Physical Dramaturgy: Ein (neuer) Trend?

Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more more

GoetheInstitute

09/05/2007

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Berliner Zeitung 09.05.2007

Ulrich Seidler talks to theatre director Peter Stein and actor Klaus-Maria Brandauer about their upcoming production of Friedrich Schiller's entire "Wallenstein" trilogy. Stein, one of the founders of Berlin's Schaubühne theatre in the 70s who now lives as an olive-grower in Italy when he's not directing plays, explains his current directing ethos. "The essence of the classics is that their message is enduring. As opposed to the know-it-alls in business, politics and journalism who produce exceedingly perishable goods, art can speak beyond its own time. That's why I seek to let the author's voice be heard as much as possible. That is, to the extent we can understand it today. But there are ways to help the understanding along. You just have to focus on these, and that means having certain interests. A lot can be discovered together with the actors, who are a wonderful critical instrument."


Frankfurter Allgemeine Zeitung
09.05.2007

The "freshest prime cuts from the art market" will not be on view at the coming Documenta, Thomas Wagner announces in a speculative article about the 100-day event which begins on June 16. "Spectacle, so much is clear, will not be the selling point of the d12. No doubt for many people in the business the art and how it is shown will not be sensational enough, not market-friendly enough, too subtle, too differentiated. And since there will be almost a total lack of stars in the exhitibion, there could be a major fallout in the reactions of the art business. The d 12 may disappoint expectations, but it will practise what Catherine David's documenta 10 merely preached: a major distance from the market. Galerists and investors have known this was going to happen for a long time."


Die Tageszeitung
09.05.2007

Romanian-born theatre director Luisa Brandsdörfer toured Romania as organiser of the Heidelberger Stückemarkt, a forum for young playrights currently underway in Heidelberg. She talks to Kristin Becker about the dynamic Romanian theatre scene: "What's in vogue there is the West, for example Sarah Kane. There's also a young squad of actors and directors known as DramAcum - Drama today. They support young dramatists by publishing a yearly anthology of the five best plays. One young author to become known this way was Peca Stefan, the rising star of the theatre scene, who at 24 has already written over 20 plays. He's one of the youngest, and has a brutal take on things. His play 'Romania 21' (which will be performed on Saturday at the Stückemarkt - ed) tells a bitter tale of a family's moral corruption first under communism and then after the fall of the communist regime."


Süddeutsche Zeitung
09.05.2007

On the music pages, Klaus Frederking introduces a series of African pop CDs. Ever heard Congo Rumba? Here's how it came about: "Africa dances... An unorthodox demonstration that in every clichee lies a grain of truth, was delivered by Patrice Lumumba in January 1960. In the Hotel Plaza in Brussels, he was negotiating with the colonial powers about the independence of Belgian Congo. Everything went swimmingly and so Lumumba, soon to be prime minister, had the African Jazz orchestra flow in. The best band of what was still a colony played triumphantly in the foyer and the singer Joseph Kabasele issued the victory cry: 'At the round table, cha-cha, that's where we won.' Congo danced. The 'Independance Cha-Cha' spread as a hymn of a new era throughout Africa – and in its wake came a melange which quickly became known as 'Rumba Congolaise'. Cuba was the major influence on the new genre, but into the mix also came French pop music, from Kabasele's unmistakeable role model Tino Rossi, the brill-creamed crooner from Corsica. The music crossed tribal and national borders - and that was its greatest strength."


Neue Zürcher Zeitung
09.05.2007

"Death in Venice was never like this," exclaims Samuel Herzog about a show of contemporary painting and sculpture from the Francois Pinault Collection in the Palazzo Grassi in Venice: "A huge skull stares with dark orifices over the Canale Grande - so grim that the 'O sole mio' freezes on gondolieri's lips as they paddle by. Only the Japanese giggle oddly when they see the sculpture - perhaps because they are quicker than others to see through the skull's symbolism to its material reality. Because this huge sculpture is made of a huge number of shining silvery kitchen utensils: pots and pans, kettles and bowls, boxes and platters."

Get the signandsight newsletter for regular updates on feature articles.
signandsight.com - let's talk european.

 
More articles

From the Feuilletons

Saturday 11 - 17 December, 2010

A clutch of German newspapers launch an appeal against the criminalisation of Wikileaks. Vera Lengsfeld remembers GDR dissident Jürgen Fuchs and how he met death in his cell. All the papers were bowled over Xavier Beauvois' film "Of Gods and Men." The FR enjoys a joke but not a picnic at a staging of Stravinsky's "Rake's Progress" in Berlin. Gustav Seibt provides a lurid description of Napoleonic soap in the SZ. German-Turkish Dogan Akhanli author explains what it feels like to be Josef K.
read more

From the Feuilletons

Saturday 4 - Friday 10 December

Colombian writer Hector Abad defends Nobel Prize laureate Mario Vargas Llosa against European Latin-America romantics. Wikileaks dissident Daniel Domscheit-Berg criticises the new publication policy of his former employer. The Sprengel Museum has put on a show of child nudes by die Brücke artists. The SZ takes a walk through the Internet woods with FAZ prophet of doom Frank Schirrmacher. The FAZ is troubled by Christian Thielemann's unstable tempo in the Beethoven cycle. And the FR meets China Free Press publisher, Bao Pu.
read more

From the feuilletons

Saturday 27 November - Friday 3 December

Danish author Frederik Stjernfelt explains how the Left got its culturist ideas. Slavenka Draculic writes about censoring Angelina Jolie who wanted to make a film in Bosnia. Daniel Cohn-Bendit talks   about his friendship, falling out and reconciliation with Jean-Luc Godard. Wikileaks has caused an embarrassed silence in the Arab world, where not even al-Jazeera reported on the what the sheiks really think. Alan Posener calls for the Hannah Arendt Institute in Dresden to be shut down.
read more

From the Feuilletons

Saturday 20 - Friday 26 November, 2010

The theatre event of the week came in a twin pack: Roland Schimmelpfennig's new play, a post-colonial "Who's Afraid of Virginia Woolf" opened at the Deutsches Theater in Berlin and the Thalia in Hamburg. The anarchist pamphlet "The Coming Insurrection" has at last been translated into German and has ignited the revolutionary sympathies of at least two leading German broadsheets, the FAZ and the SZ. But the taz, Germany's left-wing daily, says the pamphlet is strongly right-wing. What's left and right anyway? came the reply.
read more

From the Feuilletons

Saturday 13 - Friday 19 November, 2010

Dieter Schlesak levels grave accusations against his former friend and colleague, Oskar Pastior, who spied on him for the Securitate. Banat-Swabian author and vice chairman of the Oskar Pastior Foundation, Ernest Wichner, turns on Schlesak for spreading malicious rumours. Die Zeit portrays the Berlin rapper Harris, and the moment he knew he was German. Dutch author Cees Nooteboom meditates on the near lust for physical torture in the paintings of Francisco de Zurburan. An exhibition in Mannheim displays the dream house photography of Julius Schulman.
read more

From the Feuilletons

Saturday 6 - Friday 12 November, 2010

The NZZ asks why banks invest in art. The FAZ gawps at the unnatural stack of stomach muscles in Michelangelo's drawings. The taz witnesses a giant step for the "Yugo palaver". Bernard-Henri Levy describes Sakineh Ashtiani's impending execution as a test for Iran and the west. Journalist Michael Anti talks about the healthy relationship between the net and the Chinese media. Literary academic Helmut Lethen describes how Ernst Jünger stripped the worker of all organic substances.
read more

From the Feuilletons

Saturday 30 October - Friday 5 November, 2010

Now that German TV has just beatified Pope Pius XII, Rolf Hochmuth tells die Welt where he got the idea for his play "The Deputy". The FR celebrates Elfriede Jelinek's "brilliantly malicious" farce about the collapse of the Cologne City Archive. "Carlos" director Olivier Assayas makes it clear that the revolutionary subject is a figment of the imagination. The SZ returns from the Shanghai Expo with a cloying after-taste of sweet 'n' sour. And historian Wang Hui tells the NZZ that China's intellectuals have plenty of freedom to pose critical questions.
read more

From the Feuilletons

Saturday 23 - Friday 29 October, 2010

Author Doron Rabinovici protests against the concessions of moderate Austrian politicians to the FPÖ: recently in Vienna, children were sent back to Kosovo at gunpoint. Ian McEwan wonders why major German novelists didn't mention the Wall. The NZZ looks through the Priz Goncourt shortlist and finds plenty of writers with more bite than Houellebecq. The FAZ outs two of Germany's leading journalists who fiercely guarded the German Foreign Ministry's Nazi past. Jens-Martin Eriksen and Frederik Stjernfelt analyse the symptoms of culturalism, left and right. Hans Ulrich Gumbrecht demonstratively yawns at German debate.
read more

From the Feuilletons

Saturday 16 - Friday 22 October, 2010

A new book chronicles the revolt of revolting "third persons" at Suhrkamp publishers in the wild days of 1968. Necla Kelek is appalled by the speech of the very Christian Christian Wulff, the German president, in Turkey. The taz met a new faction of hardcore Palestinians who are fighting for separate sex hairdressing in Gaza. Sinologist Andreas Schlieker reports on the new Chinese willingness to restructure the heart. And the Cologne band Erdmöbel celebrate the famous halo around the frying pan.
read more

From the Feuilletons

Saturday 9 - Friday 15 October, 2010

The FR laps up the muscular male bodies and bellies at the Michelangelo exhibition in the Viennese Albertina. The same paper is outraged by the cowardice of the Berlin exhibition "Hitler and the Germans". Mario Vargas-Llosa remembers a bad line from Sweden. Theologist Friedrich Wilhelm Graf makes it very clear that Western values are not Judaeo-Christian values. The Achse des Guten is annoyed by the attempts of the mainstream media to dismiss Mario Vargas-Llosa. The NZZ celebrates the tireless self-demolition of Polish writer and satirist Slawomir Mrozek.
read more

From the feuilletons

Saturday 2 - Friday 8 October, 2010

Nigerian writer Niyi Osundare explains why his country has become uninhabitable. German Book Prize winner Melinda Nadj Abonji says Switzerland only pretends to be liberal. German author Monika Maron is not sure that Islam really does belong to Germany. Russian writer Oleg Yuriev explains the disastrous effects of postmodernism on the Petersburg Hermitage. Argentinian author Martin Caparros describes how the Kirchners have co-opted the country's revolutionary history. And publisher Damian Tabarovsky explains why 2001 was such an explosively creative year for Argentina.
read more

From the Feuilletons

Saturday 25 September - Friday 1 October

Three East German theatre directors talk about the trauma of reunification. In the FAZ, Thilo Sarrazin denies accusations that his book propagates eugenics: "I am interested in the interplay of nature and nurture." Polemics are being drowned out by blaring lullabies, author Thea Dorn despairs. Author Iris Radisch is dismayed by the state of the German novel - too much idle chatter, not enough literary clout. Der Spiegel posts its interview with the German WikiLeaks spokesman, Daniel Schmitt. And Vaclav Havel's appeal to award the Nobel prize to Liu Xiabobo has the Chinese authorities pulling out their hair.
read more

From the Feuilletons

Saturday 18 - Friday 24 September, 2010

Herta Müller's response to the news that poet Oskar Pastior was a Securitate informant was one of overwhelming grief: "When he returned home from the gulag he was everybody's game." Theatre director Luk Perceval talks about the veiled depression in his theatre. Cartoonist Molly Norris has disappeared after receiving death threats for her "Everybody Draw Mohammed" campaign. The Berliner Zeitung approves of the mellowing in Pierre Boulez' music. And Chinese writer Liao Yiwu, allowed to leave China for the first time, explains why schnapps is his most important writing tool.
read more

From the Feuilletons

Saturday 10 - Friday 17 September, 2010

The poet Oskar Pastior was a Securitate informant, the historian Stefan Sienerth has discovered. Biologist Veronika Lipphardt dismisses Thilo Sarrazin's incendiary intelligence theories as a load of codswallop. A number of prominent Muslim intellectuals in Germany have written an open letter to President Christian Wulff, calling for him to "make a stand for a democratic culture based on mutual respect." And a Shell study has revealed that Germany's youth aspire to be just like their parents.
read more

From the Feuilletons

Saturday 4 - Friday 10 September, 2010

Thilo Sarrazin has buckled under the stress of the past two weeks and resigned from the board of the Central Bank. His book, "Germany is abolishing itself", however, continues to keep Germany locked in a debate about education and immigration and intelligence. Also this week, Mohammed cartoonist Kurt Westergaard has been awarded the M100 prize for defending freedom of opinion. Chancellor Angela Merkel gave a speech at the award ceremony: "The secret of freedom is courage". The FAZ interviewed Westergaard, who expressed his disappointment that the only people who had shown him no support were those of his own class.
read more