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30/04/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Der Tagesspiegel 25.04.2009

The American writer Jonathan Franzen explains in an interview what he likes about the German language and what books he is currently reading. He was particularly impressed by Günter Grass's autobiography "Peeling the Onion" which, he says, "was treated most unfairly in Germany". It is precisely Grass's obfuscation that he finds "lovable, honest and brave. We are just not able to cope with such lack of clarity. In 'The Discomfort Zone' I went in the opposite direction and tried to pin down every fact. But this is not how memory works. I like the ambivalent atmosphere: was that dreamed or was it real?"


Neue Zürcher Zeitung 25.04.2009

The Paris-based Turkish author Nedim Gürsel, who has been indicted for "blasphemy" by a Turkish court, has written an open letter to Prime Minister Erdogan, which the NZZ has printed: "The thing .... that shocks me most is the report by the Office for Religious Matters (Diyanet), which accuses me of blasphemy. These authorities answer to you and they are not qualified to judge a work of literature. I therefore implore you to take into consideration the fact that I have written a novel and not a theological textbook."


From the blogs 27.04.2009

In Carta, Robin Meyer-Lucht lays out ten theses on the copyright debate. Thesis number 2: "The Internet has created the infrastructure for the new knowledge economy, which the classical elite in this country wants nothing to do with. Instead of developing a new order, they are insisting on their classical business models. Their demands concerning copyright are essentially an attempt to harness the law to transfer the old order onto a new medium. Due to the new technology and the new competition, this enterprise is doomed to fail."


Neue Zürcher Zeitung 28.04.2009

Markus Bauer looks at anti-Roma sentiment in Eastern Europe, and in particular in Hungary where the situation is critical: "The ombudsman for minority rights, Ernö Kallai, is talking about a 'cold war'. The already struggling government wants to speed up a new law against incitement of racial hatred, which the opposition is only grudgingly backing. Hungarians cling over zealously to their beloved freedom of speech and the simplistic anti-Roma discourse has spread like wildfire. The once liberal newspaper Magyar Hirlap has transformed into a far-right pamphlet under the new ownership, a home to columnists who write things like: "They (the Roma) are not human beings, they are animals.'"


Frankfurter Rundschau
29.04.2009

In an interview with Esther Schapira, cabaret artist Johnny Klinke recalls his time sweating away on the production line at Opel in the 70s. "When Opel disappears – no matter what you think about their cars – I think it will hit Rüsselheim like a social atom bomb.... I remember the 70s as a wonderful and lively time. We were undercover at Opel, learning lessons for life. I would not have missed the experience for anything, it probably saved me from teacher training college. When you are spot-welding for eight hours at a stretch at 40 degrees, a Turk to your right, to your left an Italian, a Greek, you really learn somehthing languages. You also learn how to defend yourself. It was straight after school where I'd learned Latin, Greek, Hebrew. A few weeks later I was on the assembly line."


Süddeutsche Zeitung
29.04.2009

Alex Rühle introduces the French group "Les Untergunther" which secretly repairs broken objects of cultural value – for example the clock of the Pantheon in Paris, as its members later informed the administrative director Bernard Jeannot. "To help Bernard Jeannot out of his state of shock, the group of young people offered to take the custodian of the building on a tour and show him their handiwork. The already rather discombobulated director then had to watch as the four visitors used skeleton keys to open a series of doors and march matter-of-factly through labyrinthine passages, which he hadn't known existed." Read more about this and other escapades in Lazar Kunstmann's "highly entertaining" book, "La Culture en clandestin - L'UX" (Editions Hazan).


Neue Zürcher Zeitung
29.04.2009

The newspaper printed a translation of Pakistani author Muhammed Hanif's important article from the Washington Post about how his country is caving to the Taliban. Read the original here.


From the blogs 30.04.2009

The Iranian philosopher Abdolkarim Soroush has written a new blog update, this time on the role that religion played for the Persian poet Rumi (1207-1273, here some of his poems in English). "The main point as far as Rumi was concerned - and he expressed it in numerous ways - was that this world is the world of forms. Not just the material world, but also the world of our concepts, cognition and perception is the world of forms, whereas God is formless. And our world of forms originates from that formlessness."


Frankfurter Rundschau 30.04.2009

Daniel Kothenschulte sums up the GoEast film festival in Wiesbaden, where he watched a number of new films from the thriving world of Romanian cinema. He explains their dramatic principle thus: "In the first half, the filmmakers fill the screen with such detailed and vivid life situations that it doesn't even occur to anyone to ask where it's all heading. Then, when the film is well underway, they let the cat out of the bag and present the moral conflicts, which they follow with hilarious thoroughness."


Neue Zürcher Zeitung 30.04.2009

Samuel Herzog was obviously impressed by the Thyssen-Bornemisza exhibition: "The Kaleidoscopic Eye" in Tokyo's Mori Art Museum. But he couldn't stomach the lofty tones evoking the healing power of art. "No sooner is the world looking a little green about the gills than art feels itself called upon – like some supreme nurse, ready to dispense health advice round the clock, the dream and nightmare of every hypochondriac. Does art suffer from helper syndrome? When the planet is healthy, it flits about like some desperate Samurai who has lost his lord and thus his very grounds for existence."


Nota Bene

On February 27th 2008, the German Constitutional Court controversially outlawed all secret online police searches of personal computers as a violation of the constitution, thereby creating a new Basic Law protecting the confidentiality and integrity of information technology systems. They have now seen fit to translate the law into English and post it online.

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From the Feuilletons

Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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