They?re Still Painting, and More: The Leipzig Art Scene

First a success, then a bubble: the hype surrounding the ?New Leipzig School? put the city on the map of the art world, but also blinkered its vision.... more more

GoetheInstitute

15/12/2005

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Orhan Pamuk on trial

The trial of Turkish author Orhan Pamuk starts tomorrow. Two German-language papers, Austria's Die Presse and the German FAZ both print translations of the Pamuk's commentary published originally in the New Yorker. Pamuk reflects on his situation before his trial, speaking with crystal clarity about the Turkish genocide of the Armenians, describing his country's mixed feelings towards Europe (and vice versa) and extending his reflections to a larger group of countries on the rise. "In recent years, we have witnessed the astounding economic rise of India and China, and in both these countries we have also seen the rapid expansion of the middle class, though I do not think we shall truly understand the people who have been part of this transformation until we have seen their private lives reflected in novels. Whatever you call these new elites—the non-Western bourgeoisie or the enriched bureaucracy—they, like the Westernizing elites in my own country, feel compelled to follow two separate and seemingly incompatible lines of action in order to legitimize their newly acquired wealth and power. First, they must justify the rapid rise in their fortunes by assuming the idiom and the attitudes of the West; having created a demand for such knowledge, they then take it upon themselves to tutor their countrymen. When the people berate them for ignoring tradition, they respond by brandishing a virulent and intolerant nationalism."


Die Tageszeitung, 15.12.2005

"It looks as if anti-Semitism is standing before a new evil dawn", fears Philipp Gessler after two Berlin conferences on the subject (more here and here) and on the recent utterances of Iranian President Mahmoud Ahmadinejad. "The diabolic strength and the future danger of this anti-Semitic construct lies in the fact that it functions on a transnational, trans-ethnic and trans-religious basis and delivers a concrete explanation of the world in which the Jews serve as global enemies and the ideal scapegoats for everything. The experts are widely agreed on one thing: until now there has been very little co-operation between anti-Semitic groups around the world, aside from a bit of Internet exchange and the odd meeting – because the ideological rifts between anti-Semitic groups are still too deep. But the danger lies in the 'modern' or 'new' anti-Semitic delusional idea which could seem attractive because it offers a way to cross borders between East and West, Orient and Occident."


Die Welt, 15.12.2005

The Iraqi writer and architect Kanan Makiya fears that today's elections have little chance of solving his country's problems. On the contrary. He is highly distrustful of a parliament "that has a free reign with its executive powers": "Although the parliament looks like a democratic institution, it is actually nothing more than an assembly of ethnic and sectarian voting groups. If we have learnt anything from the experiences of the interim government it is that the leaders of these groups have the real hold on power in Iraq and that they exercise this power mainly through insider dealings and back room diplomacy. And because this power structure also votes for the President and Prime Minister and can just as quickly get rid of them again though a simple majority, it means there are no restraints on the tyranny of the majority."


Die Zeit, 15.12.2005

Thomas Kleine Brockhoff talks to American Harvard law professor, Alan Dershowitz who believes torture should be used only in exceptional circumstances: "The question is whether torture is being used in a controlled and responsible political environment, openly and according to the law? Or whether it's all happening under the cover of darkness, which would be the worst possible of all worlds. That would be the hypocritical American model where the President claims we would never and under no circumstances resort to torture whilst the Vice President adds with a wink that we may have to cross over to the dark side. The message being sent to the those in charge is: You may use torture but we don't want to know about it. Had there been a formal rule on torture, it would never have come to Abu Ghraib nor to the situation we have now. There would be a clear signal: The President alone decides if and when exceptional circumstances occur. If this is the case he signs a special order."

Hanno Rauterberg examines the liberated art world where works by the old and modern masters no longer fetch as much as those by contemporary artists. "Often the market price and the real artistic value of the work are leagues apart. But it's never been as extreme as now, so detached from reality. The realm of aesthetics is becoming unabashedly interested in money. This has become the driving, all-consuming force in the market. And whether we like it or not that changes our image of art. It changes art itself. It all began in 1998. Until then auction houses only sold art that had been around for more than ten years. Then Gerard Goodrow came along. He filled Christies with works of art fresh from the studios and made a killing. 'We gave birth to a monster,' says Goodrow today."


Süddeutsche Zeitung, 15.12.2005

"Hedonism replaces cool elegance, versatiltiy replaces monotonous perfection". After her cocain troubles Holger Liebs celebrates Kate Moss' return to the cover of French Vogue as the 'Scandaleuse Beaute'. "Nearly all her photographers say that they don't give her all these qualities, she possesses them all herself. The fashion world needs a regular dosage of mould-breaking outlaws and rebels like Moss to replenish its insatiable appetite for originality, for the next new thing. The system cannot survive without its aesthetic reserves: bullish, resistant and beat-up. It seems Kate Moss is needed now more than ever."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 11 - 17 December, 2010

A clutch of German newspapers launch an appeal against the criminalisation of Wikileaks. Vera Lengsfeld remembers GDR dissident Jürgen Fuchs and how he met death in his cell. All the papers were bowled over Xavier Beauvois' film "Of Gods and Men." The FR enjoys a joke but not a picnic at a staging of Stravinsky's "Rake's Progress" in Berlin. Gustav Seibt provides a lurid description of Napoleonic soap in the SZ. German-Turkish Dogan Akhanli author explains what it feels like to be Josef K.
read more

From the Feuilletons

Saturday 4 - Friday 10 December

Colombian writer Hector Abad defends Nobel Prize laureate Mario Vargas Llosa against European Latin-America romantics. Wikileaks dissident Daniel Domscheit-Berg criticises the new publication policy of his former employer. The Sprengel Museum has put on a show of child nudes by die Brücke artists. The SZ takes a walk through the Internet woods with FAZ prophet of doom Frank Schirrmacher. The FAZ is troubled by Christian Thielemann's unstable tempo in the Beethoven cycle. And the FR meets China Free Press publisher, Bao Pu.
read more

From the feuilletons

Saturday 27 November - Friday 3 December

Danish author Frederik Stjernfelt explains how the Left got its culturist ideas. Slavenka Draculic writes about censoring Angelina Jolie who wanted to make a film in Bosnia. Daniel Cohn-Bendit talks   about his friendship, falling out and reconciliation with Jean-Luc Godard. Wikileaks has caused an embarrassed silence in the Arab world, where not even al-Jazeera reported on the what the sheiks really think. Alan Posener calls for the Hannah Arendt Institute in Dresden to be shut down.
read more

From the Feuilletons

Saturday 20 - Friday 26 November, 2010

The theatre event of the week came in a twin pack: Roland Schimmelpfennig's new play, a post-colonial "Who's Afraid of Virginia Woolf" opened at the Deutsches Theater in Berlin and the Thalia in Hamburg. The anarchist pamphlet "The Coming Insurrection" has at last been translated into German and has ignited the revolutionary sympathies of at least two leading German broadsheets, the FAZ and the SZ. But the taz, Germany's left-wing daily, says the pamphlet is strongly right-wing. What's left and right anyway? came the reply.
read more

From the Feuilletons

Saturday 13 - Friday 19 November, 2010

Dieter Schlesak levels grave accusations against his former friend and colleague, Oskar Pastior, who spied on him for the Securitate. Banat-Swabian author and vice chairman of the Oskar Pastior Foundation, Ernest Wichner, turns on Schlesak for spreading malicious rumours. Die Zeit portrays the Berlin rapper Harris, and the moment he knew he was German. Dutch author Cees Nooteboom meditates on the near lust for physical torture in the paintings of Francisco de Zurburan. An exhibition in Mannheim displays the dream house photography of Julius Schulman.
read more

From the Feuilletons

Saturday 6 - Friday 12 November, 2010

The NZZ asks why banks invest in art. The FAZ gawps at the unnatural stack of stomach muscles in Michelangelo's drawings. The taz witnesses a giant step for the "Yugo palaver". Bernard-Henri Levy describes Sakineh Ashtiani's impending execution as a test for Iran and the west. Journalist Michael Anti talks about the healthy relationship between the net and the Chinese media. Literary academic Helmut Lethen describes how Ernst Jünger stripped the worker of all organic substances.
read more

From the Feuilletons

Saturday 30 October - Friday 5 November, 2010

Now that German TV has just beatified Pope Pius XII, Rolf Hochmuth tells die Welt where he got the idea for his play "The Deputy". The FR celebrates Elfriede Jelinek's "brilliantly malicious" farce about the collapse of the Cologne City Archive. "Carlos" director Olivier Assayas makes it clear that the revolutionary subject is a figment of the imagination. The SZ returns from the Shanghai Expo with a cloying after-taste of sweet 'n' sour. And historian Wang Hui tells the NZZ that China's intellectuals have plenty of freedom to pose critical questions.
read more

From the Feuilletons

Saturday 23 - Friday 29 October, 2010

Author Doron Rabinovici protests against the concessions of moderate Austrian politicians to the FPÖ: recently in Vienna, children were sent back to Kosovo at gunpoint. Ian McEwan wonders why major German novelists didn't mention the Wall. The NZZ looks through the Priz Goncourt shortlist and finds plenty of writers with more bite than Houellebecq. The FAZ outs two of Germany's leading journalists who fiercely guarded the German Foreign Ministry's Nazi past. Jens-Martin Eriksen and Frederik Stjernfelt analyse the symptoms of culturalism, left and right. Hans Ulrich Gumbrecht demonstratively yawns at German debate.
read more

From the Feuilletons

Saturday 16 - Friday 22 October, 2010

A new book chronicles the revolt of revolting "third persons" at Suhrkamp publishers in the wild days of 1968. Necla Kelek is appalled by the speech of the very Christian Christian Wulff, the German president, in Turkey. The taz met a new faction of hardcore Palestinians who are fighting for separate sex hairdressing in Gaza. Sinologist Andreas Schlieker reports on the new Chinese willingness to restructure the heart. And the Cologne band Erdmöbel celebrate the famous halo around the frying pan.
read more

From the Feuilletons

Saturday 9 - Friday 15 October, 2010

The FR laps up the muscular male bodies and bellies at the Michelangelo exhibition in the Viennese Albertina. The same paper is outraged by the cowardice of the Berlin exhibition "Hitler and the Germans". Mario Vargas-Llosa remembers a bad line from Sweden. Theologist Friedrich Wilhelm Graf makes it very clear that Western values are not Judaeo-Christian values. The Achse des Guten is annoyed by the attempts of the mainstream media to dismiss Mario Vargas-Llosa. The NZZ celebrates the tireless self-demolition of Polish writer and satirist Slawomir Mrozek.
read more

From the feuilletons

Saturday 2 - Friday 8 October, 2010

Nigerian writer Niyi Osundare explains why his country has become uninhabitable. German Book Prize winner Melinda Nadj Abonji says Switzerland only pretends to be liberal. German author Monika Maron is not sure that Islam really does belong to Germany. Russian writer Oleg Yuriev explains the disastrous effects of postmodernism on the Petersburg Hermitage. Argentinian author Martin Caparros describes how the Kirchners have co-opted the country's revolutionary history. And publisher Damian Tabarovsky explains why 2001 was such an explosively creative year for Argentina.
read more

From the Feuilletons

Saturday 25 September - Friday 1 October

Three East German theatre directors talk about the trauma of reunification. In the FAZ, Thilo Sarrazin denies accusations that his book propagates eugenics: "I am interested in the interplay of nature and nurture." Polemics are being drowned out by blaring lullabies, author Thea Dorn despairs. Author Iris Radisch is dismayed by the state of the German novel - too much idle chatter, not enough literary clout. Der Spiegel posts its interview with the German WikiLeaks spokesman, Daniel Schmitt. And Vaclav Havel's appeal to award the Nobel prize to Liu Xiabobo has the Chinese authorities pulling out their hair.
read more

From the Feuilletons

Saturday 18 - Friday 24 September, 2010

Herta Müller's response to the news that poet Oskar Pastior was a Securitate informant was one of overwhelming grief: "When he returned home from the gulag he was everybody's game." Theatre director Luk Perceval talks about the veiled depression in his theatre. Cartoonist Molly Norris has disappeared after receiving death threats for her "Everybody Draw Mohammed" campaign. The Berliner Zeitung approves of the mellowing in Pierre Boulez' music. And Chinese writer Liao Yiwu, allowed to leave China for the first time, explains why schnapps is his most important writing tool.
read more

From the Feuilletons

Saturday 10 - Friday 17 September, 2010

The poet Oskar Pastior was a Securitate informant, the historian Stefan Sienerth has discovered. Biologist Veronika Lipphardt dismisses Thilo Sarrazin's incendiary intelligence theories as a load of codswallop. A number of prominent Muslim intellectuals in Germany have written an open letter to President Christian Wulff, calling for him to "make a stand for a democratic culture based on mutual respect." And a Shell study has revealed that Germany's youth aspire to be just like their parents.
read more

From the Feuilletons

Saturday 4 - Friday 10 September, 2010

Thilo Sarrazin has buckled under the stress of the past two weeks and resigned from the board of the Central Bank. His book, "Germany is abolishing itself", however, continues to keep Germany locked in a debate about education and immigration and intelligence. Also this week, Mohammed cartoonist Kurt Westergaard has been awarded the M100 prize for defending freedom of opinion. Chancellor Angela Merkel gave a speech at the award ceremony: "The secret of freedom is courage". The FAZ interviewed Westergaard, who expressed his disappointment that the only people who had shown him no support were those of his own class.
read more