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05/12/2008

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Rundschau 29.11.2008

The writers Tariq Ali and Suketu Mehta write about the attacks in Mumbai. Ali is sceptical about the immediate finger-pointing in Pakistan's direction. "What politician would say that a generation of young radicalised Muslims are growing up disenchanted with India's political system. Because it would mean having to admit that the system is in a very poor state of health." Mehta sums it up in a nutshell: "India's 150 million Muslims are poorer and more poorly educated than other Indians. The poverty rate among the urban Muslim population is 38 percent higher than in any other segment of the population, including the lower castes."


Die Welt 29.11.2008

In an essay in the literature section, historian Arno Lustiger has only the harshest of words for anti-Zionism and other forms of anti-Semitism and he warns about Arab anti-Semitism in particular, which gained acceptance at the UN conference on racism in Durban 2001. "Zionism was condemned as the contemporary form of Nazism and apartheid. The next conference is due to take place next April in Geneva and there will be an escalation of the scandal in Durban, where anti-racism degenerated into an ideology for totalitarian movements to use in their own interests... A number of states such as the USA, Canada and Israel will not be participating in the betrayal of human values - freedom of expression and religion among them - that is scheduled for Geneva. What will Germany's stance be? (Read Pascal Bruckner's call to "Boycott Durban 2")


Süddeutsche Zeitung 29.11.2008

When asked to imagine the world as a concert, composer Konrad Boehmer says he "hears a bourgeois salon concert. Biedermeier. Flowery wallpaper – Biedermeier," he tells Alexander Gorkow in an interview. And bankers and New Music composers are jointly to blame. "I am interested in the analogy between Avant-garde and capitalism. ... This analogy is all part of this great concert: a childish belief in pseudo-scientific nonsense, with mathematical underpinnings. Bankers and composers no longer understand themselves what they are peddling. Neo-Biedermeier is the answer. This neo-Prussian strutting in Berlin, the village opera with the Stadtschloss – this absurd palace will be the monument to our neo-Biedermeier." (The GDR Palace of the Republic in Berlin which was built on the site of the old Prussian Stadtschloss has now been completely torn down. It was announced on November 28 that the architect Franco Stella had won the competition to rebuild the facade of the old city palace with a modern interior. More here)


Die Tageszeitung 01.12.2008

Katrin Bettina Müller was at the premier of Jossi Wieler and Elfriede Jelinek's play "Rechnitz" in the Munich Kammerspielen. It is about the massacre of 180 Jews by guests at a party held by the Thyssen heiress Countess Margit Batthyany in 1945. (More here). "The chocolate gateaux. The guests sink their fingers into the cream with their bare hands, which moments before had plucked the best bits off the pizza, picked the meat off the roasted chicken and peeled eggs. Their slow motion gestures bespeak brutality and arrogance. The women stick their chocolatey fingers into their mouths and run them up their naked legs to their crotches, before wiping them clean on the shirts of their male companions. It is a celebration of obscenity and provocation. But the most obscene thing about it is that all the while they are talking about murder and people starving, but not in a tone of horror that refrains from judgement, but without any sense of wrongdoing whatsoever. It's like talking shop about the rules of hunting..."


Frankfurter Rundschau
02.12.2008

In conversation with Arno Widmann, political scientist Herfried Münkler talks about the geo-political state of the world. "If I am not mistaken about Russia's situation, then the country seems to be incapable of converting its oil money into a widespread economic-technological take off. What we are seeing is closer to the classic Third World syndrome: obscene wealth and excess on the one hand and poverty and misery in much of the rest of the country. Added to this is the situation in East Siberia. The Europeans who were sent there by the Czars or the Gulag regime are leaving. And they are being replaced by a dynamic Chinese populations. East Siberia is becoming Chinese. Russia is certainly still an important playerl but it's not in the same league as the USA, the EU or China.


Die Tageszeitung 05.12.2008

Who says the taz can't do glamour? Dorothea Hahn talks to Jane Birkin about her new album and the conversation starts like this:
"taz: Frau Birkin, you have been radiating freshness and innocence for more than four decades. How do you maintain your youthful aura?
Jane Birkin: I don't think I look either fresh or innocent. More like an aging teenager. I never had the courage to have a face lift. My pride stopped me. But smiling is important.
taz: Smiling is your secret?
Birkin: It has the same effect as a face lift. A vague smile into the future. And only minimal make up. At 15 or 16 young girls look lovely with lots of makeup and lipstick. But I keep it to a strict minimum."


Neue Zürcher Zeitung
05.12.2008

"vk" reports on a conference in Berlin's Aspen Institute about bloggers in Iran: "The internet activists are calling for more support from abroad. But only on the condition that it is non-governmental, because otherwise the authorities could denounce them as spies. The Iranian activists are looking for help in training people to produce reliable news and content, in the techniques of internet usage and in thwarting the attempts of the establishment to curb them."

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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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From the Feuilletons

Saturday 21 - Friday 27 November, 2009

In the NZZ, Danish author Jens Christian Gröndahl explains what the opening of the Northern Sea Route is doing to the Scandinavian mind. The FR smells the putrefaction in Erich Wolfgang Korngold's "Dead City", approvingly. The FAZ is gobsmacked by the conservative French cabinet, which is standing united behind its gay minister of culture. Something is rotten in the state of the theatre, cries the Tagesspiegel, if it is untouched by the crisis. And in the SZ, psychologist Peter Kruse analyses Frank Schirrmacher's fear of losing control.
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From the Feuilletons

Saturday 14 - Friday 20 November, 2009

Claude Lanzmann is in shock: cinema-goers in Hamburg who wanted to see his film "Why Israel", were attacked by a mob to shouts of "Jewish pigs" - and no one paid any attention. Jonathan Littell sends a reportage from Chechnya, where reality is two bullets in the head. Last week's interview with Imre Kertesz in Die Welt has sparked much anti-Semitic spitting in Hungary, the German paper reports. And according to the SZ, Botticelli did more for male than female sexuality: he introduced vulnerability.
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