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15/01/2010

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Die Welt 09.01.2010

Have Eastern Europeans actually arrived in the West, die Welt asks, in a series of articles following the anti-Semitic backlash to Imre Kertesz's critique of contemporary Hungary on its pages in November. This week it's Poland's turn. The author Stefan Chwin finds the question insulting. After all, the Poles have "always considered themselves European". The real question is "when this country will at last receive recognition in Western societies. When these societies are prepared to say, loud and clear: 'You are one of us', also in the sense of shared values. 'You' are like 'us' and can count on us, even in the most difficult situations. But many Poles today believe that very little of their love for Europe is reciprocated."


Die Welt 11.01.2010

Die Welt prints the "Green Manifesto", which was written by five Iranian intellectuals living in exile. One of them, philosopher Abdolkarim Soroush explains in an interview, what motivated him to write it. "It will better define, articulate and clarify the aims and intentions of today's opposition. This is what we need at this stage. For many years now I have been saying that the revolution had no theory. It was a revolution against the Shah – a negative rather than positive theory. I was insistent that the new movement should have a theory. The people should know what they want, not only what they don't want. That is why we are trying – in our modest way – to create a theory for this movement."


Frankfurter Rundschau 12.01.2010

The author Peter Schneider demands more transparency in matters of airport security, clearer and less contradictory information (such as the different routines for shoe checks in Europe and the US). "Clear information would put an end to the well-established practice of treating air travellers like minors, using a constant state of extreme threat to deprive us of our right to question issues related to our own security and obliging us to simply follow orders. Security services now enjoy a false, and nigh on absolute authority – and have adopted a tone of voice to match. Flying citizens, for whose protection the security measures are there in the first place, should have at least some say in how many of our rights we are prepared to sacrifice for our security."


Süddeutsche Zeitung 12.01.2010

Under Berlusconi, Italian fascism has become socially-acceptable again, writes historian Aram Mattioli, whose book on the subject is about to be published by Schöningh. "In contrast to other Western European countries, revisionist ideas in Italy are not only voiced by arch-conservatives and right-wing extremists, but also by middle-class dignitaries. Since 1994, leading politicians who emphasise the positive aspects of the Mussolini dictatorship, streets named after "heroes" of the regime or the 'good fascists', who flicker as film heroes across the nation's TVs, have been as much part of everyday life in the Second Republic as the legislative initiatives that try to equate Mussolini's last-ditch stand and the collaborators of Sala with the fighters of the Resistenza."


Frankfurter Allgemeine Zeitung 13.01.2010

Eleonore Büning was in Rome for the premiere of Hans Werner Henze's new opera "Immolazione" ("The Sacrifice"), which is based on Franz Werfel's 1919 poem. She found it hard to gauge whether the piece was intended to provoke laughter or tears. But it was sensationally beautiful, singing dog included. "Since Kater Murr, we have known that cats write novels, but never in the history of music has a dog sung in a pious tenor. The sinister story is conveyed with unbelievable lightness, and floats by on fairytale feet, however rich and painterly the orchestral underpinnings – it is solace and promise in one. The musical composition is complex, but in keeping with all of Henze's late work, it remains unwaveringly transparent, the words clear as a bell."


Die Welt 14.01.2010

Berlin's Museum for Islamic Art has decided to shift from an art-historical to a cultural-historical approach, reports Gabriela Walde. She interviews the museum director, Stefan Weber, who explains that unlike the Metropolitan Museum in New York, Berlin will be exhibiting its paintings of Mohammed. "In past centuries, Mohammed was often depicted by Muslim miniature painters – although his face is always veiled. We have miniatures like this in our collection. We should not start censoring the past."


Die Tageszeitung 14.01.2010

Ekkehard Knörer recommends the DVD box "Abecedaire", 453 minutes of Gilles Deleuze answering questions on philosophical issues (all 8 hrs can also be watched for free at Google video). At W for Wittgenstein, for example, you learn that Deleuze utterly detested this philosopher and his followers who, he considered to be the "embodiment of everything that is wrong" with the field. "'Abecedaire is not about the inevitability of the alphabet, but about enjoying the random things it throws up... One of the quirkiest being Deleuze's attitude to food, which he has no time for. With the exception of the edible trinity: brain, tongue, marrow. Father, Son, Holy Ghost. Here, as in plenty of other occasions, it is extremely difficult to to tell whether Deleuze is being deadly serious or roguishly ironic."


Neue Zürcher Zeitung
14.01.2010

Günter Seufert has harsh words for the Cultural Capital Istanbul, and its promise to "serve as a showcase of living together" in the spirit of the Ottoman tradition. "The focus on the culture of minorities has not given these groups any real say. And the 85-year-old practice of simply ignoring their culture, or at least not mentioning it, has never once been discussed or attracted criticism. None of the events included in the Cultural Capital programme has addressed this cultural marginalisation or discussed culture as an instrument of an authoritarian state."


Der Tagesspiegel
15.01.2010

Apocalypse hit Haiti long before the earthquake, says author Hans Christoph Buch, who has been writing about the island for many years. In an interview with Philipp Lichterbeck, he explains why an earthquake will have a more catastrophic impact on Haiti than elsewhere. "Haiti has been broken for a long time. Its forests have been felled for charcoal. The once green countryside is nothing but barren mountains today. There is no rain, and when it does rain, the fertile earth is washed into the sea. The coral reefs which protect the coastline are dying. The roads are unusable and there is no functioning network for electricity or water."

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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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From the Feuilletons

Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
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