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19/06/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 15.06.2009

In an interview with Andreas Breitenstein, Chinese author Yu Hua, whose epic novel "Brothers" comes out in German in August, talks about how "sensitivities" in China have changed since 1989. "You shouldn't forget that the freedom-loving students of the 80s had all lived through the catastrophes of the Cultural Revolution. They knew what a life of poverty meant, and they recognised that the lack of freedom in which they were forced to live was the reason for this poverty. Today's student generation has grown up in a boom era. They have no idea about poverty, and they delight in absolute personal freedom... China is a strange country. On one hand we are still living under the dictatorship of a party that can control everything with administrative measures. On the other, we are much more free than the West. We can bad-mouth anybody or anything to our heart's content and with impunity. You just can't criticise the government."


Die Welt 16.06.2009

The German Iranian poet, Said, cannot accept that Moussavi is being sold as a reformer in the Western media. "The man was prime minster in the 1980's, the worst years. He knew about the arrests, murders and mass executions. I feel sorry for these young people who are once again pinning all their hopes on bringing about democratic change in Iran. The question now is, how often can you fool the people?"


Berliner Zeitung 17.06.2009

Jörg Michel welcomes the fact that over 130,000 people in Germany have signed the petition against the law, adopted today in German Bundestag, which allows the government to block access to offensive Internet sites. The government initiative was spearheaded by the CDU family minister, Ursula von der Leyden, on the back of wholly founded claims, that the move will prevent the spread of child pornography. "The law may only be effective for three years initially but the damn burst has happened. The government now has a censorship infrastructure in place which can be extended at any time. The potential hitlist is long. Why not ban violent films or other supposedly objectionable material? Politicians have long been discussing other potential uses for the system. Often in hushed voices, but they are getting louder all the time. The education minister Annette Schavan, for example, has her sights set on violent sites. The government of Hessen wants gambling sites blocked. For the CDU politician Thomas Stroble, it's shooter games. At some stage it will be the turn of undesirable opinions."


Frankfurter Rundschau
17.06.2009

In an interview with Peter Michalzik stage director Calixto Bieito reveals the source of his inspiration: "I am a Spanish mix. The Jesuits who raised me and exposed me to the world of Bunuel. I was able to see all his films there. At the same time they beat me and tried to sexually abuse me. That was normal in those days and I certainly wasn't the only one. Today it's an ongoing scandal in the news, in those day it was normal. It is the Catholic world."


Frankfurter Allgemeine Zeitung
17.06.2009

Exiled Iranian legal scholar Hassan Yousefi Eshkevari explains why the alleged electoral rigging in Iran is not only a breach of the constitution but also of basic Islamic law. "Individuals who have been granted a mandate by society are obliged to fulfil the criteria of justice. ... If the results of the election are false or imprecise, the votes of the majority of the population are disregarded and the president elect is no more that the product of an election coup, then it must be recognised that the elections constitute a violation of republican principles – and also a deliberate breach of the Islamic principles of sharia."


Die Welt 18.06.2009

Mariam Lau, a German journalist and daughter of the Iranian dissident Bahram Nirumand, asks what Hussein Moussavi stands for: "The Azerbaijani has often explained that he would disempower the moral police, abolish – legally at least - the suppression of women, push forward the privatisation of TV in the name of a free flow of information. He talks about putting an end to an economy based on handouts and subsidies. It makes Moussavi nervous that oil-rich Iran has to import energy and failed to profit from last year's soaring oil prices. He recognises and condemns the Holocaust. As for the nuclear programme, he is not looking for 'radical solutions', whatever that means. But he sees it as Iran's national right. As for the 'Great Satan' , Moussavi is prepared to talk but only if 'He' is serious."


Jungle World 19.06.2009

Pirate Bay has changed its name to Persian Bay and has transformed itsself into a support forum for the Iranian opposition.

In an interview with Daniel Steinmaier, Christian Engström, the first Euro MP for the Swedish Pirate Party, calls for copyright to be cut to five years in total (down from the current period of 70 years after the death of the holder): "Copyright is there to allow investors to invest in something, by creating the legal groundwork for the expectation that they will see returns on their money. But no investor in the world reckons with a payback period of 120 years! No one thinks, ok, well I won't be earning anything with my intellectual endeavors for the first 100 years but they'll start to pay off after that. ... The main argument against the current regulation is that the lion's share of 20th century culture cannot be used and distributed as it would be illegal to do so. Because either these cultural treasures are owned by a handful of large corporations, or no one knows who the rights belong to."


Frankfurter Rundschau 19.06.2009

The prestigious Peace Prize of the German Book Trade is going this year to Italian author Claudio Magris. "At long last", Arno Widmann cries, because it was this author from Trieste who opened our eyes to Europe as a whole. "Magris's books ("Danube", "Microcosms") tear the protective layers from our bodies. They make us sensitive. Sensitive not only to the elegance of a broad-sweeping clause, for the rhythms of dialogue, for the shaming gaps in the restrictive narrowness of our knowledge and focus, but also for the diversity and variety of others. In four words: Claudi Magris's prose disarms."


Die Tageszeitung 19.06.2009

German sociologist Ralf Dahrendorf died today at the age of 80. Jan Feddersen writes: "Dahrendorf was the first intellectual star of the fledging Bundesrepulik to seek and find acknowledgement abroad. He also studied in USA, received his first PhD in 1952 for a dissertation on the concept of justice in the writings of Karl Marx. In 1957 he obtained his 'habilitation' - recognition of the right to lecture in German universities - with the publication of 'Class and Class Conflict in Industrial Society'. Jürgen Habermas, who celebrated his 80th birthday last week, and had been an admirer of Dahrendorf's since that time, as he admitted at Dahrendorf's birthday celebrations a few weeks ago, said: "With his constructive intellect that preferred to create clarity with idealised stylisations than to juggle with hermeneutics, Dahrendorg was remarkable for his powerful eloquence, his natural command of authority and his somewhat angular manner of speech. What singled him out from his peers was his ability to see off received ideas with avant-gardist aplomb."

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From the Feuilletons

Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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