?From the great beyond into the present? ? an interview with Jo Lendle

Hanser publisher Jo Lendle talks about gentle adjustments of languages and marketing strategies.... more more

GoetheInstitute

The nanosecond of happiness

Friday 30 July 2010

TeaserPicUpdate: The German pavilion at this year's Venice Biennale is dedicated to Christoph Schlingensief who died in August last year, aged just 49. Regarded by many as a genius, for others he was a provocateur or merely a con artist. While still undergoing chemotherapy he travelled to Burkino Faso to oversee work on the opera village which is being built there on his instigation. His memoirs are due to be published in September. He talked to Thomas David about his obsession with Africa, the importance of disturbing the peace and why he didn't become the man he wanted to be.
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Tradition, revolution and reaction in Bayreuth

Monday 30 July, 2007

Probably never before has there been so much hype around a premiere at the Bayreuth Festival. Because the director of this "Mastersingers of Nuremberg" is Katharina Wagner, great granddaughter of Richard Wagner, who could one day take over as festival director. By Marianne Zelger-Vogt (Image: Katharina Wagner. © Enrico Nawrath, courtesy Bayreuther Festspiele)
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"Everyone will think you're insane"

Monday 17 July, 2006

This summer, Christian Thielemann will conduct Richard Wagner's four-part "Ring of the Nibelung" opera cycle at the Bayreuth Festspiele. He talks to Christine Lemke-Matwey about the festival, Wagner's music, and the dark German sound: tyaaa-tyaaa-tyaaa-tyaa-tyaa-tyaa-tyaaa
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Merkel's a total cutie!

Monday 15 August, 2005

Christoph Schlingensief's controversial "Parsifal" is showing at the Wagner Festival for the second year running. He talks to Tina Hildebrandt and Stephan Lebert about hero impersonators in politics, zombies in Bayreuth and pre-election Germany.
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Hero to zero

Wednesday 27 July, 2005

This year's Bayreuth Festival opened with a new interpretation of Wagner's "Tristan and Isolde" by Swiss director Christoph Marthaler. The stakes were high; the last Tristan, by Heiner Müller, enjoyed iconographic status. And for Hans-Klaus Jungheinrich, this year's performance was an unspectacular failure, with the notable exception of Nina Stemme's brilliant Isolde.
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