The Stage As A Work Of Art

Stage designers is developing more and more into the most important element of stage productions. It is set designers or ?spatial artists? like Johannes Schütz, Muriel Gerstner, Stéphane Laimé and Olaf Altmann who are ?to blame? ? they are the ones who can turn an evening at the theatre into a total work of stationary art.... more more

GoetheInstitute

07/03/2007

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Süddeutsche Zeitung 07.03.2007

Johan Schloemann comments on the rather sensational news that the Bavarian State Library is to cooperate with Google Book Search. After the Spanish libraries, this is another major non-English library to join the project. "With his cultural war cries directed at Google, the director of Paris' Bibliotheque Nationale, Jean-Noël Jeanneney, is now isolated between Bavaria and Catalonia. Because where is the 'dangerous cultural homogenisation' by the Americans which the Frenchman evokes so blackly, when we can now download 19th century studies of Old German, rare books in Asian languages, and practically the entire copyright-free German literature from Munich, and old Cervantes editions from Madrid? In any case Paris, Rome, Warsaw, Copenhagen, Göttingen and Berlin are all blinking their eyes in astonishment at this bold step forwards by the staunchly traditional Bavaria."


Die Tageszeitung
07.03.2007

"What does it say about a population that it chooses this novel as a cult book?" asks Marius Meller in an essay on the reception of Daniel Kehlmann's novel "Die Vermessung der Welt" (the measurement of the world - more here). "It would be fitting to call the book neo-bourgeois, and its brilliant success a symptom of the self-organisation and self-formation of a new bourgeois class, made up of people who prefer Peter Sloterdijk to Jürgen Habermas, Udo di Fabio to Joachim Fest, and Daniel Kehlmann to Botho Strauß. On top of that, belonging to a 'subculture' - a better term would be partial culture - is not only not out of the question, it's even a precondition for the new postmodern, neo-bourgeois indentity." The entire text appears in the current issue of Merkur magazine.

To read Ilija Trojanow's meditation on Europe is to be convinced of Turkey's rightful place in the EU. "The origins of European civilisation do not comply with today's borders. The hallowed cradle of antiquity would today belong neither geographically nor politically to Europe. Recent excavations underscore that the cultural impulses of classical Greece were sent primarily by city states which lay in a region that the Europeans soon called Asia Minor – which is as about as fitting as a baby calling its bellybutton 'little mother'."


Frankfurter Allgemeine Zeitung 07.03.2007

China is a living paradox. That's why, writes Mark Siemons, all attempts to identify clear development trends are doomed to failure: "Despite the rapid pluralisation of the economy and other parts of society, there can be no talk of liberalisation. On the contrary: the 'monitoring', as the Party calls its control work in management speak, is becoming increasingly perfected and professionalised. Every step taken towards greater civil participation - and there are many being taken - is immediately countered by more state control. In recent years one could well have believed Marxism was no more than an embarrassing burden of the past, even to leading government cadres. But among the ruling elite it's experiencing a surprising renaissance."


Frankfurter Rundschau 07.03.2007

Christian Thomas reports on the growing public disapproval at plans by architect David Chipperfield for the James Simon Gallery on Berlin's Museum Island. "The accusation of 'barbarity' levelled at the British architect by Uwe Lehmann-Brauns, vice president of Berlin's House of Representatives, is certainly a delicate matter in view of the war damages encountered everywhere in Berlin. Lehmann-Brauns is part of an initiative for a referendum against Chipperfield's entrance building to the Museum Island that started up this week. Now other opponents of the prominent architect are also joining in. These people speak of an 'oversized aquarium' (Michael Braun, head of Berlin's CDU parliamentary faction), and demonstrate what a hard time representatives of puristic architectural modernity are having in Berlin."

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Saturday 8 - Friday 14 November, 2008

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The Kundera affair mostly goes unmentioned, despite the collective defence of the author by a group of Nobel Prize laureates. Only the Tagesspiegel demands objective truth. The taz portrays the flamboyant Turkish star author Murathan Mungan. The Finns are having to revise a WWII myth. Navid Kermani hopes that Obama's victory will speed up Europe's long learning process. And philosopher Jürgen Habermas reports back on the Hopperesque melancholy of pre-election USA.
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South African writer Ivan Vladislavic describes the literary braindrain in Africa. Turkologist Corry Guttstadt decries Turkish cowardice during the Holocaust. Novelist Slavenka Drakulic explains why the Croatian media has finally opened its eyes to serious crime. And cellist Anner Bylsma agonises over prolonged vibrato.
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Friday 24 October, 2008

Milan Kundera has demanded an apology from Respekt magazine for dragging his name into the dirt. Bernard-Henri Levy leaps to the author's defence, as does György Dalos. Sonja Margolina talks about her own experiences on the border of betrayal in the hands of the KGB. Painter Anselm Kiefer has won the Peace Prize of the German Book Trade but, says the FAZ, he's stuck in a fairytale forest. And the FR reports on a protest by historians against the EU memory police.
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Saturday 11 - Friday 17 October, 2008

In which Milan Kundera is embroiled in a denunciation affair; a Saudi cleric bans the popular Turkish soap 'Noor'; novelist Steinunn Sigurdardottir explains how Iceland became Gordon Brown's Falklands; Turkey discovers its multicultural heritage; the doors open on slavery in Islam and the Bulgarians concoct a plan to raise the sunken city of Seuthopolis.
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Thursday 2 October, 2008

The SZ celebrates a scattering of doppelgängers in a new production of Kafka's "Trial". It also ogles a philosophical diable de l'amour on Arte. In die Welt, Peter Weibel debunks the cult of the artist. The Berliner Zeitung marvels at the riches of Omsk. The NZZ fumes at the arrogance of Horace Engdahl and revisits the cleavage of Madame de Stael.
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The FR castigates the Germans for being so nuts about Obama when they've never elected so much as a Turkish mayor. Author and entrepeneur, Ernst-Wilhelm Händler, declares that it's not capitalism that has failed but the state. Andrzej Stasiuk spent his holidays in the Russian steppes where unlimited space felt penal. The NZZ sings a swan song for German theatre's Utopian dreams and the SZ bids farewell to the man who put the fun back into New Music.
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Jungle World investigates academic anti-Semitism and Jewish self-hatred with Theodor Lessing. It also looks at Gaussian distribution as an instrument of suppression. Christoph Schlingensief talks about his stay in the first station of hell. The feuilletons are relieved to finally close the chapter on the Bayreuth war of succession. And Andreas Dresen's film "Cloud 9" ushers in the grey phase of the sexual revolution.
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Sitting in Moscow traffic, Sonja Margolina learns a tough lesson about life in Russian civil society. The Tagesspiegel dismisses the second volume of Günter Grass's autobiography, "The Box", as an orgy of vagueness. Christoph Schlingensief remembers how Wolfgang Wagner stole his urinal. And Die Zeit fears for the youth of today, who have had the protest scared out of them.
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Saturday 16 - Friday 22 August, 2008

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