The Stage As A Work Of Art

Stage designers is developing more and more into the most important element of stage productions. It is set designers or ?spatial artists? like Johannes Schütz, Muriel Gerstner, Stéphane Laimé and Olaf Altmann who are ?to blame? ? they are the ones who can turn an evening at the theatre into a total work of stationary art.... more more

GoetheInstitute

03/01/2007

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 03.01.2007

In a highly instructive article, the Berlin-based Iraqi author Najem Wali explains why it was a mistake to execute Saddam Hussein. "All the people who welcomed the news of the dictator's arrest three years ago, hoped that his trial would be an opportunity to address and come to terms with an epoch in Iraqi history and a culture of indiscriminate murder and massacre. Yet they had no idea that this process would end up in a grotesque show trial and that the slaughterer would be executed under such questionable circumstances. (...) With this trial, a unique opportunity for an all-Iraqi reconciliation has been thrown away."


Süddeutsche Zeitung 03.01.2007

Architecture and morality is the subject of an article by Alexander Hosch. He describes the stars of the international architecture scene who readily undertake huge construction projects in St. Petersburg, Peking or Dubai for "tyrants and autocrats." Included is an interview with Wolf Prix, founder of the architect's office "Coop Himmelb(l)au" (sky blue/building). When asked whether European architects should design the state television building for a regime that does not allow freedom of the press, he says: "It would be absurd to cast aspersions on Rem Koolhaas for the Central Chinese TV tower. Brunnelschi also put a cupola on Florence's cathedral for what was then an authoritarian Church. An architect should not allow himself to become a mouthpiece."


Die Welt
03.01.2007

Director Peter Stein talks in an interview about his "Wallenstein" project. "As far as my staging goes, nothing has been decided so far. There are financial and legal problems. We're working on them. If I don't get over them soon, I'll give up." He also discusses auteur theatre in Germany, that has to answer to "people like that Mr. Stadelmaier. (more) It's got to the point that directors are in fact authors. They use the material of real authors as a quarry, nothing more. That's possible. I consider it nonsense and am not interested in the intellectual flatulence of these relatively stupid people who are calling themselves directors these days. Theatre people are known to be not especially intelligent – and that's the appalling thing. Nor do they need to be. Because their only function is to bring the texts of other people to life."


Berliner Zeitung
03.01.2007

Olivia Schoeller visits the USA's first Creation Museum in Petersburg, Kentucky, set up by the creationist Mark Looy. "A group of life-sized figures are gleaming in the spotlight. A human child in a linen dress plays in knee-high grass between dinosaurs. In the background, the Tyrannosaurus holds up his extraordinary jaw. When Mark Looy pushes another button, the Tyrannosaurus tips his head to and fro and begins to graze. Tyrannosaurus – a vegetarian?"


Frankfurter Allgemeine Zeitung 03.01.2007

Chaos in Basque country. Following the most recent attacks by the ETA (news story), in which two people were killed, Paul Ingendaay believes that the peace talks of the Zapatero government have failed. "The terrorists' main demand, the Basque's right to self-determination including the Navarra region and the French Basque country, cannot be fulfilled for many reasons. Firstly, because the Spanish constitution of 1978 won't permit it, secondly because the majority of the Basques don't want it and thirdly, because the goal is being pursued not by democratic means, but with violence. Not to mention that France wouldn't dream of making political or territorial concessions to the Spanish Basques."

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From the Feuilletons

Saturday 8 - Friday 14 November, 2008

Art Spiegelman talks about his "Portrait of the Artist as a Young %@)*!" The editor of salon.eu.sk, Martin Simeka, responds to the eleven star authors who swooped to Milan Kundera's defence. The FAZ is furious about Ferran Adria's lack of social responsibility. The SZ is amazed at how a sleeping pill can make Turkish blood boil. Alexander Kluge's film of Marx's "Kapital" is a work of art about a work of art. And the veil is finally lifted on WWI documentaries.
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From the Feuilletons

Saturday 1 - Friday 7 November, 2008

The Kundera affair mostly goes unmentioned, despite the collective defence of the author by a group of Nobel Prize laureates. Only the Tagesspiegel demands objective truth. The taz portrays the flamboyant Turkish star author Murathan Mungan. The Finns are having to revise a WWII myth. Navid Kermani hopes that Obama's victory will speed up Europe's long learning process. And philosopher Jürgen Habermas reports back on the Hopperesque melancholy of pre-election USA.
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From the Feuilletons

Saturday 25 - Friday 31 October, 2008

South African writer Ivan Vladislavic describes the literary braindrain in Africa. Turkologist Corry Guttstadt decries Turkish cowardice during the Holocaust. Novelist Slavenka Drakulic explains why the Croatian media has finally opened its eyes to serious crime. And cellist Anner Bylsma agonises over prolonged vibrato.
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From the Feuilletons

Friday 24 October, 2008

Milan Kundera has demanded an apology from Respekt magazine for dragging his name into the dirt. Bernard-Henri Levy leaps to the author's defence, as does György Dalos. Sonja Margolina talks about her own experiences on the border of betrayal in the hands of the KGB. Painter Anselm Kiefer has won the Peace Prize of the German Book Trade but, says the FAZ, he's stuck in a fairytale forest. And the FR reports on a protest by historians against the EU memory police.
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From the Feuilletons

Saturday 11 - Friday 17 October, 2008

In which Milan Kundera is embroiled in a denunciation affair; a Saudi cleric bans the popular Turkish soap 'Noor'; novelist Steinunn Sigurdardottir explains how Iceland became Gordon Brown's Falklands; Turkey discovers its multicultural heritage; the doors open on slavery in Islam and the Bulgarians concoct a plan to raise the sunken city of Seuthopolis.
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From the Feuilletons

Saturday 4 - Friday 10 October

Reactions to JMG Le Clezio's Nobel Prize are at best lukewarm. An anonymous banker discusses the personal advantages of his job. Ralf Dahrendorf refuses to bitch about the Americans. The point is not whether women in Turkey should wear the headscarf, says Necla Kelek, but where they can go without it. La Traviata has been transformed on Platform 9 in Zurich's central station. And now for a blasphemous question: Was Beuys an "eternal Hitler youth"?
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From the Feuilletons

Thursday 2 October, 2008

The SZ celebrates a scattering of doppelgängers in a new production of Kafka's "Trial". It also ogles a philosophical diable de l'amour on Arte. In die Welt, Peter Weibel debunks the cult of the artist. The Berliner Zeitung marvels at the riches of Omsk. The NZZ fumes at the arrogance of Horace Engdahl and revisits the cleavage of Madame de Stael.
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From the Feuilletons

Friday 26 September 2008

Actor Moritz Bleibtreu tells how playing RAF terrorist Andreas Baader like he was could only result in comedy. Simon Rattle, Daniel Harding and Michael Boder have conducted Karlheinz Stockhausen's "Groups for Three Orchestras" like a flight in a helicopter. Bulgarian author Georgi Gospodinov explains why Berlin's urinals are different from Bulgaria's. And Uwe Tellkamp's thousand page novel "Der Turm" about a small GDR elite has hit reviewers like a bombshell.
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From the Feuilletons

Friday 19 September, 2008

The FR castigates the Germans for being so nuts about Obama when they've never elected so much as a Turkish mayor. Author and entrepeneur, Ernst-Wilhelm Händler, declares that it's not capitalism that has failed but the state. Andrzej Stasiuk spent his holidays in the Russian steppes where unlimited space felt penal. The NZZ sings a swan song for German theatre's Utopian dreams and the SZ bids farewell to the man who put the fun back into New Music.
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From the Feuilletons

Friday 12 September, 2008

Ukrainian author Oksana Zabuzhko remembers the mass grave in the forest of Bykivnya, where the bodies are inscribed with "the Russian signature". Marcia Pally lists a string of dirty wars waged by the Democrats. The SZ praises "Gomorrah" the Mafia film with no Godfatherly glamour. Georgian writer Dato Barbakadze tells Russian intellectuals to raise their voices in protest. And the Tagesspiegel celebrates the very un-McKinseyan ethos of Cern.
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From the Feuilletons

Friday 5 September, 2008

Jungle World investigates academic anti-Semitism and Jewish self-hatred with Theodor Lessing. It also looks at Gaussian distribution as an instrument of suppression. Christoph Schlingensief talks about his stay in the first station of hell. The feuilletons are relieved to finally close the chapter on the Bayreuth war of succession. And Andreas Dresen's film "Cloud 9" ushers in the grey phase of the sexual revolution.
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From the Feuilletons

Saturday 23 - Friday 29 August, 2008

Sitting in Moscow traffic, Sonja Margolina learns a tough lesson about life in Russian civil society. The Tagesspiegel dismisses the second volume of Günter Grass's autobiography, "The Box", as an orgy of vagueness. Christoph Schlingensief remembers how Wolfgang Wagner stole his urinal. And Die Zeit fears for the youth of today, who have had the protest scared out of them.
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From the Feuilletons

Saturday 16 - Friday 22 August, 2008

Did Carl Philipp Emmanuel hide the end of the 'Art of Fugue'? Organist Ton Koopman casts aspersions on Bach's son. Michel Houellebecq explains why the problem is genital. Diedrich Diederichsen remembers meeting a certain New York waitress back in '82. Ukrainian writer Yuri Andrukhovych explains why he's on Georgia's side. Osssetian literature academic Shanna Chochiyeva explains why she thinks the Georgians are Nazis. And Czech playright Pavel Kohout says what the Russians need is another revolution.
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From the Feuilletons

Friday 9-15 August, 2008

Georgian author Devi Dumbadze criticises the powerless nationalism of his compatriots. Andre Glucksman and Bernard-Henri Levy diagnose Europe in a coma. A new book by Patrick Buisson describes the erotic confusion that gripped Vichy France. Syrian philospher Sadik Jalal al-Azm points to a third way for Islam. The SZ takes a magical history tour of YouTube piano recitals. And old Austrian men in lederhosen take to the streets in protest against Kippenberger's crucified frog.
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From the Feuilletons

Saturday 26 July - Friday 1 August, 2008

This year's 'Parsifal' in Bayreuth is a romp through German history. Twenty years after the fall of the Wall, Ingo Schulze says the West has made less than minimal progress. A group of intellectuals take up Pascal Bruckner's appeal to "Boycott Durban 2". Anselm Kiefer reveals all about his Virgin Mary visitation. Necla Kelek is deeply suspicious of Tariq Ramadan's campaign against forced marriage. And Carlos Fraenkel is wowed by the hermeneutic flexibility of Indonesian Muslims.
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