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GoetheInstitute

05/12/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Rundschau 29.11.2008

The writers Tariq Ali and Suketu Mehta write about the attacks in Mumbai. Ali is sceptical about the immediate finger-pointing in Pakistan's direction. "What politician would say that a generation of young radicalised Muslims are growing up disenchanted with India's political system. Because it would mean having to admit that the system is in a very poor state of health." Mehta sums it up in a nutshell: "India's 150 million Muslims are poorer and more poorly educated than other Indians. The poverty rate among the urban Muslim population is 38 percent higher than in any other segment of the population, including the lower castes."


Die Welt 29.11.2008

In an essay in the literature section, historian Arno Lustiger has only the harshest of words for anti-Zionism and other forms of anti-Semitism and he warns about Arab anti-Semitism in particular, which gained acceptance at the UN conference on racism in Durban 2001. "Zionism was condemned as the contemporary form of Nazism and apartheid. The next conference is due to take place next April in Geneva and there will be an escalation of the scandal in Durban, where anti-racism degenerated into an ideology for totalitarian movements to use in their own interests... A number of states such as the USA, Canada and Israel will not be participating in the betrayal of human values - freedom of expression and religion among them - that is scheduled for Geneva. What will Germany's stance be? (Read Pascal Bruckner's call to "Boycott Durban 2")


Süddeutsche Zeitung 29.11.2008

When asked to imagine the world as a concert, composer Konrad Boehmer says he "hears a bourgeois salon concert. Biedermeier. Flowery wallpaper – Biedermeier," he tells Alexander Gorkow in an interview. And bankers and New Music composers are jointly to blame. "I am interested in the analogy between Avant-garde and capitalism. ... This analogy is all part of this great concert: a childish belief in pseudo-scientific nonsense, with mathematical underpinnings. Bankers and composers no longer understand themselves what they are peddling. Neo-Biedermeier is the answer. This neo-Prussian strutting in Berlin, the village opera with the Stadtschloss – this absurd palace will be the monument to our neo-Biedermeier." (The GDR Palace of the Republic in Berlin which was built on the site of the old Prussian Stadtschloss has now been completely torn down. It was announced on November 28 that the architect Franco Stella had won the competition to rebuild the facade of the old city palace with a modern interior. More here)


Die Tageszeitung 01.12.2008

Katrin Bettina Müller was at the premier of Jossi Wieler and Elfriede Jelinek's play "Rechnitz" in the Munich Kammerspielen. It is about the massacre of 180 Jews by guests at a party held by the Thyssen heiress Countess Margit Batthyany in 1945. (More here). "The chocolate gateaux. The guests sink their fingers into the cream with their bare hands, which moments before had plucked the best bits off the pizza, picked the meat off the roasted chicken and peeled eggs. Their slow motion gestures bespeak brutality and arrogance. The women stick their chocolatey fingers into their mouths and run them up their naked legs to their crotches, before wiping them clean on the shirts of their male companions. It is a celebration of obscenity and provocation. But the most obscene thing about it is that all the while they are talking about murder and people starving, but not in a tone of horror that refrains from judgement, but without any sense of wrongdoing whatsoever. It's like talking shop about the rules of hunting..."


Frankfurter Rundschau
02.12.2008

In conversation with Arno Widmann, political scientist Herfried Münkler talks about the geo-political state of the world. "If I am not mistaken about Russia's situation, then the country seems to be incapable of converting its oil money into a widespread economic-technological take off. What we are seeing is closer to the classic Third World syndrome: obscene wealth and excess on the one hand and poverty and misery in much of the rest of the country. Added to this is the situation in East Siberia. The Europeans who were sent there by the Czars or the Gulag regime are leaving. And they are being replaced by a dynamic Chinese populations. East Siberia is becoming Chinese. Russia is certainly still an important playerl but it's not in the same league as the USA, the EU or China.


Die Tageszeitung 05.12.2008

Who says the taz can't do glamour? Dorothea Hahn talks to Jane Birkin about her new album and the conversation starts like this:
"taz: Frau Birkin, you have been radiating freshness and innocence for more than four decades. How do you maintain your youthful aura?
Jane Birkin: I don't think I look either fresh or innocent. More like an aging teenager. I never had the courage to have a face lift. My pride stopped me. But smiling is important.
taz: Smiling is your secret?
Birkin: It has the same effect as a face lift. A vague smile into the future. And only minimal make up. At 15 or 16 young girls look lovely with lots of makeup and lipstick. But I keep it to a strict minimum."


Neue Zürcher Zeitung
05.12.2008

"vk" reports on a conference in Berlin's Aspen Institute about bloggers in Iran: "The internet activists are calling for more support from abroad. But only on the condition that it is non-governmental, because otherwise the authorities could denounce them as spies. The Iranian activists are looking for help in training people to produce reliable news and content, in the techniques of internet usage and in thwarting the attempts of the establishment to curb them."

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From the Feuilletons

Saturday 27 June - Friday 7 June, 2009

The death of choreographer Pina Bausch has plunged all the feuilletons into mourning. It was not movement that interested her, but what moved people, the NZZ remembers. The author David Albahari deliniates the minefield of sensibilities that every Serbian author has cross. Iraqi author Najem Wali explains why it is not naive to believe in Israeli ideals. Chinese artist Ai Weiwei removes all his clothes and jumps up and down in protest against China's automatic porn-detector.
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From the feuilletons

Saturday 20 - Friday 26 June, 2006

German-Iranian writer Navid Kermani is keeping a diary in Tehran. Henryk Broder explains why the Germans are particularly qualified to tell the Israelis how to behave. Isabel Fonseca reports on the treatment of the Roma in Kosovo, where they are dying at the hands of the UN. The film industry has discovered that illegal downloaders are not such a threat to them after all. And in a dramatic U-turn, Egypt is actually having Israeli books translated into Arabic.
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From the Feuilletons

Saturday 13 - Friday 19 June, 2009

Iran, of course, has been the focus all week. Mariam Lau looks at what Hussein Moussavi stands for. German-Iranian poet Said is deeply sceptical about this so-called reformer. And the FAZ issues a fatwa: rigged elections breach sharia! Chinese writer Yu Hua talks about freedom in China, where you can bad-mouth anyone or anything, except the government. The first Euro MPirate Christian Engststöm wants copyright cut to 5 years. The German Bundestag has just adopted its first Internet censorship law. And Jürgen Habermas remembers the constructive intellect of sociologist Ralf Dahrendorf.


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From the Feuilletons

Saturday 6 - Friday 12 June, 2005

Iranian women's rights activist Parvin Ardalan explains how tiring it is when hemlines are not dictated by fashion. At the Venice Biennale, Slovak charm won over German talking cats. Are we really living in capitalism, asks Peter Sloterdijk, after all "fully fledged tax states reclaim half of all economic successes every year". The Jungle World watches as Iran's religious elites rip each other to shreds. And the taz shows that arranged marriages can ruin men's lives too.
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From the Feuilletons

Saturday 29 May - Friday 5 June, 2009

The blog Liza's World is stunned by the world's silence on the allegations against Sri Lanka. Chinese writer Li Dawei sees Mao's spirit wandering China's streets by night. On the 200th anniversary of Hayden's death, the NZZ looks at his humiliating contract with the royal house. The new Magritte Museum in Brussels unveils a radical new hanging of the artist's work. And economic ethicist Peter Koslowski debunks the notion the financial world needs to rebuild trust.
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From the Feuilletons

Saturday 23 - Friday 29 May, 2009

New evidence has emerged that could force Germany to rewrite the entire history of its '68 movement. Stefan Aust calls it "a turning point". Götz Aly tells the West Germans to throw open their files. Abdelwahab Meddeb protests against the mass slaughter of pigs in Egypt. Sonja Margolina comments on a Freudian-Orwellian law that is about to be passed in Russia. And Claude Lanzmann and Bernard Henri-Levy appeal to stop the anti-Semite Faruk Hosni from becoming the next Unesco director-general.
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From the Feuilletons

Saturday 16 - Friday 22 May, 2008

Theatre directors Claus Peymann and Rene Pollesch clash over the importance of literature. Rolf Schneider argues in favour of the Demjanjuk trial. British novelist David Lodge talks about the transition of artist to businessman. And Cannes is awash in blood and gore, from Lars von Trier's sex 'n' scissors shocker to Brillante Mendoza's protracted scattering of body parts. Thank goodness for Quentin Tarantino's Nazis!
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From the Feuilletons

Saturday 9 - Friday 15 May, 2009

German politicians have learnt nothing from Obama about how to win votes online. The Hessian Culture Prize for intercultural dialogue has ended in a mighty intercultural standoff. Navid Kermani wonders why it's only the Meiers and the Schulzes that get to discuss Goethe.The SZ sees the light, and it's coming through a concrete wall in Mexico. David Attenborough explains how to argue with a creationist: tell him the one about the child's eyeball and the worm. And the world's oldest sculpture has been dug up in the Swabian Alps - a busty lady in mammoth tusk.
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From the Feuilletons

Saturday 2 - Friday 8 May, 2009

Director Peter Stein warns against the trap of unconventionality. Writers are like birds, says Jonathan Franzen. And birds are so poor they eat beetles. Some investigative stat crunching leaves the German government's plans to tackle child pornography looking like an excuse to censor the Internet. Author Christoph Hein protests against the official exhibition "60 Years - 60 Works", which completely ignores the GDR. And could the bust of Nefertiti be a beautiful fake?
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From the Feuilletons

Friday 25 - Thursday 20 April, 2009

Jonathan Franzen enthuses about obfuscation in "Peeling the Onion".The cabaret artist Johnny Klinke fondly recalls his time sweating on the production line at Opel. The SZ goes underground with "Les Untergunther". In his blog, philosopher Abdolkarim Sorous explains why God was formless for the Persian poet Rumi. The FR was impressed by the hilarious thoroughness in the Romanian films at the GoEast festival. The NZZ inspects the dire situation of the Roma in Eastern Europe. And has art got a bad case of helper syndrome?
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From the Feuilletons

Saturday 18 - Friday 24 April, 2009

Russian poet Olga Martynova explains how the KGB reinvented the Orthodox Church. Die Welt takes on the environmental group which is fighting to ban DDT. Darwin biographer Jürgen Neffe celebrates the future spirit of the book, unfettered by a physical body. Dutch writer Adriaan van Dis puts his faith in civil society to help pull South Africa out of the wetsand. The FR explains to 1,3000 German scholars, writers and publishers why they need Open Access. And the NZZ speculates on the poisonous contents of Chinese banks.
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From the Feuilletons

Saturday 11 - Friday 17 April, 2009

Hungarian authors Peter Nadas and Peter Esterhazy see black for their country. Sonja Zekri visits Kyrgyzstan, a state blessed with both scenic and geopolitical charms. There are depressing reports in from the pile of rubble that was once the Cologne City Archive. Jungle World asks what the UN understands by "defamation of religions". Alice Schwarzer draws attention to a blind spot in the media coverage of the Winnenden shootings: eleven of the twelve kids shot in the classroom were girls. And the old Kanzlerbungalow in Bonn opens to the public: the house that launched a thousand "democratic" buildings.
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From the Feuilletons

Saturday 28 March - Friday 3 April, 2009

The FR picks through the remains of GDR literature. A symposium in Marburg celebrates the 80th birthday and lifetime achievement of the "Jürgen Habermas" of German poetry. Swiss author Urs Widmer explains why his compatriots were so shocked by tone of the German finance minister - it was just like the way an average German orders bread. The NZZ listens to the protracted diminuendo of the (Japanese) piano maker Bösendorfer. And the German copyright agency GEMA has taken on Youtube - to the detriment of German record labels and musicians.
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From the Feuilletons

Saturday 21 - Friday 27 March, 2009

Albanian writer Ismail Kadare explains why he joined the Communist Party. Götz Aly defends himself against the vociferous critics of his book on 1968. Die Welt wanders across Tiananmen Square and realises that Chinese youth are completely oblivious to what happened there 20 years ago. Swiss writer Alex Capus defends the German finance minister and his crusade to crack Swiss bank secrecy. And at a performance of Ligeti's "Le grand Macabre" in Brussels, the stage is dominated by a mountainous woman whose nipples can be opened like garden gates.
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From the Feuilletons

Saturday 14 - Friday 20 March, 2009

German-Irish writer Hugo Hamilton looks the depressed Celtic tiger in the eyes. At the Leipzig Book Fair the taz discovered the power of 11 to 17-year old girls. The Polish are furious about the overly simplistic American film "Defiance". Olivier Roy explains the background of the term Islamophobia. And at least one good thing has come out of the recession - a splendid new play by Elfriede Jelinek.
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