The Stage As A Work Of Art

Stage designers is developing more and more into the most important element of stage productions. It is set designers or ?spatial artists? like Johannes Schütz, Muriel Gerstner, Stéphane Laimé and Olaf Altmann who are ?to blame? ? they are the ones who can turn an evening at the theatre into a total work of stationary art.... more more

GoetheInstitute

05/04/2007

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Frankfurter Rundschau 05.04.2007

"We have no way of knowing if there ever was a historical Jesus," says Copenhagen archaeologist Thomas L. Thompson in discussion with Arno Widmann. "But we do know: the Gospels are not in the least interested in such a Jesus. All we know about Jesus comes from allegories and fictional stories that are firmly rooted in the ancient literary traditions of Asia Minor ... We haven't the first idea who Jesus was, if he did in fact live in the first century AD outside of stories that were told about him, that is. All we have are these stories, and all of them are considerably older than the first century."


Die Tageszeitung 05.04.2007

"There is a growing desire to feel angst about dangerous Muslims," writes Robert Misik in an opinion piece, with an eye to the recent Spiegel cover title "Mekka Deutschland." "What's so strange about all this is that the new xenophobes have substituted 'foreigners' with 'Islam', which means that modernisation tendencies enter the line of argument. Unlike the old German nationalists, the Islamophobes are not anti-Americans, instead they believe themselves to be united in a 'liberal' front against Islamic 'totalitarianism'. Because the anti-Semitism traditionally so virulent in right-wing circles has been replaced by an unconditional solidarity with Israel – after all Israel is completely surrounded by Muslims."


Die Welt 05.04.2007

Hendrik Werner joins a group of 80 mostly elderly Walter Kempowksi fans for the monthly literary afternoon with the writer in his home in Nartum, Lower Saxony. "The flock of pilgrims are seated in the so-called mirror room. The atmosphere is devotional, as if in expectation of some famous last words. The poet appears. At his side a black brief case containing the machine that guarantees that the cancer sufferer is continuously fed with liquids. Kempowski recently made onomatopoeic reference to the 'pftata pftata' of the motor at whose mercy he has been since his operation in 2006. On this afternoon he is as sarcastic as ever. His voice thin but powerful. He reads from 'Heile Welt' (ideal world). You must know it he says. He is the local Thomas Mann after all! He calls out after his wife, who is still sorting out the seating. 'Don't you think it's time you left. You're stealing the show.' And he takes a tough line on coughing: 'One can either cough or read."


Süddeutsche Zeitung 05.04.2007

Joachim Kaiser, the doyen of German music critics, looks at the legacy of conductor Herbert von Karajan, who was born 99 years ago today (more on the legacy here). "My erstwhile mentor Theodor Adorno admired Karajan, but at the same time couldn't stand him: 'This wonderful conductor has not understood the Hegel in Beethoven. One could say: his portrayal of the spirit in Beethoven's music doesn't do justice to the music's spiritual element.'... Karajan only shows the sensual side, Adorno admonished. Adorno's opponents, among them conductor Georg Solti, countered that when the sensual is present, the spiritual element must be there as well. The dispute went even further. Adorno's demand that true interpretations must make all relationships in the music visible, like an X-ray, was passed on to Karajan. He answered drily that if you fully portray the sensual side, the structure can't fail to make itself felt. 'When I love a woman,' he said, 'I want her body, not her X-ray.'"

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From the Feuilletons

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From the Feuilletons

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The Kundera affair mostly goes unmentioned, despite the collective defence of the author by a group of Nobel Prize laureates. Only the Tagesspiegel demands objective truth. The taz portrays the flamboyant Turkish star author Murathan Mungan. The Finns are having to revise a WWII myth. Navid Kermani hopes that Obama's victory will speed up Europe's long learning process. And philosopher Jürgen Habermas reports back on the Hopperesque melancholy of pre-election USA.
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From the Feuilletons

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South African writer Ivan Vladislavic describes the literary braindrain in Africa. Turkologist Corry Guttstadt decries Turkish cowardice during the Holocaust. Novelist Slavenka Drakulic explains why the Croatian media has finally opened its eyes to serious crime. And cellist Anner Bylsma agonises over prolonged vibrato.
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From the Feuilletons

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Milan Kundera has demanded an apology from Respekt magazine for dragging his name into the dirt. Bernard-Henri Levy leaps to the author's defence, as does György Dalos. Sonja Margolina talks about her own experiences on the border of betrayal in the hands of the KGB. Painter Anselm Kiefer has won the Peace Prize of the German Book Trade but, says the FAZ, he's stuck in a fairytale forest. And the FR reports on a protest by historians against the EU memory police.
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In which Milan Kundera is embroiled in a denunciation affair; a Saudi cleric bans the popular Turkish soap 'Noor'; novelist Steinunn Sigurdardottir explains how Iceland became Gordon Brown's Falklands; Turkey discovers its multicultural heritage; the doors open on slavery in Islam and the Bulgarians concoct a plan to raise the sunken city of Seuthopolis.
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From the Feuilletons

Thursday 2 October, 2008

The SZ celebrates a scattering of doppelgängers in a new production of Kafka's "Trial". It also ogles a philosophical diable de l'amour on Arte. In die Welt, Peter Weibel debunks the cult of the artist. The Berliner Zeitung marvels at the riches of Omsk. The NZZ fumes at the arrogance of Horace Engdahl and revisits the cleavage of Madame de Stael.
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The FR castigates the Germans for being so nuts about Obama when they've never elected so much as a Turkish mayor. Author and entrepeneur, Ernst-Wilhelm Händler, declares that it's not capitalism that has failed but the state. Andrzej Stasiuk spent his holidays in the Russian steppes where unlimited space felt penal. The NZZ sings a swan song for German theatre's Utopian dreams and the SZ bids farewell to the man who put the fun back into New Music.
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Ukrainian author Oksana Zabuzhko remembers the mass grave in the forest of Bykivnya, where the bodies are inscribed with "the Russian signature". Marcia Pally lists a string of dirty wars waged by the Democrats. The SZ praises "Gomorrah" the Mafia film with no Godfatherly glamour. Georgian writer Dato Barbakadze tells Russian intellectuals to raise their voices in protest. And the Tagesspiegel celebrates the very un-McKinseyan ethos of Cern.
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From the Feuilletons

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Jungle World investigates academic anti-Semitism and Jewish self-hatred with Theodor Lessing. It also looks at Gaussian distribution as an instrument of suppression. Christoph Schlingensief talks about his stay in the first station of hell. The feuilletons are relieved to finally close the chapter on the Bayreuth war of succession. And Andreas Dresen's film "Cloud 9" ushers in the grey phase of the sexual revolution.
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Sitting in Moscow traffic, Sonja Margolina learns a tough lesson about life in Russian civil society. The Tagesspiegel dismisses the second volume of Günter Grass's autobiography, "The Box", as an orgy of vagueness. Christoph Schlingensief remembers how Wolfgang Wagner stole his urinal. And Die Zeit fears for the youth of today, who have had the protest scared out of them.
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Did Carl Philipp Emmanuel hide the end of the 'Art of Fugue'? Organist Ton Koopman casts aspersions on Bach's son. Michel Houellebecq explains why the problem is genital. Diedrich Diederichsen remembers meeting a certain New York waitress back in '82. Ukrainian writer Yuri Andrukhovych explains why he's on Georgia's side. Osssetian literature academic Shanna Chochiyeva explains why she thinks the Georgians are Nazis. And Czech playright Pavel Kohout says what the Russians need is another revolution.
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Friday 9-15 August, 2008

Georgian author Devi Dumbadze criticises the powerless nationalism of his compatriots. Andre Glucksman and Bernard-Henri Levy diagnose Europe in a coma. A new book by Patrick Buisson describes the erotic confusion that gripped Vichy France. Syrian philospher Sadik Jalal al-Azm points to a third way for Islam. The SZ takes a magical history tour of YouTube piano recitals. And old Austrian men in lederhosen take to the streets in protest against Kippenberger's crucified frog.
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