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12/12/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Die Tageszeitung 06.12.2008

It was in Buchenwald that he learnt the meaning of freedom, writer and Holocaust survivor Jorge Semprum explains on his 85th birthday. "In comparison to normal life, you eat and sleep less and die quicker. But the main difference is that you have a freedom of choice. In normal life people rarely need to make decisions. Society, family etc. take care of such things. But under the extreme conditions of the concentration camp, where everything is speeded up, and is sharper and stronger than anywhere else, decisions are of the essence. The decision to resist. The decision to offer solidarity. The decision not to surrender to an SS man for an extra ration of bread." Or indeed the "freedom to do evil. That was a fundamental experience for me, which determined and structured my personality."


Die Welt 08.12.2008

The paper prints the speech given by sociologist Victor Zaslavsky on receiving the Hannah Arendt Award for Political Thought. Zaslavsky spoke about the massacre at Katyn – the common characteristics of Communism and National Socialism (class murder and race murder respectively) and opportunism. "In the 20 months leading up to the German attack on the Soviet Union, over 400,000 people were imprisoned, deported or shot in Eastern Poland. The deportations were meticulously planned. All operations took place during a single night, to prevent news from spreading and allowing people to escape or hide. Alongside the thousands of NKVD agents and militiamen, communists and members of regional communist youth organisations as well as so-called local activists were deployed to identify, monitor and arrest the target groups. And the NKVD official in charge of deportation reported that the local Polish communists performed their duties with dedication, with the help of 15,000 'local activists'. No doubt they were also motivated by the prospect of seizing the property of the deportees."

Georg Heuberger, representative of the Jewish Claims Conference in Germany, explains what, in his opinion, constitutes fair restitution. And this is dependent on the museums confronting their history: "As far as I know almost every section of society has confronted their Nazi past. Dentists, accountants, chemists, lawyers... But where is the history of the museum from 1933 to 1945? What happened to the Jewish employees and directors from that time? How many museums have never examined their role as accomplices. This is another reason why provenance research is still in such poor shape."


Neue Zürcher Zeitung 09.12.2008

While reading the diaries of Witold Gombrowicz, Serbian writer Bora Cosic stumbled across a passage from 1967 in which the Polish writer enthuses about the literary Nobel Prize laureate JMG Le Clezio – in terms not dissimilar to Thomas Mann's description of the young Tadzio: "Le Clezio (is) – it seems to me – threatened on two fronts,' Gombrowicz writes. 'The first danger is the way of life that has been bestowed on him, one that is all too paradisical and idyllic. Healthy, strong, suntanned amid the flowers of Nice, with a beautiful woman, prawns, reputation and a sandy beach... ' What a paradox! 'His novels breathe the impenetrable twilight of extreme desperation, while he himself, a young god in tiny swimming shorts, dives in the salty Mediterranean veneers."


Neue Zürcher Zeitung 10.12.2008

Greenland is striving for independence. Danish author Jens Christian Gröndahl describes why the Danes were  - and still are  - so indifferent to the suffering and suppression of the Inuit. "Greenland was forgotten. It was too big and too wild to be assimilated in the self-image of a gently buzzing community of enlightened, emancipated children of farmers and workers. We only feel responsible for others in our Liliputian paradise because we look almost identical to one another and everyone fulfils their duty. Sadly, though, Greenland is just a weight around our necks, economically and otherwise. Not least because of the cost-intensive plagues which we inflicted on the Inuit population from alcoholism and unemployment to cultural poverty. Negotiations over the independence of the giant colony in the North will be a mere formality, because the little colonial ruler has long since written it off."


Die Tageszeitung 10.12.2008

He could certainly hear with his eyes, writes Cord Riechelmann on what would be the 100th birthday of the composer Olivier Messiaen. "Which is why Messiaen was often described as a synesthesiast - not incorrectly but imprecisely. He did not think of the relationship between sound and colour as visible. Messiaen knew from his studies of birds that the singers best versed in rhythm and melody generally have the plainest feathers, while colourful crowing cocks and male pheasants have a very limited repertoire of sounds. But this couldn't stop his thoughts on colour from turning into kitsch in the hands of New Agers and hippies.


Frankfurter Rundschau
12.12.2008

Christian Thomas tries to fathom the extent of the crisis in Greece and the source of the enormous desire for violence. "The crime novelist Petros Markaris who lives in Athens spoke recently, without condoning the police or the politicians, of a 'certain tolerance' of the violence. ' This harks back to the uprising of the polytechnic students against the military junta all those years ago'. This anarchic act and political fantasy certainly has a fifteen-year old's death as an alibi, but it is also an attempt to relive the political myth of resistance and civil war. Greece's desire for violence in recent days has not only put Karamanlis's government in a tight corner, it has also put pay to the state's monopoly on violence."


Neue Zürcher Zeitung 12.12.2008

Heribert Seifert and Stephan Russ-Mohl look at the drop in foreign news coverage in the American media: according to a study by the Joan Shorenstein Center, there are only 140 US reporters working in foreign bureaus. But Seifert and Russ-Mohl are reluctant to interpret the figures as proof of the 'stupid American phenomenon'. "Further information presented recently for the Project for Excellence in Journalism indicates that the strong local orientation of the US media is not a result, as chief editors and media managers claim, of the public's wishes. While the newspapers are cutting their foreign coverage, there is a growing demand for it online."

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Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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Friday 12 - Friday 19 February, 2010

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Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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Saturday 28 November - Friday 4 December

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