Producer Regina Ziegler Celebrates 35th Company Anniversary

She produced her first film on tick in 1973 and straightaway it won her a German Film Prize. Now, in 2008, Regina Ziegler is considered Germany?s most successful film and television producer, and this year marks her production company?s 35th anniversary.... more more

GoetheInstitute

06/03/2007

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Der Tagesspiegel 06.03.2007

Christine Lemke-Matwey travelled to Riga to hear one of world's leading young conductors, the 28-year-old Latvian Andris Nelsons, (more here) conducting Wagner's "Ride of the Valkyries" – despite the somewhat problematic acoustics of the National Opera House. "Nelsons might turn the most incredible pirouettes in the pit since Carlos Kleiber, cuddling up fairy-armed with Siegmund (Jirki Antila), Sieglinde (a daisy-fresh Elisabet Strid) and the wild wide world, playing the Dervish here, and the quiet shoulder-shrugging Torero there with Fricka (a very deliberate Martina Dike): it just refuses to ring right. Not enough upper tones, no stomach. And yet musically, this evening is one of the most exciting that the season has to offer in many a land, for far and wide."


Süddeutsche Zeitung 06.03.2007

The SZ celebrates fifty years of African independence. On March 6, 1957, the British Gold Coast gained independence and renamed itself Ghana. The writer Amma Darko is proud of her country's constitutional face today. "Today we can simply shout out what we don't like about President Kufour and then get back to work. When, after taking office, Kufour declared Ghana bankrupt and opted for the 'Heavily-Indebted-Poor-Countries number' Ghanaians shook their heads in disbelief. How could he do this to us? The shame, the humiliation! The people retaliated immediately. A crossroads near the president's house in Accra soon was soon dubbed the HIPC crossroads."


Spiegel Online
06.03.2007

Actress Sibel Kekilli, who shot to fame in Fatih Akin's "Head On", talks in an interview about her criticisms of Islam and her frustration at always being treated like a foreigner in Germany. Recently in a podium discussion in Berlin, Kekilli stated that "violence was part of the Islamic cultural heritage." And she stands by what she said: "It can't be denied. Most honour killings are justified by the perpetrators with reference to Islam. Islam is cited as one of the grounds for female genital cutting, although it's not prescribed by Islam. Men who beat their wives say it's written in the Koran. Of course the relevant passages can also be interpreted in other ways, even if unfortunately they're not as a rule. People try to justify their acts of violence with religion. And the peace-loving Muslims have to suffer under the extremists." Kekilli blames the Germans as well as the Turks for the slow pace of integration: "I'm tired of explaining that I'm a German citizen, that I was born here and that I'm still not accepted here. For most Germans I'm still a guest, although I was born here and live by the constitution."


Die Tageszeitung
06.03.2007

Three collectors are presenting works by Sigmar Polke in the Frieder Burda Museum in Baden-Baden. Georg Patzer finds the rooms too small and the catalogue too sparse, but feels these shortcomings are made up for by the works themselves. "There are the more mysterious pictures like the realistically-painted, plump and floating sausages, or an example of Polke's arithmetic skills, '1 + 1 = 3', which a bank decided not to purchase in the end, for fear of unsettling its customers. Then there's his very lovely collage 'So sitzen Sie richtig' (how to sit properly) on printed fabric, blending Francisco de Goya's aquatinta engraving 'Ya tienen asiento' with Max Ernst's 'Une semaine de bonte.' Ernst's snake flees before Goya's young woman and the balancing chairs fly through the room – all that painted on fabric printed with little dogs. A true whirlwind of art history."


For everyone who doesn't receive Venezuelan TV, Gerhard Dilger describes the popular "Alo Presidente," Hugo Chavez' one-man show which airs five days a week. "Chavez takes a map and explains his trade policies with the small countries of the Caribbean. Then with the aid of a chart he shows the rising food prices and stresses the need to deal firmly with speculators. And between all that he suddenly bursts into song or pokes fun at President Bush."


Frankfurter Rundschau 06.03.2007

Sociologist Trutz von Trotha compares the German's relationship to their children with that of the French, diagnosing a tendency on the part of former to be too "child centred." Germans, he says set such high standards that they end up not wanting to have any children at all. The French, on the other hand, see things more pragmatically: "After giving birth, French mothers focus on getting back in shape and looking attractive. Unlike the Germans, French mothers are not afraid to subject their children to rigid daily schedules, and recommend letting babies have a good scream so that they will sleep all the more soundly – something that meets with contempt and abhorrence among German mothers."


Die Welt 06.03.2007

In an interview (with pictures), artist Gregor Schneider tells Uta Baier why he now intends to put his black Kaabaesque cube, which was barred from being erected on St. Mark's Square at the 2005 Venice Biennale, in Hamburg. "The fascinating thing about the Kaaba in Mecca is that it is an unknown space for me, and one of the most beautiful and secretive spaces of the human race. That's one aspect. But the black cube we are talking about is a sculpture which has not been built. Only when it has been built can we look at it and experience it physically."

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From the Feuilletons

Saturday 26 July - Friday 1 August, 2008

This year's 'Parsifal' in Bayreuth is a romp through German history. Twenty years after the fall of the Wall, Ingo Schulze says the West has made less than minimal progress. A group of intellectuals take up Pascal Bruckner's appeal to "Boycott Durban 2". Anselm Kiefer reveals all about his Virgin Mary visitation. Necla Kelek is deeply suspicious of Tariq Ramadan's campaign against forced marriage. And Carlos Fraenkel is wowed by the hermeneutic flexibility of Indonesian Muslims.
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Saturday 19 - Friday 25 July, 2008

Karadzic's successful hiding methods prompt the SZ to draw up a set of rules for war criminals living underground: rise early and travel to work by bus or train. The Bosnian writer Dzevad Karahasan remembers the thousands of lesser war criminals who are still living in impunity. Theatre director Ariane Mnouchkin has produced a number of short protest films against the Olympic Games in Bejing. And Berlin is still recovering from a breathless weekend of Obamarama.
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Saturday 12 - Friday 18 July, 2008

Romanian-German writer Herta Müller protests against the participation of former Securitate informants in the Berlin Summer Academy. Richard Wagner seconds her objections. South African writer Andre Brink explains why he remains loyal to his homeland. Spanish poet Marcos Ana remembers how he smuggled his first poem out of prison in a tube of toothpaste. Sociologist Gerhard Schulze examines the very real fears about nursing homes. And Algerian author Boualem Sansal egotistically pins his hopes on the democratising forces of the Mediterranean Union.
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From the Feuilletons

Saturday 4 - Friday 11 July, 2008

German President Horst Köhler managed to be out of the room, when the Tibet question was raised. Author and Iranian regime critic Said explains why he was prevented from giving a reading in Berlin together with an Israeli colleague. The Russian cultural minister announces that the state will be commissioning major feature films to further the cause of patriotism. Mongolian shaman and author Galsan Tschinag reports on post-election protests in Ulan Bator. And Die Zeit portrays Chinese environmental activist Wu Lihong, who is sitting out a prison sentence.
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Saturday 28 June - Friday 4th July

Moscow curator Andrei Erofeyev has lost his job because of the negative effects of art on the mind. The SZ welcomes Fethullah Gülen as the world's top public intellectual and merrily waves goodbye to the Enlightenment in the process. Die Welt reads a black book of the French Revolution. Die Presse explains what the United Nations Human Rights Council understands by "abuse of freedom of expression". On Kafka's 125th birthday, the feuilletons heap praise on the second volume of Reiner Stach's biography. And Jonathan Franzen explains what he loves about Berlin: it's a shadow of its former self.
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Saturday 21 - Friday 27 June, 2008

Olivier Roy locates the roots of Islamic radicalisation in the West not the Koran. Slavenka Drakulic comments on the UN's decision to classify rape as a war crime. Peter Handke's love of Serbia is obscene says Jonathan Littell. Günther Verheugen and Jürgen Habermas argue about the Irish "no". Habermas meets Tariq Ramadan in Schloss Elmau. Writer and translator Georges-Arthur Goldschmidt slams the Parisian "Pleiade" publishers for including Ernst Jünger in their library of classics but not Thomas Mann.
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From the Feuilletons

Saturday 14 - Friday 20 June, 2008

Richard Wagner, Jürgen Habermas and John Banville speak their minds on the Irish "no". Austrian writer Josef Winkler has won the prestigious Georg Büchner prize. Croatian literature has taken a civilising step backwards. Iranians are being told to stop drinking tea. And a French school teacher has identified Godot.
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From the Feuilletons

Saturday 7 - Friday 13 June, 2008

Architect Jacques Herzog explains why you can't force democracy on China. Chinese writer Ma Jian believes Tiananmen Square should be remembered nevertheless. The NZZ opens its new series on radical Islamism with an ex-Islamist who asks: where are the martyrs of pluralism? And Turkey's participation at this year's Frankfurt Book Fair is a minor victory for civil society.
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From the Feuilletons

Saturday 31 May - Friday 6 June, 2008

Sudanese translator Daoud Hari condemns the world's indifference and China's complicity in the killings in Darfur. The Berliner Zeitung picks apart the fake Euro2008 war that has kicked off in German and Polish tabloids. Anselm Kiefer is the first visual artist to win the prestigious Peace Prize of the German Book Trade. And Rem Koolhaas seems to be having a go at the media for the enormous sums he is being paid by the Chinese regime.
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From the Feuilletons

Saturday 24 - Friday 30 May, 2008

Ex-Stasi agents are at the heart of a spy-scandal currently rocking Germany. Najem Wali is amazed by the silence of his fellow Iraqi writers. Daniel Libeskind explains why he doesn't build for dictators. Three German museum directors are sharing the knowledge of the world with a sheik in Dubai, in return for wads of cash. And Peter Handke has issued some impenetrable words about Yugoslavia.
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From the Feuilletons

Saturday 17 - Friday 23 May, 2008

After the honour killing in Hamburg, women's rights activist Serap Cileli tells Germans to draw the line. Columbian journalist Hector Abad Faciolince discovers what his countrymen are worth - in US visa dollars. Neofascist historical revisionism is up and saluting in Italy. Bahman Nirumand examines Abdolkarim Soroush's thesis that not God but Mohammed wrote the Koran. And having overdosed on the naivety of new German feminism, the SZ wishes it was a meatball in Poland.
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From the Feuilletons

Saturday 10 - Friday 16 May, 2008

Novelist Franzobel warns against demonising Josef Fritzl: the ordinary is the unheimlich. Iraqi writer Najem Wali accuses Arab regimes of using Israel as a scapegoat for self-inflicted woes. Historian Benny Morris says that Israelis have given up hope of peace. Die Welt is blown away by Gerhard Richter's influence in China. And Japanologist Florian Coulmas watches the Roman alphabet fizzle out in Cyberspace.
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From the Feuilletons

Saturday 3 - Friday 9 May, 2008

The Olympic games belong to the athletes, not the politicians: this is the argument today, just as it was in 1936, against a boycott of the host country. Slavenka Drakulic explains her dislike of the word "Balkanisation". Elfriede Jelinek writes about the architecture of fear in Armstetten. The SZ asks whether Rem Koolhaas' CCTV tower is an "building of evil" and Jacques Herzog explains how democracy weighs heavily on an architect's dreams.
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From the Feuilletons

Saturday 26 April - Friday 2 May, 2008

As Wolfgang Wagner finally hands over the reins in Bayreuth, the feuilletons opine on the future of the operatic dynasty. The blogs answer to the open letter by the German music industry calling for tight internet surveillance on music downloading. Sociologist Peter Wagner is not surprised at the return of a corrupt government in Italy: it serves the interests of a corrupt populace. And the Berlin newspapers take up the case of Russian artist Anna Mikalchuk whose body was dragged up in the Spree.
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From the Feuilletons

Saturday 19 - Friday 25 April, 2008

The feuilletons voiced universal disapproval for artist Gregor Schneider's plan to have someone die live for art.The taz celebrates Alexander Kluge who is about to embark on filming "Das Kapital". Film directors Christian Petzold and Robert Thalheim ask why Germans have stopped going to arthouse cinemas. The FAZ looks at why the French still can't stomach Lovis Corinth. And Amos Oz criticises the skewed image of Israel in the German media.
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