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12/06/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Allgemeine Zeitung 06.06.2009

It is possible to live a fairly normal life in Iran, just like in Europe – only it has to take place behind closed doors and in constant fear of being discovered," explains Iranian women's rights activist Parvin Ardalan in an interview with Sophie Schöberl. People work their way around restrictions. "It's like a game, and it gets exhausting. Take the example of my coat. Three months ago I wouldn't have been able to wear it, because it's too short. A revolutionary guard would probably have stopped me from entering this cafe. So I said to myself: very well, I won't wear it yet. But now it's fine to wear it because on the eve of the election, the government wants everyone in a good mood. After the elections the coat will be too short again."


Frankfurter Rundschau 08.06.2009

Sandra Dannicke was at the Venice Biennale where she thought Slovakia put on a much better show than Germany, which was represented by British artist Liam Gillick: "Liam Gillick has installed a room-filling structure, based on oversized pine kitchen units, that is conceived as a 'sort of diagram of functionality and a quest for modernity'. This is obviously his idea of 'working against the ideology of the German pavilion's architecture.' An idea which fails miserably because of the absolute banality of the piece, which then becomes thoroughly ridiculous with the addition of a 'talking' cat on top of one of the units. At this 53rd biennale, the person who has best worked against the ideology of the pavilion is the Slovak artist Roman Ondak, who replanted the surrounding gardens inside the pavilion itself and thus rendered it invisible. ... There couldn't be a more charming way of negating national symbolism."


Frankfurter Allgemeine Zeitung 09.06.2009

Kerstin Holm reports from the Moscow trial of the curator Andrei Erofeyev, who stands accused of denigrating Christian symbols in an art exhibition. She describes one of the motley crew of witnesses for the prosecution: "Vladimir Sergeyev steps into the witness box, dressed entirely in black. He is a member of the ultra-right organisation 'Orthodox Defence' and is constantly winking. Sergeyev did not actually see the exhibition himself, which showed Christ looking down from a McDonald's advert and an image of a military recruit being sodomised, but his wife photographed them and died soon thereafter – as a result of the images, the widower believes."


Frankfurter Allgemeine Zeitung 10.06.2009

Power and polythinker Peter Sloterdijk takes a while to warm up before launching into a history of anti-capitalist theory from Rousseau on. It's all wrong, he says, and anyway we are not living in  capitalism, but in a 'mass-media stimulated, tax-grabbing semi-socialism based on the the principles of private capital." He continues: "Every year fully fledged tax states reclaim half of all the economic successes from their productive classes for the fiscus, without those affected seeking refuge in what would be most plausible reaction, an anti-fiscal civil war. This is the result of the sort of political dressage that would turn an absolutist finance minister pale with envy."


Die Tageszeitung 11.06.2009

Forced marriages do not only effect women, as Cigdem Akyol explains. Senol, for example, a Turk who grew up in Cologne suddenly found himself married to one of his cousins from Turkey. "The pressure kept building up for Senon because the in-laws were demanding heirs. He was overcome with anxiety at having no propect beyond this puppet existence: night after night with his relative in bed, sex he didn't want to have, he couldn't go on much longer. Six months after the wedding he left home, with just one plastic bag containing his things. At first he lived with friends, now he lives 50 km away from his family in his own flat and has a new job. He doesn't live in fear of his family. Since he's not a woman he doesn't have to fear retribution from unreconstructed males. But his behaviour does constitute a declaration of war on his family."


Jungle World 12.06.2009

For Andreas Benl and Kazem Moussavi the Iranian electoral race is nothing but infighting of the religious elite. "The secular opposition is refusing to back any of the four candidates and has called for a boycott of the elections. There are strikes and protests every day although the protesters know that it could cost them their lives. In several universities the students confronted Moussavi with questions about his role in the massacres of regime opponents: 'Where were you in 1988 and how many people did you murder?' The opposition has high hopes because the Iranian regime is domestically extremely unstable. The pressure from abroad, on the other hand, is abating. Germany, though is taking the lead in using the window of opportunity opened by the overtures made the US government towards the Iranian regime."


Süddeutsche Zeitung 12.06.2009

Christine Dössel mourns for stage director Jürgen Gosch. "Jürgen Gosch (born 1943) was a director who, like no other, knew how to coax out human souls in all their complexity and sordidness, with a merciless, razor-sharp precision that gave all his productions the sense of being viewed through a microscope. You could see these peculiar people, these miserable beings with all their beauties and deformations in exaggerated clarity and sharpenss, so free from artifice, so true, and so rare in the theatre. You could watch them fighting for their lives and a tiny bit of happiness, how, representing us all with their hopes, loves and failures, they seemed so incredibly close." (Watch an English-subtitled interview with Jürgen Gosch here.)


Süddeutsche Zeitung
12.06.2009

After two American journalists, Laura Ling and Euna Lee, were sentenced to 12 years of hard labour in North Korea on Monday, the SZ translates an excerpt from the testimony given to the US Senate in 2002 by Ms. Soon Ok Lee, a survivor of such a work camp: "A prisoner has no right to talk, laugh, sing or look in a mirror. Prisoners must kneel down on the ground and keep their heads down deeply whenever called by a guard, they can say nothing except to answer questions asked. Women prisoners' babies are killed on delivery. Prisoners have to work as slaves for 18 hours daily. Repeated failure to meet the work quotas means a week's time in a punishment cell. A prisoner must give up her human worth." Read the full text in English.

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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
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