The Stage As A Work Of Art

Stage designers is developing more and more into the most important element of stage productions. It is set designers or ?spatial artists? like Johannes Schütz, Muriel Gerstner, Stéphane Laimé and Olaf Altmann who are ?to blame? ? they are the ones who can turn an evening at the theatre into a total work of stationary art.... more more

GoetheInstitute

09/11/2007

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Rundschau 09.11.2007

Polish author Wojciech Kuczok is relieved that the PiS is stepping down but remains anxious about his country. "If two years of a compromising regime of resentment, xenophobia and nationalist Catholic gossip, baiting, spying, and scandals is not enough to exhaust PiS voters, indeed has significantly strengthened them, then it means Poland is breaking in two. An entire army of failed, frustrated and helpless citizens voted for resignation instead of mobilisation, for scrutinizing others instead of taking fate into one's own hands, for looking backwards linstead of bravely striding forward, and for despising the thought of oneself as an individual and constantly looking for ways to justify national pride."


Neue Zürcher Zeitung 09.11.2007

On November 9th, poet Durs Grünbein looks back in an interview with Carsten Hueck at the fall of the Wall – and at 1980, the year of change. "It was the year of strikes in Poland. This for me was the decisive twist out of the ice age. The beginnings of movement, as I only realised only years later. The Solidarnosc period was followed a year later by martial law in Poland and the borders were sealed... The political climate was getting more extreme. We knew suddenly that the front ran inside the East and not, as was always said, that the final battle would take place on the Western borders. It was extremely oppressive because a geographical confusion set in. You noticed that the really strong, tangible emancipation movement was now coming from the East. A year later however it was suppressed again with the imposition of martial law. It became real with the uprising of the dock workers, with Walesa and so on. Which is why I have the greatest respect for the Poles. I am eternally grateful for this great uprising."


Frankfurter Allgemeine Zeitung 08.11.07

Jordan Mejas sees a disconcerting belligerence combined with a now habitual reality-disconnect among America's Neocons. "The darker it looks for Republicans in America, the more dangerous it becomes for the world. And the longer the drums are being beaten, the easier it becomes for the Americans to get used to the idea of the next war. Fox commentator Charles Krauthammer looks serenely into the cameras and announces that he is not expecting this government to leave without first extinguishing the Iranian enemy. The section of the population which does not identify with the 52 percent of war supporters is already accepting such predictions with strange equanimity. He has resigned. Protest brings nothing, the president does what destiny throws at him."


Die Welt 08.11.07

The three social sciences institutes in Paris are to leave the Latin Quarter and move out to Aubervilliers in the suburbs, but Wolf Lepenies is not weeping: "Weren't these establishments long alienated from social reality in the chic milieu of the 6th and 7th arrondissements? Wouldn't it do the sociologists and psychologists, anthropologists and historians a world of good to go to work in the problem neighbourhoods of the Parisian suburbs, where flames from burning cars still light up the night? More than a dozen professors protested against the forced move to Aubervilliers in an open letter in Le Monde newspaper. The deputy mayors of Aubervilliers countered with a letter welcoming the 'citizen researchers' to their town, in which they adeptly appealed to the researchers' social conscience: in Aubervilliers the human and social sciences will be united not in the boutiques and cafes, but right next to the 'Place du Front Populaire'."


Süddeutsche Zeitung 07.11.07

Thomas Urban describes how writer Andrzej Stasiuk presents Germany to Poles in his book "Dojczland", and how his "self-ironic" and "provocative" approach is once more dividing Polish critics. "Some reviewers reproach Stasiuk for continually referring to his own alcohol consumption, which they say is a recurring theme in the book. His repeated references to a particular American bourbon and his alleged states of intoxication with their ensuing hangovers harm Poland's reputation abroad, critics say, and only serve as an intellectual ingratiation to the arrogant Germans."


Die Tageszeitung 07.11.07

The newspaper dedicates this edition to the 90th anniversary of the October Revolution. Klaus-Helge Donath describes how Putinism follows in the footsteps of Communism, while doing away with anti-capitalist ideology. "The first element in this continuity is Soviet patriotism. It was born in the trenches of the Great Patriotic War and the struggle against Nazism, and heralded the true birth of the USSR. Generalissimo Stalin's victory over Hitler allowed the trauma of the Great Terror in the 1930s to be whitewashed. It is no coincidence that May 9, the day of victory, is now considered the country's most important holiday. The USSR emerged from World War II as the second superpower. To thank for this was Josef Stalin, who is now once more being portrayed in schoolbooks as the universal liberator and founder of the Russian superpower. Belief in Russia's grand, imperial mission and Russian Messianism are ideological baggage which dominate the discourse of Putinism. After a period of weakness in the 90s, so goes the Kremlin's story, a historic continuity with the past has now been established. The state is strong once more."


Süddeutsche Zeitung 06.11.07

Writer Ingo Schulze uses his acceptance speech for the Thüringer Literature Prize, sponsored by the energy company E.on, to vent his discontent with the commercialisation of cultural life. The paper prints a shortened version of his address. "What really gets on my nerves is that there is hardly an exhibition catalogue nowadays that doesn't have the logo of some company or another, and that practically every festival or guest performance starts with a list of all its sponsors. Even the reception at the German embassy in Rome on German Unification Day was kicked off with a word of thanks to a car company, whose products adorned the entrance like caryatids. And what's more, people now take this re-feudalisation for granted. If the democratic state doesn't have enough money, it must change the laws so that it can once more see to its responsibilities. Failing that, it puts its own existence into question."


Berliner Zeitung 06.11.07

Take That are back - minus crisis-ridden Robbie Williams, and riding a wave of success. Jens Balzer went to the concert in Berlin which was obviously big, very big. "Voodoo madness, charming Nazis, burning skulls and acrobats in shiny mauve leather. On Sunday, the extreme dance and pop music group Take That, now four-fifths complete, gave their first Berlin concert in 12 years in the Velodrom. I'm not exaggerating when I say it was an unworldly triumph, a gesamtkunstwerk of pop-historical dimensions, a firework display of immortal songs and fascinatingly meaningless stage ideas, proffered by a professional team suffering from gross existential confusion." And then selflessness of their fans: "In front of me sits a heterosexual couple, early thirties perhaps. She calls out relentlessly, "Gary I want your babies', 'Gary give me your babies, now.' And each time he follows this with a 'Yeah' – so selfless and tolerant are the people that go to Take That concerts, the world would be a better place if everyone was like this."


Die Welt
05.11.07

Peter Zander talks to the actress Maria Shrader, whose directorial debut, the film of Zeruya Shalev's book "Love Life" is opening in cinemas soon. When asked why she no longer appears on the screen herself, she replies with disarming candour: "It's not as if I've been overwhelmed with offers and thrown them scornfully to the wind (laughs). This, I'm afraid, I have in common with many others, Martina Gedeck and Franka Potente complain of the same thing. 'Aimee & Jaguar' – for almost three years nothing else came out of this country. It was as if people had seen too much of me. The idea of creating projects for specific actors almost never happens here."


Frankfurter Allgemeine Zeitung 03.11.07

The paper prints an interview originally published in El Pais with Jonathan Littell, author of the scandal-provoking novel "Les bienveillantes" (see our feature "The banalisation of evil"). The novel is told from the point of view of an SS murderer, and sparked a heated debate when it came out in France last year. In the interview, Littell expresses a singularly dim view of the world: "When God disappears, we're confronted with a dilemma. Values have to relate to something, they have to come from somewhere. In a world without God, it's difficult to establish an ethical or moral system. The ideologists have attempted to provide a replacement, but they too have failed, and now we're left with nothing at all. And neither the iPod, nor commerce and advertising can create a system of values in its place. The values we pursue with our exaggerated consumer behaviour don't mean a thing."


Neue Zürcher Zeitung
03.11.07

Kersten Knipp takes a whirlwind tour through Budapest's cultural and intellectual milieu, and discovers a country still strongly marked by losses of the past. Yet there is hope: "Somewhere in the no man's land between the political fronts, the young cultural scene dares to take a stand. At present it has little terrain, nevertheless it serves as a persistent rallying point for all those who prefer subtlety to crude arguments, and unconstrained ways of being to the populism of politics. This small group of individuals hopes the country will one day come together, summoning the strength to leap over the ruins of the past. They hope that there, on the other side of Utopia, relationships will be not only easier, but also more reliable, more stable than those of today. In the end one cannot fail to be charmed by the tender, alluring spirit of this new cultural energy in the city."















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Saturday 8 - Friday 14 November, 2008

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Saturday 1 - Friday 7 November, 2008

The Kundera affair mostly goes unmentioned, despite the collective defence of the author by a group of Nobel Prize laureates. Only the Tagesspiegel demands objective truth. The taz portrays the flamboyant Turkish star author Murathan Mungan. The Finns are having to revise a WWII myth. Navid Kermani hopes that Obama's victory will speed up Europe's long learning process. And philosopher Jürgen Habermas reports back on the Hopperesque melancholy of pre-election USA.
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Saturday 25 - Friday 31 October, 2008

South African writer Ivan Vladislavic describes the literary braindrain in Africa. Turkologist Corry Guttstadt decries Turkish cowardice during the Holocaust. Novelist Slavenka Drakulic explains why the Croatian media has finally opened its eyes to serious crime. And cellist Anner Bylsma agonises over prolonged vibrato.
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Friday 24 October, 2008

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Saturday 11 - Friday 17 October, 2008

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Thursday 2 October, 2008

The SZ celebrates a scattering of doppelgängers in a new production of Kafka's "Trial". It also ogles a philosophical diable de l'amour on Arte. In die Welt, Peter Weibel debunks the cult of the artist. The Berliner Zeitung marvels at the riches of Omsk. The NZZ fumes at the arrogance of Horace Engdahl and revisits the cleavage of Madame de Stael.
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Friday 26 September 2008

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Jungle World investigates academic anti-Semitism and Jewish self-hatred with Theodor Lessing. It also looks at Gaussian distribution as an instrument of suppression. Christoph Schlingensief talks about his stay in the first station of hell. The feuilletons are relieved to finally close the chapter on the Bayreuth war of succession. And Andreas Dresen's film "Cloud 9" ushers in the grey phase of the sexual revolution.
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Saturday 16 - Friday 22 August, 2008

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