For more than thirty years, Helmuth Rilling shaped the international Bach Academy; now he is succeeded by Hans-Christoph Rademann.
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In his film debut, Benjamin Heisenberg develops a credible drama in which the fear of terrorism is part of a broader sense of social disorientation. "Sleeper" tells a story of personal betrayal in a world that is as rational as it is paranoid. By Sven von Reden
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