Language Policy in the EU: Common Values vs Particular Interests

All the members of the European Union espouse the common value of fair and efficient cooperation, which in turn involves smooth communication on as equal a footing as possible in business, politics, the arts and the EU institutions. The large linguistic communities, whose languages are often learned as foreign languages, also have particular interests.... more more

GoetheInstitute

12/09/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 06.09.2008

As Ukraine officially commemorates the forced famine that claimed between three and ten million lives under Stalin, Ukrainian author Oksana Zabuzhko remembers the mass grave in the forest of Bykivnya on the outskirts of Kiev, where the bodies of 130,000 victims of the Soviet secret service have now been uncovered. "Many of the skulls have three to six bullet holes in the back of them, (was this some sort of shooting competition?), the breastbones were broken by square bayonets (a coup de grace or was this carried out on living objects?) and the people were slung into pits without being robbed first (were they in a hurry because the Germans were coming?). They are still in their clothes and shoes, they have gold teeth in their mouths, watches on their wrists – and square pieces of paper that were stuffed hurriedly into their pockets which carry the declaration of their sentence and the stamp and signature of the "executor". Until 1991, the area was closed off and a sign hanging above a gate at the entrance declared that here lay "the victims of the German-Fascist conquerors." Read more articles by Oksana Zabuzhko here and here


Die Tageszeitung 06.09.2008

Peter Glaser, a novelist and Ingeborg Bachmann Prize laureate with intimate knowledge of the technological world, writes a long essay to congratulate Google on its 10th birthday. He describes not only the virtual but the very real power of this "everything-now-machine": "On 16 November 2003 Google changed the way its search results were sorted, with drastic results. Huge numbers of websites which had previously ranked in the top 100 were downgraded, some even disappeared completely. Visitor numbers ran dry on many of these sites, taking turnover with them. The very existence of countless smaller and larger businesses today hangs from the silk thread of their ranking in a Google answer."


Die Tageszeitung 08.09.2008

In her resumee of the Venice Film Festival,Christina Nord is split down the middle. While she was annoyed by the provincialism of a number of Italian films and film importers, she was deeply impressed by festival's continued commitment to aesthetic impurity: "Like everywhere where non-hierarchical variety replaces the avant-garde concept, you can mourn the loss on the one hand, but you can also welcome the realm of possibilities that arise. In Venice this means that alongside 'The Wrestler', a black comedy like 'Burn After Reading' by Joel and Ethan Coen or Kathryn Bigelow's war drama 'The Hurt Locker', more space is allotted to the less accommodating films than would be at any other festival. The Out of competition section, for example, included Abbas Kiarostami's conceptual film which watches 115 actresses as they watch the film version of a Persian epic poem from the 12th century."


Süddeutsche Zeitung 08.09.2008

With an on eye America's worst foreign policy interventions, Marcia Pally warns against pinning too many hopes on a Democratic president. "Looking back over the Cold War, Republican presidents like Richard Nixon, Gerald Ford and Ronald Regan waged proxy wars and secret military operations in Indochina, South Korea, El Salvador, as well as against Salvador Allende in Chile and against the Sandinists in Nicaragua. But the Democratic presidents, Truman, Kennedy and Johnson, did the same thing, whether in Indochina or South Korea, against Patrice Lumumba in Congo, Kwame Nkrumah in Ghana, Juan Bosch in the Dominican Republic, Victor Paz in Bolivia or against Jao Groulet in Brazil. The Democrats have Vietnam and Suharto's bloodbath to answer for; the Republicans have Chile."


Neue Zürcher Zeitung 10.09.2008

Russian author Arkady Babchenko worked as the military correspondent for the Russian daily Novaya Gazeta during the Russian invasion of South Ossetia. In an interview with Jörg Plath he talks about his experiences and Moscow's ambitions: "If Medvedev wants Russian to be a superpower that stretches from the Fiji Islands to Gibraltar, then he should take his kalashnikov and conquer the world himself! But he shouldn't sit in his warm office and send 18-year-old Russian boys to do his dirty work! When Yeltsin wanted to be president of a superpower and attacked Chechnya, little Babchenko was sent to do the job. Now Medvedev wants to be the president of a superpower and is fighting in South Ossetia - and Babchenko is sent off again to photograph burning soldiers. I've had it up to here! Russia is like Germany in the thirties. It is fantasising about world domination and rolling up its sleeves."


Der Tagesspiegel 11.09.2008

There's a good chance, writes Bas Kast, that the particle accelerator in Cern will uncover no usable results whatsoever. But it will still be 6 billion euros well spent. "Yes, Cern dodges direct usability, yes, it couldn't care less about the McKinseyisation of our society, and this is the key to its importance. The physicist Victor Weisskopf once described the particle accelerator as the 'Gothic cathedral of the 20th century' and he hit the nail on the head. Just like in the great churches of the Middle Ages, generations of people are working on something that is far greater than themselves, far greater than the individual. Only that now we are not celebrating God but Nature. Cern is about man, about us: where we come from, what we are, the origin of everything. The only risk is that we will not find our ultimate origins. What is this gamble worth to us? What are dreams worth?"


Süddeutsche Zeitung 11.09.2008

Martina Knoben was bowled over by Matteo Garrone's Camorra film "Gomorrha" which has just opened on German screens. It is based on the book by Roberto Saviano who also had a hand in the script. The result is Mafia film that is absolutely unique "because it presents the dirty war of the Camorra for what it is – concentrating on the footsoldiers and victims. (...) There's no 'Godfather' in sight who can outshine the murder with his sinister charisma. And there are no people fighting to stop the killing for us to sweat with. The only time glamour lays itself over the proceedings, the shine is as fake as the sun in a solarium, which is where the opening bloodbath takes place. Here the killing is routine and professional, with Italo-pop blaring in the background."


Der Freitag 12.09.2008

Georgian writer Dato Barbakadze calls for Russia to put its imperialist complex aside and open itself to modern culture: "Russia communicates with the world in a language that is not only outdated but extinct. Compared with other dead languages which will never lose their cultural-historical and philological import, the Russian politico-cultural language lost its meaning long ago. It is not only unusable and incomprehensible, it is also dangerous for the world of culture, because it not based not on the philosophy of partnership with other countries. And where are the voices of Russian intellectuals protesting against the excessive reactions of their government? Only when Russian writers, artists, philosophers and scientists succeed in separating themselves from this tradition of chauvinism, will the rest of the world listen to what they have to say."

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From the Feuilletons

Saturday 27 June - Friday 7 June, 2009

The death of choreographer Pina Bausch has plunged all the feuilletons into mourning. It was not movement that interested her, but what moved people, the NZZ remembers. The author David Albahari deliniates the minefield of sensibilities that every Serbian author has cross. Iraqi author Najem Wali explains why it is not naive to believe in Israeli ideals. Chinese artist Ai Weiwei removes all his clothes and jumps up and down in protest against China's automatic porn-detector.
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From the feuilletons

Saturday 20 - Friday 26 June, 2006

German-Iranian writer Navid Kermani is keeping a diary in Tehran. Henryk Broder explains why the Germans are particularly qualified to tell the Israelis how to behave. Isabel Fonseca reports on the treatment of the Roma in Kosovo, where they are dying at the hands of the UN. The film industry has discovered that illegal downloaders are not such a threat to them after all. And in a dramatic U-turn, Egypt is actually having Israeli books translated into Arabic.
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From the Feuilletons

Saturday 13 - Friday 19 June, 2009

Iran, of course, has been the focus all week. Mariam Lau looks at what Hussein Moussavi stands for. German-Iranian poet Said is deeply sceptical about this so-called reformer. And the FAZ issues a fatwa: rigged elections breach sharia! Chinese writer Yu Hua talks about freedom in China, where you can bad-mouth anyone or anything, except the government. The first Euro MPirate Christian Engststöm wants copyright cut to 5 years. The German Bundestag has just adopted its first Internet censorship law. And Jürgen Habermas remembers the constructive intellect of sociologist Ralf Dahrendorf.


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From the Feuilletons

Saturday 6 - Friday 12 June, 2005

Iranian women's rights activist Parvin Ardalan explains how tiring it is when hemlines are not dictated by fashion. At the Venice Biennale, Slovak charm won over German talking cats. Are we really living in capitalism, asks Peter Sloterdijk, after all "fully fledged tax states reclaim half of all economic successes every year". The Jungle World watches as Iran's religious elites rip each other to shreds. And the taz shows that arranged marriages can ruin men's lives too.
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From the Feuilletons

Saturday 29 May - Friday 5 June, 2009

The blog Liza's World is stunned by the world's silence on the allegations against Sri Lanka. Chinese writer Li Dawei sees Mao's spirit wandering China's streets by night. On the 200th anniversary of Hayden's death, the NZZ looks at his humiliating contract with the royal house. The new Magritte Museum in Brussels unveils a radical new hanging of the artist's work. And economic ethicist Peter Koslowski debunks the notion the financial world needs to rebuild trust.
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From the Feuilletons

Saturday 23 - Friday 29 May, 2009

New evidence has emerged that could force Germany to rewrite the entire history of its '68 movement. Stefan Aust calls it "a turning point". Götz Aly tells the West Germans to throw open their files. Abdelwahab Meddeb protests against the mass slaughter of pigs in Egypt. Sonja Margolina comments on a Freudian-Orwellian law that is about to be passed in Russia. And Claude Lanzmann and Bernard Henri-Levy appeal to stop the anti-Semite Faruk Hosni from becoming the next Unesco director-general.
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From the Feuilletons

Saturday 16 - Friday 22 May, 2008

Theatre directors Claus Peymann and Rene Pollesch clash over the importance of literature. Rolf Schneider argues in favour of the Demjanjuk trial. British novelist David Lodge talks about the transition of artist to businessman. And Cannes is awash in blood and gore, from Lars von Trier's sex 'n' scissors shocker to Brillante Mendoza's protracted scattering of body parts. Thank goodness for Quentin Tarantino's Nazis!
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From the Feuilletons

Saturday 9 - Friday 15 May, 2009

German politicians have learnt nothing from Obama about how to win votes online. The Hessian Culture Prize for intercultural dialogue has ended in a mighty intercultural standoff. Navid Kermani wonders why it's only the Meiers and the Schulzes that get to discuss Goethe.The SZ sees the light, and it's coming through a concrete wall in Mexico. David Attenborough explains how to argue with a creationist: tell him the one about the child's eyeball and the worm. And the world's oldest sculpture has been dug up in the Swabian Alps - a busty lady in mammoth tusk.
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From the Feuilletons

Saturday 2 - Friday 8 May, 2009

Director Peter Stein warns against the trap of unconventionality. Writers are like birds, says Jonathan Franzen. And birds are so poor they eat beetles. Some investigative stat crunching leaves the German government's plans to tackle child pornography looking like an excuse to censor the Internet. Author Christoph Hein protests against the official exhibition "60 Years - 60 Works", which completely ignores the GDR. And could the bust of Nefertiti be a beautiful fake?
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From the Feuilletons

Friday 25 - Thursday 20 April, 2009

Jonathan Franzen enthuses about obfuscation in "Peeling the Onion".The cabaret artist Johnny Klinke fondly recalls his time sweating on the production line at Opel. The SZ goes underground with "Les Untergunther". In his blog, philosopher Abdolkarim Sorous explains why God was formless for the Persian poet Rumi. The FR was impressed by the hilarious thoroughness in the Romanian films at the GoEast festival. The NZZ inspects the dire situation of the Roma in Eastern Europe. And has art got a bad case of helper syndrome?
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From the Feuilletons

Saturday 18 - Friday 24 April, 2009

Russian poet Olga Martynova explains how the KGB reinvented the Orthodox Church. Die Welt takes on the environmental group which is fighting to ban DDT. Darwin biographer Jürgen Neffe celebrates the future spirit of the book, unfettered by a physical body. Dutch writer Adriaan van Dis puts his faith in civil society to help pull South Africa out of the wetsand. The FR explains to 1,3000 German scholars, writers and publishers why they need Open Access. And the NZZ speculates on the poisonous contents of Chinese banks.
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From the Feuilletons

Saturday 11 - Friday 17 April, 2009

Hungarian authors Peter Nadas and Peter Esterhazy see black for their country. Sonja Zekri visits Kyrgyzstan, a state blessed with both scenic and geopolitical charms. There are depressing reports in from the pile of rubble that was once the Cologne City Archive. Jungle World asks what the UN understands by "defamation of religions". Alice Schwarzer draws attention to a blind spot in the media coverage of the Winnenden shootings: eleven of the twelve kids shot in the classroom were girls. And the old Kanzlerbungalow in Bonn opens to the public: the house that launched a thousand "democratic" buildings.
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From the Feuilletons

Saturday 28 March - Friday 3 April, 2009

The FR picks through the remains of GDR literature. A symposium in Marburg celebrates the 80th birthday and lifetime achievement of the "Jürgen Habermas" of German poetry. Swiss author Urs Widmer explains why his compatriots were so shocked by tone of the German finance minister - it was just like the way an average German orders bread. The NZZ listens to the protracted diminuendo of the (Japanese) piano maker Bösendorfer. And the German copyright agency GEMA has taken on Youtube - to the detriment of German record labels and musicians.
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From the Feuilletons

Saturday 21 - Friday 27 March, 2009

Albanian writer Ismail Kadare explains why he joined the Communist Party. Götz Aly defends himself against the vociferous critics of his book on 1968. Die Welt wanders across Tiananmen Square and realises that Chinese youth are completely oblivious to what happened there 20 years ago. Swiss writer Alex Capus defends the German finance minister and his crusade to crack Swiss bank secrecy. And at a performance of Ligeti's "Le grand Macabre" in Brussels, the stage is dominated by a mountainous woman whose nipples can be opened like garden gates.
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From the Feuilletons

Saturday 14 - Friday 20 March, 2009

German-Irish writer Hugo Hamilton looks the depressed Celtic tiger in the eyes. At the Leipzig Book Fair the taz discovered the power of 11 to 17-year old girls. The Polish are furious about the overly simplistic American film "Defiance". Olivier Roy explains the background of the term Islamophobia. And at least one good thing has come out of the recession - a splendid new play by Elfriede Jelinek.
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