Between Private Tastes and Public Influence ? Private Art Collections in Germany

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GoetheInstitute

06/03/2007

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Der Tagesspiegel 06.03.2007

Christine Lemke-Matwey travelled to Riga to hear one of world's leading young conductors, the 28-year-old Latvian Andris Nelsons, (more here) conducting Wagner's "Ride of the Valkyries" – despite the somewhat problematic acoustics of the National Opera House. "Nelsons might turn the most incredible pirouettes in the pit since Carlos Kleiber, cuddling up fairy-armed with Siegmund (Jirki Antila), Sieglinde (a daisy-fresh Elisabet Strid) and the wild wide world, playing the Dervish here, and the quiet shoulder-shrugging Torero there with Fricka (a very deliberate Martina Dike): it just refuses to ring right. Not enough upper tones, no stomach. And yet musically, this evening is one of the most exciting that the season has to offer in many a land, for far and wide."


Süddeutsche Zeitung 06.03.2007

The SZ celebrates fifty years of African independence. On March 6, 1957, the British Gold Coast gained independence and renamed itself Ghana. The writer Amma Darko is proud of her country's constitutional face today. "Today we can simply shout out what we don't like about President Kufour and then get back to work. When, after taking office, Kufour declared Ghana bankrupt and opted for the 'Heavily-Indebted-Poor-Countries number' Ghanaians shook their heads in disbelief. How could he do this to us? The shame, the humiliation! The people retaliated immediately. A crossroads near the president's house in Accra soon was soon dubbed the HIPC crossroads."


Spiegel Online
06.03.2007

Actress Sibel Kekilli, who shot to fame in Fatih Akin's "Head On", talks in an interview about her criticisms of Islam and her frustration at always being treated like a foreigner in Germany. Recently in a podium discussion in Berlin, Kekilli stated that "violence was part of the Islamic cultural heritage." And she stands by what she said: "It can't be denied. Most honour killings are justified by the perpetrators with reference to Islam. Islam is cited as one of the grounds for female genital cutting, although it's not prescribed by Islam. Men who beat their wives say it's written in the Koran. Of course the relevant passages can also be interpreted in other ways, even if unfortunately they're not as a rule. People try to justify their acts of violence with religion. And the peace-loving Muslims have to suffer under the extremists." Kekilli blames the Germans as well as the Turks for the slow pace of integration: "I'm tired of explaining that I'm a German citizen, that I was born here and that I'm still not accepted here. For most Germans I'm still a guest, although I was born here and live by the constitution."


Die Tageszeitung
06.03.2007

Three collectors are presenting works by Sigmar Polke in the Frieder Burda Museum in Baden-Baden. Georg Patzer finds the rooms too small and the catalogue too sparse, but feels these shortcomings are made up for by the works themselves. "There are the more mysterious pictures like the realistically-painted, plump and floating sausages, or an example of Polke's arithmetic skills, '1 + 1 = 3', which a bank decided not to purchase in the end, for fear of unsettling its customers. Then there's his very lovely collage 'So sitzen Sie richtig' (how to sit properly) on printed fabric, blending Francisco de Goya's aquatinta engraving 'Ya tienen asiento' with Max Ernst's 'Une semaine de bonte.' Ernst's snake flees before Goya's young woman and the balancing chairs fly through the room – all that painted on fabric printed with little dogs. A true whirlwind of art history."


For everyone who doesn't receive Venezuelan TV, Gerhard Dilger describes the popular "Alo Presidente," Hugo Chavez' one-man show which airs five days a week. "Chavez takes a map and explains his trade policies with the small countries of the Caribbean. Then with the aid of a chart he shows the rising food prices and stresses the need to deal firmly with speculators. And between all that he suddenly bursts into song or pokes fun at President Bush."


Frankfurter Rundschau 06.03.2007

Sociologist Trutz von Trotha compares the German's relationship to their children with that of the French, diagnosing a tendency on the part of former to be too "child centred." Germans, he says set such high standards that they end up not wanting to have any children at all. The French, on the other hand, see things more pragmatically: "After giving birth, French mothers focus on getting back in shape and looking attractive. Unlike the Germans, French mothers are not afraid to subject their children to rigid daily schedules, and recommend letting babies have a good scream so that they will sleep all the more soundly – something that meets with contempt and abhorrence among German mothers."


Die Welt 06.03.2007

In an interview (with pictures), artist Gregor Schneider tells Uta Baier why he now intends to put his black Kaabaesque cube, which was barred from being erected on St. Mark's Square at the 2005 Venice Biennale, in Hamburg. "The fascinating thing about the Kaaba in Mecca is that it is an unknown space for me, and one of the most beautiful and secretive spaces of the human race. That's one aspect. But the black cube we are talking about is a sculpture which has not been built. Only when it has been built can we look at it and experience it physically."

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From the Feuilletons

Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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Friday 12 - Friday 19 February, 2010

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Saturday 6 - Friday 12 February, 2010

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Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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Saturday 9 - Friday 15 January, 2010

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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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Saturday 12 - Friday 18 December, 2009

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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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