salvador, as well as against Salvador Allende in Chile and against the Sandinists in Nicaragua. But the Democratic presidents, Truman, Kennedy and Johnson, did the same thing, whether in Indochina or South Korea, against Patrice Lumumba in Congo, Kwame Nkrumah in Ghana, Juan Bosch in the Dominican Republic, Victor Paz in Bolivia or against Jao Groulet in Brazil. The Democrats have Vietnam and Suharto's bloodbath to answer for; the Republicans have Chile."


Neue Zürcher Zeitung 10.09.2008

Russian author Arkady Babchenko worked as the military correspondent for the Russian daily Novaya Gazeta during the Russian invasion of South Ossetia. In an interview with Jörg Plath he talks about his experiences and Moscow's ambitions: "If Medvedev wants Russian to be a superpower that stretches from the Fiji Islands to Gibraltar, then he should take his kalashnikov and conquer the world himself! But he shouldn't sit in his warm office and send 18-year-old Russian boys to do his dirty work! When Yeltsin wanted to be president of a superpower and attacked Chechnya, little Babchenko was sent to do the job. Now Medvedev wants to be the president of a superpower and is fighting in South Ossetia - and Babchenko is sent off again to photograph burning soldiers. I've had it up to here! Russia is like Germany in the thirties. It is fantasising about world domination and rolling up its sleeves."


Der Tagesspiegel 11.09.2008

There's a good chance, writes Bas Kast, that the particle accelerator in Cern will uncover no usable results whatsoever. But it will still be 6 billion euros well spent. "Yes, Cern dodges direct usability, yes, it couldn't care less about the McKinseyisation of our society, and this is the key to its importance. The physicist Victor Weisskopf once described the particle accelerator as the 'Gothic cathedral of the 20th century' and he hit the nail on the head. Just like in the great churches of the Middle Ages, generations of people are working on something that is far greater than themselves, far greater than the individual. Only that now we are not celebrating God but Nature. Cern is about man, about us: where we come from, what we are, the origin of everything. The only risk is that we will not find our ultimate origins. What is this gamble worth to us? What are dreams worth?"


Süddeutsche Zeitung 11.09.2008

Martina Knoben was bowled over by Matteo Garrone's Camorra film "Gomorrha" which has just opened on German screens. It is based on the book by Roberto Saviano who also had a hand in the script. The result is Mafia film that is absolutely unique "because it presents the dirty war of the Camorra for what it is – concentrating on the footsoldiers and victims. (...) There's no 'Godfather' in sight who can outshine the murder with his sinister charisma. And there are no people fighting to stop the killing for us to sweat with. The only time glamour lays itself over the proceedings, the shine is as fake as the sun in a solarium, which is where the opening bloodbath takes place. Here the killing is routine and professional, with Italo-pop blaring in the background."


Der Freitag 12.09.2008

Georgian writer Dato Barbakadze calls for Russia to put its imperialist complex aside and open itself to modern culture: "Russia communicates with the world in a language that is not only outdated but extinct. Compared with other dead languages which will never lose their cultural-historical and philological import, the Russian politico-cultural language lost its meaning long ago. It is not only unusable and incomprehensible, it is also dangerous for the world of culture, because it not based not on the philosophy of partnership with other countries. And where are the voices of Russian intellectuals protesting against the excessive reactions of their government? Only when Russian writers, artists, philosophers and scientists succeed in separating themselves from this tradition of chauvinism, will the rest of the world listen to what they have to say."

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From the Feuilletons

Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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