Best Before ? Rimini Protokoll Stages a Multi-Player Game in Vancouver

In the latest production of Rimini Protokoll there are again experts. But the main actor is the audience, which guide 200 avatars through a game of life.... more more

GoetheInstitute

19/12/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 13.12.2008

There has been no sign of a newspaper crisis in Japan, Urs Schoettli reports. The ageing population reads faithfully on. "Every day 624 newspapers are sold for every 1000 adults. This is two-and-a-half more than in the USA. With a daily print run of ten million the Yomiuri Shimbun is the world's most printed daily newspaper. And it's not a tabloid but a quality paper. Although over the past decade the complete print run of the Japanese media has dropped by 3.2 percent, all four of the leading national quality papers have maintained reader numbers."


Süddeutsche Zeitung
15.12.2008

Swedish author Richard Swartz visits Europe's last divided city, Kosovska Mitrovica where Serbs and Albanians never meet. "The Serbian site has its own iconography. Their patron saints are Vladimir Putin in the Kremlin and Vojislav Seselj in his prison cell in Den Haag. And they glare sternly down at passers-by from walls and shop windows. On the Albanian side the iconography is more martial. It protects those who have lost their lives in the fight to liberate Kosovo, the martyrs. Their monuments are indistinguishable from the partisan monuments erected by the Communists."


Frankfurter Allgemeine Zeitung 15.12.2008

Matthias Hannemann is impressed by the speed at which the concept for the "House of European History" has been hammered out. But he has a few reservations about its content: "The consensual concept steers rather over-correctly towards 'heterogeneity' and 'simultaneity of the unsimultaneous' within Europe. There is much bending over backwards to avoid the impression - in the wake of the EU standardisation of the cucumber and the light bulb – that this is a push to develop an EU norm for history. The four thematic complexes put forward thus far – the origins of Europe, Europe during the world wars, the post-1945 period – are to be supplemented by a more critical section which questions current developments together with the visitors." And Karol Sauerland outlines Polish objections to the concept, one of them being that "the positive influence of Christianity on Europe's development has been all but ignored."


Der Tagesspiegel
16.12.2008

Like most of his colleagues in the German media, Jan Schulz-Ojala was more or less satisfied with the Stauffenberg film "Operation Valkyrie", but he could have done with a few more variations in Tom Cruise's facial expression. (see pictures from Daily Plastic). And another thing that annoys him: "Even less plausible - after all the fuss over whether or not to allow film-crew chaos to take over the courtyard of what is now the Ministry of Defence, where Stauffenberg and many other members of the German Resistance were shot – is why the producers were so insistent on filming in the original setting. The other locations of the Finance Ministry, the 1920s Trade Centre on Masurenallee and the swimming pool in Neukölln make sense because they feature in long shots. But the scene in which Stauffenberg is killed is mostly filmed in three-quarters or close ups, and could have been shot anywhere. All that remains of the producers' victory in the bitter Berlin battle last year, is a triumphant mention in the closing credits."


Die Zeit 17.12.2008

India is the new big art thing, reports Hanno Rauterberg after visiting a major show of contemporary Indian artists in London's Serpentine Gallery. China is passe. And he tells us why: "No one talks about styles and levels any more, everything is possible, at all times and in all places. And so the principle of pushing art forward is dead, and has been replaced by the principle of art discovery. Of course plenty of discoveries were made in the past, but these involved gallerists and collectors putting individual artists on a pedestal. Now it's all about conquering whole cities, half continents, like Leipzig, China or India."


Frankfurter Allgemeine Zeitung 17.12.2008

At last we've found a voice of protest against the EU's proposed ban on the humble light bulb (while SUVs and open fires still roar in our cities). The novelist Ulf Ermann Ziegler writes: "So we are supposed to sit in our styrofoam bunkers, beneath our solar panel roofs and stare at broadband screens which our courageous politicians have cleansed of all smut. And before we go to sleep, when we will put out the white light, we can read again the EU constitution, which the Irish rejected, and reassure ourselves of how well we are being looked after. And then drift off into imageless dreams."


Die Welt 17.12.2008

Stalin worship is on the rise in Russia, reports Sonja Margolina. "Recent polls show that 44 percent of those questioned have a positive view of Stalin's role in world history and in the history of their country." And the Orthodox Church is doing its best to promote the anti-democratic mood. "It is not afraid to use force to push through its own interests. Parallel to the process of de-secularisation, which is being promoted by the Kremlin, the museums are being forcefully divested of their cultural treasures. The Church is forcing its way into schools and is currently developing a programme to create Orthodox youth groups reminiscent of the Iranian Revolutionary Guard. Civil society is proving too weak to resist these forces of tradition and national values. And in an atmosphere like this, it is not surprising that Stalin gets a halo."


Frankfurter Allgemeine Zeitung 18.12.2008

Karen Krüger reports that over ten thousand Turks have signed an online apology to the Armenians. "The mass of signatures is already a sensation because Turkish society does not have a long history of civil engagement. The list is a cross section of the Turkish population: teachers, school pupils, waiters, nurses, journalists, engineers and lawyers, most of whom live in Turkey."


Frankfurter Allgemeine Zeitung 19.12.2008

Karen Krüger notes the cynical reaction of Prime Minister Erdogan to the online apology to the Armenians. "It seems the signatories committed genocide against the Armenians, which is why they are begging for forgiveness. The Republic of Turkey, however, has no such problem."

Mark Siemons looks as the political context of "Charta 08" and its democratic demands on China. He concludes: "The response of the state has not been to start discussions but to begin interrogations. Indeed Liu Xiaobo, the chairman of the independent Chinese PEN who launched the campaign, was arrested on December 8 and is still in being held in detention. Neither he nor the Charta can expect a mention in the state media. How widespread the paper is in China, despite measures to prevent its spread, and how much support it has among the population, is impossible to say. But 3600 Chinese have apparently signed it to date."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
read more

From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
read more

From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
read more

From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
read more

From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
read more

From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
read more

From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
read more

From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
read more

From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
read more

From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
read more

From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
read more

From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
read more

From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
read more

From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
read more

From the Feuilletons

Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
read more