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25/09/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Die Welt 19.09.2009

Henryk M. Broder fears that Leon de Winter's latest book "The Right of Return", which is a best-seller in the Netherlands and has just been published in Germany, will be dismissed as a morbid vision of Israel's future. "Since years now, debate has shifted from whether Israel should withdraw to the 1967 borders, to whether it was a mistake to settle Israel in Palestine at all, and whether this mistake can be reversed. Parallel to this debate is a creeping public delegitimisation of Israel that is growing in intensity - not through Hamas, Hezbollah or the Iranian president, but through clever, sensitive and critical European intellectuals, whose comments can be read as seismographic signals of public opinion. Only recently, the Swedish writer Henning Mankell denied Israel's right to exist."

Frankfurter Rundschau 22.09.2009

Director Laurent Chetouane complains to Tobi Müller that the theatre has turned its back on politics. "Politicians never stop talking. Like so many dramaturges who are only political in the programme blurb, where you can be sure that, all along, they were on the right side of history. But in the canteen the only questions people ask are, 'where will I do my next production, or who will I be working with?' The theatre is all about admin, just like government. It's balance sheets, not politics."


Berliner Zeitung 23.09.2009

Bernhard Bartsch conducts an instructive interview with the Chinese author Yan Lianke who, despite being a prospective Nobel Prize laureate, is not being allowed to travel to the Frankfurt Book Fair. He explains how censorship works in China. "With my book 'Serve the People!' the publishers said, for example, that the contents would be alright but not the title. And the next lot said that the title would be alright, but not the contents. In the end, nothing was possible: the propaganda office and the press and publication authorities sent out a directive saying that my book maligned the highest aims of Communist Party and that it should not be printed, publicized or discussed in any way. So the book became a taboo."


Spiegel Online 23.09.2009

Germany's election campaign is ruled by fear, writes Elke Schmitter. Fear of instilling fear in the citizenry and transforming unease into political engagement. "The unease is fed by a fear which is all the more threatening - and destructive - for not allowing it expression: the fear that non-stop repair work, a stubborn carry-on regardless attitude is not the answer to our problems. If Opel is saved, or not, it's not just about Opel, but about all the countless medium-sized businesses who provide brakes, cables and hubcaps, yes that's true. But the unsettling question remains: are cars the future? When, if not now, should we have a proper discussion that turns diffuse fears into political questions - about growth and ecology, about the definition of labour, about participation in society?"

Die Tageszeitung 25.09.2009

The writer and musician Liao Yiwu whose public recital of his poem "Massacre" in 1989 earned him a four year prison sentence, is also being prevented from travelling to Frankfurt for the Book Fair. In an interview he explains that all his book are banned in China - including "The Corpse Walker", which was published in English last year and has just been translated into German. "That was in 2001. The Southern Weekend newspaper had just published an interview with me about my work, as 'A Dialogue about Interviews with Chinese from the Underclass.' It attracted public attention and the newspaper got into a lot of trouble. The editor-in-chief was fired and the heads of department were exchanged. Since then it's impossible to even mention my name in the media. But this has not stopped me from interviewing Chinese people from the poorest classes. By now I have talked to 300 people and written down their stories. Some of them have been published in the USA, and more interviews have been published in the German edition 'Fräulein Hallo und der Bauernkaiser'."


Neue Zürcher Zeitung 25.09.2009

The literary scene in Egypt is blossoming, as Susanne Schanda discovered while talking to a number of writers there. Bloggers are at least partly to thank, for their speedy dissemination of book tips. "But the new reading boom is attributable solely to the active blogger scene in the Arab world. [The author und publisher Mekkawi] Said points to the influence of Saudi Arabia and the Gulf states in recent years. 'On the one hand Egyptian workers returning from the Gulf have brought the conservative wahhabiist interpretation of Islam with them, which does not suit our tolerant society. On the other hand the economic boom in the Gulf states has provided the children and teenagers with a good education that they are putting to use by reading books here,' says the 54-year old, adding that better access to information and learning has made the younger generation more open than his own, which suffered under Nasser's left-wing ideology and narrow-mindedness."

Süddeutsche Zeitung 25.09.2009

The writer Yang Lian, who is living in exile in London, is less concerned with the "absolute power" that the Chinese propaganda ministry and the secret police have over writers, than that the writers themselves are so unpolitical. "Ninety-nine percent of the so-called intellectuals have stopped talking about real problems. Their material situation is hugely different from that of professors and intellectuals in 1989. Back then the intellectuals were the dregs of society. During the Cultural Revolution they were called 'the stinking nine'. Things are very different today. The intellectuals now wield power themselves. A university professor today can get lots of money for his projects. If a student in Bejing expresses a critical opinion you can be sure that his teachers will defend the government. There are very few liberals in the western sense and their voices are weak." Yang Lian does, however, mention Liu Xiaobo, the president of China's PEN club who was imprisoned in December for launching the Charter 08.

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Saturday 24 - Friday 30 July, 2010

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Saturday 17 - Friday 23 July, 2010

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Saturday 10 - Friday 16 July, 2010

Fifteen years after Srebrenica, Germanist Jürgen Brokoff says you cannot separate politics and poetry in Peter Handke. The sentence handed out to the Russian curators Andrey Erofeev and Juri Samodurov is lenient only on the surface, the papers say. The SZ passes on some painful advice from Fritz Teufel, the comedy '68er who died on July 6. Publisher Klaus Wagenbach explains the "heart clause" and when it kicks in. And the integration miracle of Marxloh is now attracting international therapy tourists.
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Saturday 3 - Friday 9 July, 2010

David Grossman calls on Israel to offer Hamas a ceasefire. Kent Nagano has handed in his resignation at the Bavarian State Opera, due to bad blood between him and a man who eats intrigues for breakfast. John Bock has transformed Berlin's Temporary Kunsthalle into a FischGrätenMelkStand full of burnt pizzas and black soup. The NZZ raves about Christoph Marthaler's "Papperlapapp" at the Papal Palace in Avignon. And Prague is haemorrhaging artworks to London, Paris and Vienna.
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Saturday 26 June - Friday 2 July, 2010

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Saturday 19 - Friday 25 June, 2010

At the Berlin Biennale, Belgian artist Renzo Martens encourages the Congolese to enjoy their poverty. Historian Dan Diner supports Turkey's foreign policy somersault. Philosopher Daniel Dennett says the media squandered a massive opportunity by not publishing the Mohammed cartoons. Hanover's local paper reports on an intercultural dialogue that had to be put on hold for a moment - due to flying stones. The Süddeutsche Zeitung was winded by the harshness of Christa Wolf's revolutionary zeal. And the taz just can't get enough of really long Asian films.
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Saturday 12 - 18 June, 2010

Curator Jean-Christophe Ammann explains why the female body is the first victim of global art. The taz checks out the South African design scene. Necla Kelek presents a new study which links religious belief in young Muslims with a reluctance to integrate. Dutch writer Geert Mak blames provincialism for the election results in the Netherlands. The Slovak elections, says Michael Hvorecky, were a triumph against populism.
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Saturday 5 - Friday 11 June, 2010

Warsaw curator Pawel Leszkowicz talks about changing attitudes to homosexuality in Poland. Der Freitag profiles Pierre Assouline, the first literary critic to elicit 1000 readers' comments with an essay on Georges-Arthur Goldschmidt. Western liberals are to blame for dismantling universal human rights, according to Caroline Fourest in Perlentaucher. Speaking in honour of Marcel Reich-Ranicki at the Börne award ceremony, Henryk Broder bids him to show more engagement for Israel. And a German book on the mafia has Italians seeing red.
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Saturday 29 May - Friday 4 June, 2010

David Grossman voices his desperation about the "Free Gaza" debacle. Henning Mankell, on the other hand, describes it as a resounding success. Composer Heinz Holliger declares his love for Schumann's madness. The Tagesspiegel decries the moral chestbeating of the German media in condemnation of former president Horst Köhler. Iranian film maker Jafar Panahi diagnoses the prison guard's fear of the cinema. And we learn why the sonic 'mosquito' is just enough to keep the kids at bay.
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Saturday 22 - Friday 28 May, 2010

Laszlo F. Földenyi joins Canetti is asking a thoroughly unfashionable question: What is man? Joachim Gauck, former commissioner of the Stasi archives, talks about fighting the system. Novelist Sibylle Lewitscharoff sinks her teeth into toothless literary criticism. The Tagesspiegel visits Andres Veiel on the set of his first feature film - about Gudrun Ensslin and Bernward Vesper. Hoo Nam Seelmann describes South Korean methods of crisis management. And the taz calculates the true price of the Ipad, which just might be a padded cell.
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Saturday 15 - Friday 21 May, 2010

Jürgen Habermas gives German political elites a sharp dressing-down. Former Israeli ambassador to Germany, Avi Primor, denies that anti-Semitism is on the rise. Memorial's Swetlana Gannuschkina reveals what is really under the uniforms of dead Chechen insurgents. At Cannes, the non-stop cheering in Adrej Ujica's montage "Autobiografia lui Nicolae Ceaucescu" elicits murderous emotions. Two South African directors discuss the effects of apartheid on theatre audiences, 16 years after it ended. And decapitated heads go on show at the Musee D'Orsay.
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Saturday 8 - Friday 14 May, 2010

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Monday 3 - Friday 7 May, 2010

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Saturday 24 - Friday 30 April, 2010

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Saturday 17 - Friday 23 April, 2010

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