Best Before ? Rimini Protokoll Stages a Multi-Player Game in Vancouver

In the latest production of Rimini Protokoll there are again experts. But the main actor is the audience, which guide 200 avatars through a game of life.... more more

GoetheInstitute

25/07/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Other newspapers 19.07.2008

Ariane Mnouchkine has filmed three YouTube videos with her theatre group and some Chinese dissidents to call for a boycott of the Olympic Games. The least she expects from President Sarkozy is that he boycotts the opening ceremony, she says in an interview with Liberation: "It was intellectually dishonest of Sarkozy to justify himself by saying that we cannot boycott 1.2 billion Chinese. It's not about opposing a people, but opposing its leaders."

You can see the other two videos here and here.


Frankfurter Allgemeine Sonntagszeitung 20.07.2008

With the Bayreuth festival opening today, July 25, Eleonore Büning asks why are there so few decent Wagner singers left? Because "singers are hired the according to typecasts," answers one of the top Wagner singers, mezzo-soprano Waltraud Meier, "but above all on the basis of how low-maintenance they are. In addition, there are all the 'Quereinsteiger' in the ranks of the stage directors. (Quereinsteiger are people who make a lateral career change.) That would be the equivalent of letting me perform an operation to remove somebody's appendix – I have no idea how that works, but as a 'Quereinsteiger' I'd get to have a go anyway. That's how we get a situation where there are two stories being simultaneously told on stage which have a life of their own instead of running parallel. So I'm stood there asking myself whether I should be identifying with what I'm singing or with what I'm supposed to be doing. That is schizophrenic. (...) I remember a performance of Parsifal in Munich where I ran backstage screaming after the second act and we looked at each other and asked: What are we actually doing here? What is happening between us? I'm saying one thing, but doing another. You can only survive that by putting up a fight. So I go back on-stage and I do as I think it should be done. The younger colleagues don't dare, they just automatically perform as they are told. And so we have a singer crisis on our hands."


Neue Zürcher Zeitung 22.07.2008

Bernadette Conrad goes to Zagreb to meet Croatian writer Zoran Feric, who writes with much "borderline unbearable" humour and explains his affinity for the the drastic: "Actually, there are lots of things which are which have a different emotional charge for me than for others. Funerals for example are pleasant social events, I find. Everything becomes altered the closer you get to it. For me, this is exactly the business of literature: to smash the accepted images."


Die Tageszeitung 22.07.2008

Iranian film score composer and pianist Peyman Yazdanian talks in an interview about musical life in his country, musical taste of Iranians and the difficulties of finding good musicians since the revolution: "As an Iranian composer, it is not a good idea to write elaborate brass movements. With violins it is a little better. But now as then, we cannot record a string orchestra in one go, but have to use certain editing tricks. Put simplistically, we use the talented musicians as the core part of the sound and then add others in as their shadow to provide depth."


Neue Zürcher Zeitung 23.07.2008

Jürgen Ritte concedes that debate surrounding the literary qualities of Ernst Jünger is one of the most persistent Franco-German misunderstandings. He is, however, in favour of the recent inclusion of Jünger's 'War Diaries' in the Bibliotheque de la Pleiade: "They contain thoughts which symptomatically and representatively assimilated and sublimated a powerful and fatal era. Such undertakings, regardless of literary worth, help us more than fantasy versions like those of Jonathan Littell."


Die Tageszeitung 24.07.2008

Semiran Kaya was at the trial of Hrant Dink's murderers in Istanbul and has bad news: "After one officer confirmed that the murder plans were known well in advance, and subsequently hushed up, two military officers who were accused of the cover-up, replied that they were acting on information concerning the name 'Krant' not 'Hrant', and since their research had uncovered no one with this name, there was no one who could have been protected. (...) Such was the tone throughout the trial. Dressed in suits, the closely guarded main defendants were behaving like they owned the place. They didn't miss a single opportunity to be offensive, posing with the Hitler salute and even shouting down the defence counsel with 'You idiot!' They threaten the prosecution in case it is tempted to ask 'the wrong questions' and they have threatened one witness with a throat-slitting gesture."


Frankfurter Rundschau 25.07.2008

In reply to a critical open letter by Herta Müller (more here), the head of the Romanian Cultural Institute, Horia Roman Patapievici, who issued an invitation to two former Securitate informants whom he personally considers to be a "plague", writes: "As a representative of the Romanian Cultural Institute, however, I am duty bound to comply with the principle which forbids me to utilise state institutions to push through my personal convictions."


Barack Obama in Berlin

Yesterday Barack Obama spoke in Berlin to eager crowds packing the streets in front of the angel-topped Victory Column. Writing for der Spiegel Gerhard Spörl is still utterly intoxicated by the experience. "Anyone who saw him make the short way from the Victory Column in Berlin to the podium saw a man with the serious gait of a basketball player, a man who seemed young, decisive and focused. For those who witnessed his appearance in Berlin, it is hard to imagine that John McCain has any chance. McCain is 25 years his senior, a man who because of the torture he endured in Vietnam is in constant pain - unable to comb his hair or lift his arm in celebration. Europe is witnessing the 44th president of the United States during this trip. Anyone who listens to him realizes that he is not only ambitious but is also out to lay claims." To being a "world president", for example.(Watch Obama's speech here)


The satire magazine Titanic was on the case on the night before the great event: "The story so far: This evening at 9.55 pm Senator Barack Obama landed with Senator Obama's plane in Berlin, to meet with Obama's counterpart, Merkel, at 11. Then Chancellor Merkel heartily shook Obama's hand. Shortly after 12.20, Obama took his first break to readjust Obama's tie with his very own hands, eat a quick Obama-snack (fishfingers) and to freshen up Obama. By now Obama is heading for the toilet on Obama's feet. New events are happening by the second. Stay tuned!"

For the Frankfürter Allgemeine Zeitung, Marcus Jauer reports on the meeting between Obama and the Foreign Minister Frank-Walter Steinmeier: "15:11 and the second photo opportunity with Steinmeier lasted just fifteen seconds. 'Did he say anything?' one photographer asks. When there was no reply, he asked: 'Did he breathe?'"


The arrest of Radovan Karadzic

The other top story in the feuilletons was the arrest of Radovan Karadzic, the war criminal and former president of the Srpska Republic. Why did it take so long to arrest him? Modern mass murderers, writes Gustav Seibt in the Süddeutsche Zeitung, obviously find it easy to stay in hiding: "The most important thing for an identity change is a structured daily routine: regular mealtimes, rising punctually in the morning, travelling with the bus or train to work and back home again, putting your feet up for a few hours and then getting an early night. A daily routine settles the new existence, confidence is a question of practice."

"The perpetrators are charged but the consequences of their crimes remain," writes Bosnian author Dzevad Karahasan in the Tagesspiegel, and criticises the West for backing the continued existence of Bosnia-Herzogovina's constituent Republic of Srpska. Karadzic is no more than a spectre today: "Mass murder, mass rape, mass expulsion have taken place in his name. But he was a small light which was lit by others. Milosevic and a handful of generals have been charged but the countless bureaucrats behind the scenes, the war profiteers and the rabble-rousing ideologues live their lives with impunity. They still have their jobs in the state administrations, the universities and academies and the media of the former Yugoslavia."

Kosovar Albanian writer Beqe Cufaj is concerned about what former-Yugoslavs and Europeans will do with Karadzic, now they've got him. He wrote in the Frankfurter Allgemeine Zeitung: "The criminals want to say to us: We didn't fall out of the sky. We were your representatives. We are normal people, just like you. It's just coincidence that we put ourselves into certain difficult situations and had to make decisions which then turned out to be wrong and, yes, terrible... It is up to us to reject this sort of talk. Evil deeds corrupt their doers, and they spawn more evil deeds time and time again. We all have to question our own responsibility. But this will not diminish the guilt of the perpetrators. They are not our scapegoats."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
read more

From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
read more

From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
read more

From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
read more

From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
read more

From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
read more

From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
read more

From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
read more

From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
read more

From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
read more

From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
read more

From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
read more

From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
read more

From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
read more

From the Feuilletons

Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
read more