A Question is a Question ? Writers? Soliloquies

When authors are permitted to ask themselves a question and then also provide the answer, this is often more revealing than a long autobiography. Tobias Wenzel and Carolin Seeliger invited 77 writers to talk to themselves and recorded these soliloquies.... more more

GoetheInstitute

25/07/2005

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Allgemeine Zeitung, 25.07.2005

Eleonore Büning, Regina Mönch and Heinrich Wefing had a long discussion with chancellor candidate and opera enthusiast Angela Merkel, who is off to the Wagner festival in Bayreuth. The opening performance tonight is the premiere of Sir Christopher Marthaler's staging of "Tristan and Isolde" – Merkel's favourite opera. "What always worries me about Wagner is that the bitter end is hinted at from the start, from the first note on. So that I feel a deep sorrow when I think of the third act of Tristan. And already by the second, when you think you might be able to forget it - Heiner Müller staged it so beautifully and 'terribly', that you can't forget it. It was the best second 'Tristan' act I have ever seen or heard."


Süddeutsche Zeitung, 25.07.2005

Wolfgang Schrieber spoke with Anna Viebrock, stage designer and right-hand woman to director Christoph Marthaler, whose "Tristan and Isolde" opens the Bayreuth Festival this year. About their collaboration, Viebrock says, "It's typical of our work that we don't theorise too much. We go at it simply, quite intuitively... Christoph doesn't like reading much, but then you notice that he has read a lot. For me 'Tristan' is a kind of obsession. I'm particularly interested in what happens between man and woman, between men and women. The whole thing is about injuries and wounds, it's an extremely sad story." Asked whether she thinks they will continue working on Wagner, Viebrock is doubtful. "Christoph always says, 'Tristan' is the only Wagner work for him. The other works, with all those gods - that's not his style. Another source of inspiration for us was Bunuel's 'L'age D'Or' - there's a lot of 'Tristan' in that, and it's also an amour fou. In all these things, it's the romantic that's at play, but also irony - in contrast to everything else Wagner did."


Neue Zürcher Zeitung, 25.07.2005


Dutch-Moroccan author Abdelkader Benali asks whether he couldn't have seen the dichotomy faced by young Muslims between integration and radicalisation through the facade of everyday life any sooner. Benali draws connections between the murder of Theo van Gogh and the London bombings and arrives at the following conclusion: "Ultimately, open western society stands and falls on the fact that it provides immigrants with an instruction book that, when it comes to the crunch, it's not going to enforce at any price. This gives the immigrant the freedom to merge into the dominant society on the one hand but also the opportunity to distance himself from his surroundings. Depending on the individual situation, the leeway in this model can be expanded or restricted. This is the only way an open society can remain different from other societies."


Die Tageszeitung, 25.07.2005


Rudolf Walther complains about the simplification and vilification in the debate we have been following over Wolfgang Kraushaar's book on the failed attempt to bomb the Jewish Community Centre in Berlin in 1969. "Kraushaar doesn't prettify anything or condone anybody; he prompts the Left to engage in some self-reflection. At the end of the sixties people genuinely believed that by differentiating between legitimate anti-Zionism/anti-Imperialism and untenable anti-Semitism, they had found a feasible and valid political position. But actual circumstances didn't conform to this abstract formula. The would-be clarity of the differentiation was misleading. Because by incorporating anti-Zionism into the general concept of anti-Imperialism, the historic dimension to which Israel owes its origins and its unconditional right to exist, went under."


Frankfurter Rundschau, 25.07.2005


Harry Nutt offers a little commentary on the increased presence of foxes in Berlin, which are no longer to be seen only at night or in Berlin's wooded suburbs, but are slinking by the full light of day through the city as though it belonged to them. Nutt attributes this in part to the absence of the former East German functionaries, for whom hunting was a favourite pastime. "Today, animal life in east Germany is increasing at the same rate that people are moving away from unemployment and the continuous disappearance of industry." Furthermore, Nutt suspects the foxes might have something to do with the upcoming federal elections: "Maybe the increasing wilderness in the city is a metaphor for what will be going on in the coming weeks in political Berlin. Foxes in Berlin: they don't want to play, but they don't bite either."


Saturday, 23 July, 2005

Neue Zürcher Zeitung, 23.07.2005

Why the terrorists in London behaved the way they did has left Andreas Breitenstein perplexed. He is not convinced by the explanations of certain members of the Left – the London mayor Ken Livingstone or Scottish writer A.L.Kennedy, for example. While Livingston blames Israel's policy towards Palestine and Kennedy the British involvement in Iraq, Breitenstein speculates: "Instead of improving the world, the Left (and European Left at least) has subscribed to a form of cultural relativism that excuses the 'other' from moral judgement and leads towards an isolationist defence of its own 'bourgeois comfort' (Michael Ignatieff) in Western capitals. In a reversal of the sequence of events, the Iraq war is represented as a cause rather than a result of the global campaign against Al Qaida terror and this is justified as counter-defence in an asymmetric war. Certainly it's a paradox to want to achieve peace through war, but dialectics used to be a strength of the the Left."


Die Tageszeitung, 23.07.2005

Political and cultural commentator Ian Buruma explains in an interview why the integration of immigrants functions better in the USA than in Europe. "America goes out of its way to give the people equal rights as state citizens. Another factor is the less developed the social system in the USA. Each individual is forced to participate in economic life. If you don't, it's the end of you. In Europe it's possible to rely on the welfare state without ever settling into the economic system."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 16 - Friday 22 August, 2008

Did Carl Philipp Emmanuel hide the end of the 'Art of Fugue'? Organist Ton Koopman casts aspersions on Bach's son. Michel Houellebecq explains why the problem is genital. Diedrich Diederichsen remembers meeting a certain New York waitress back in '82. Ukrainian writer Yuri Andrukhovych explains why he's on Georgia's side. Osssetian literature academic Shanna Chochiyeva explains why she thinks the Georgians are Nazis. And Czech playright Pavel Kohout says what the Russians need is another revolution.
read more

From the Feuilletons

Friday 9-15 August, 2008

Georgian author Devi Dumbadze criticises the powerless nationalism of his compatriots. Andre Glucksman and Bernard-Henri Levy diagnose Europe in a coma. A new book by Patrick Buisson describes the erotic confusion that gripped Vichy France. Syrian philospher Sadik Jalal al-Azm points to a third way for Islam. The SZ takes a magical history tour of YouTube piano recitals. And old Austrian men in lederhosen take to the streets in protest against Kippenberger's crucified frog.
read more

From the Feuilletons

Saturday 26 July - Friday 1 August, 2008

This year's 'Parsifal' in Bayreuth is a romp through German history. Twenty years after the fall of the Wall, Ingo Schulze says the West has made less than minimal progress. A group of intellectuals take up Pascal Bruckner's appeal to "Boycott Durban 2". Anselm Kiefer reveals all about his Virgin Mary visitation. Necla Kelek is deeply suspicious of Tariq Ramadan's campaign against forced marriage. And Carlos Fraenkel is wowed by the hermeneutic flexibility of Indonesian Muslims.
read more

From the Feuilletons

Saturday 19 - Friday 25 July, 2008

Karadzic's successful hiding methods prompt the SZ to draw up a set of rules for war criminals living underground: rise early and travel to work by bus or train. The Bosnian writer Dzevad Karahasan remembers the thousands of lesser war criminals who are still living in impunity. Theatre director Ariane Mnouchkin has produced a number of short protest films against the Olympic Games in Bejing. And Berlin is still recovering from a breathless weekend of Obamarama.
read more

From the Feuilletons

Saturday 12 - Friday 18 July, 2008

Romanian-German writer Herta Müller protests against the participation of former Securitate informants in the Berlin Summer Academy. Richard Wagner seconds her objections. South African writer Andre Brink explains why he remains loyal to his homeland. Spanish poet Marcos Ana remembers how he smuggled his first poem out of prison in a tube of toothpaste. Sociologist Gerhard Schulze examines the very real fears about nursing homes. And Algerian author Boualem Sansal egotistically pins his hopes on the democratising forces of the Mediterranean Union.
read more

From the Feuilletons

Saturday 4 - Friday 11 July, 2008

German President Horst Köhler managed to be out of the room, when the Tibet question was raised. Author and Iranian regime critic Said explains why he was prevented from giving a reading in Berlin together with an Israeli colleague. The Russian cultural minister announces that the state will be commissioning major feature films to further the cause of patriotism. Mongolian shaman and author Galsan Tschinag reports on post-election protests in Ulan Bator. And Die Zeit portrays Chinese environmental activist Wu Lihong, who is sitting out a prison sentence.
read more

From the Feuilletons

Saturday 28 June - Friday 4th July

Moscow curator Andrei Erofeyev has lost his job because of the negative effects of art on the mind. The SZ welcomes Fethullah Gülen as the world's top public intellectual and merrily waves goodbye to the Enlightenment in the process. Die Welt reads a black book of the French Revolution. Die Presse explains what the United Nations Human Rights Council understands by "abuse of freedom of expression". On Kafka's 125th birthday, the feuilletons heap praise on the second volume of Reiner Stach's biography. And Jonathan Franzen explains what he loves about Berlin: it's a shadow of its former self.
read more

From the Feuilletons

Saturday 21 - Friday 27 June, 2008

Olivier Roy locates the roots of Islamic radicalisation in the West not the Koran. Slavenka Drakulic comments on the UN's decision to classify rape as a war crime. Peter Handke's love of Serbia is obscene says Jonathan Littell. Günther Verheugen and Jürgen Habermas argue about the Irish "no". Habermas meets Tariq Ramadan in Schloss Elmau. Writer and translator Georges-Arthur Goldschmidt slams the Parisian "Pleiade" publishers for including Ernst Jünger in their library of classics but not Thomas Mann.
read more

From the Feuilletons

Saturday 14 - Friday 20 June, 2008

Richard Wagner, Jürgen Habermas and John Banville speak their minds on the Irish "no". Austrian writer Josef Winkler has won the prestigious Georg Büchner prize. Croatian literature has taken a civilising step backwards. Iranians are being told to stop drinking tea. And a French school teacher has identified Godot.
read more

From the Feuilletons

Saturday 7 - Friday 13 June, 2008

Architect Jacques Herzog explains why you can't force democracy on China. Chinese writer Ma Jian believes Tiananmen Square should be remembered nevertheless. The NZZ opens its new series on radical Islamism with an ex-Islamist who asks: where are the martyrs of pluralism? And Turkey's participation at this year's Frankfurt Book Fair is a minor victory for civil society.
read more

From the Feuilletons

Saturday 31 May - Friday 6 June, 2008

Sudanese translator Daoud Hari condemns the world's indifference and China's complicity in the killings in Darfur. The Berliner Zeitung picks apart the fake Euro2008 war that has kicked off in German and Polish tabloids. Anselm Kiefer is the first visual artist to win the prestigious Peace Prize of the German Book Trade. And Rem Koolhaas seems to be having a go at the media for the enormous sums he is being paid by the Chinese regime.
read more

From the Feuilletons

Saturday 24 - Friday 30 May, 2008

Ex-Stasi agents are at the heart of a spy-scandal currently rocking Germany. Najem Wali is amazed by the silence of his fellow Iraqi writers. Daniel Libeskind explains why he doesn't build for dictators. Three German museum directors are sharing the knowledge of the world with a sheik in Dubai, in return for wads of cash. And Peter Handke has issued some impenetrable words about Yugoslavia.
read more

From the Feuilletons

Saturday 17 - Friday 23 May, 2008

After the honour killing in Hamburg, women's rights activist Serap Cileli tells Germans to draw the line. Columbian journalist Hector Abad Faciolince discovers what his countrymen are worth - in US visa dollars. Neofascist historical revisionism is up and saluting in Italy. Bahman Nirumand examines Abdolkarim Soroush's thesis that not God but Mohammed wrote the Koran. And having overdosed on the naivety of new German feminism, the SZ wishes it was a meatball in Poland.
read more

From the Feuilletons

Saturday 10 - Friday 16 May, 2008

Novelist Franzobel warns against demonising Josef Fritzl: the ordinary is the unheimlich. Iraqi writer Najem Wali accuses Arab regimes of using Israel as a scapegoat for self-inflicted woes. Historian Benny Morris says that Israelis have given up hope of peace. Die Welt is blown away by Gerhard Richter's influence in China. And Japanologist Florian Coulmas watches the Roman alphabet fizzle out in Cyberspace.
read more

From the Feuilletons

Saturday 3 - Friday 9 May, 2008

The Olympic games belong to the athletes, not the politicians: this is the argument today, just as it was in 1936, against a boycott of the host country. Slavenka Drakulic explains her dislike of the word "Balkanisation". Elfriede Jelinek writes about the architecture of fear in Armstetten. The SZ asks whether Rem Koolhaas' CCTV tower is an "building of evil" and Jacques Herzog explains how democracy weighs heavily on an architect's dreams.
read more