Physical Dramaturgy: Ein (neuer) Trend?

Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more more

GoetheInstitute

Magic and guilt

Thursday 4 September, 2008

TeaserPicTeaserPicThe legendary German poets, Ingeborg Bachmann and Paul Celan, met and fell in love in Vienna 1948. Their electric and torturous correspondence, which continued until 1961, has now been collected in book form for the first time. Ina Hartwig on what was probably the most complicated love story in post-war Germany.
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The spell of the poet führer

Wednesday 7 November, 2007

Come cruising in the park they say is dead. In his biography of Stefan George, Thomas Karlauf reveals the charismatic German poet's authoritarian practices and the homoerotic core of his work. By Alexander Cammann


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Robert Gernhardt's last call

Monday 10 July, 2006

The well-loved German poet and artist Robert Gernhardt died on June 30, 2006. We publish a selection of his poems in English with the kind permission of his translator Ursula Runde, and several drawings from Gernhardt's "German Readers" series.
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Poeta ludens

Thursday 29 June, 2006

A game is a game is a game: Ludwig Harig is one of the greatest child-brains of German literature and a master of the football sonnet to boot. "Oh trickled ball! Oh toe-flicked leather!" A visit to juggler of words in Saarland's Sulzbach. By Oliver Ruf
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The spell of a tender eel

Wednesday 31 May, 2006

Update: Romanian-German poet Oskar Pastior was imprisoned in a Soviet Gulag from 1945 to 1949. The new novel of this year's Nobel laureate Herta Müller is based on interviews with Pastior and other Gulag survivors.
The prestigious Georg Büchner Prize for literature is to be awarded to poet Oskar Pastior. Martin Lüdke welcomes the long overdue decision to honour the work of a mild mannered word wizard.
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"Ladies and gentlemen, Rolf Dieter Brinkmann"

Friday 22 April, 2005

Thirty years after his premature death, new CDs document readings and recitals by the poet Rolf Dieter Brinkmann. They demonstrate even more clearly than the collected texts and letters that Brinkmann's form of production was avantgarde. Listeners now accustomed to pop sounds will feel at home. Wasn't that an interesting noise? Doesn't a lot of this remind you of later low-fi albums and bootlegs? Brinkmann's breathless speaking takes up the "howl" of the beat generation, his lust for the loud is like concrete poetry. By Thomas Groß
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