?From the great beyond into the present? ? an interview with Jo Lendle

Hanser publisher Jo Lendle talks about gentle adjustments of languages and marketing strategies.... more more

GoetheInstitute

When soft power fails the acid test

Wednesday 14 March, 2012

Western museums are opening their halls for huge state exhibitions in collaboration with non-democratic regimes. The British Museum is currently hosting an exhibition on the Hajj which is funded by Saudi Arabia and reflects the royal family's position on the ritual. Should an institution dedicated to secular learning accommodate such religiously doctrinaire exhibitions? Yes, says Malise Ruthven in the New York Review of Books blog, who evidently believes in the conciliatory effects of such cultural politics. Tagesspiegel author Nicola Kuhn sees the new "Roads of Arabia" exhibition in Berlin's Pergamon Museum more critically. Image © National Museum, Riyadh
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Art in circles

Wednesday 7 March, 2012

TeaserPicFrankfurt's Städelmuseum has just opened its new subterranean contemporary art extension, the culmination of a radical overhaul of the building and its collections. Hans-Joachim Müller ventures down below the surreal domed lawn and is left to meander through a refreshingly idiosyncratic retrospective that turns its back on received ideas about the progress of art. (Image:exterior view of Städel extension by Norbert Miguletz)
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Hokusai and the quest for perfection

Tuesday 20 September, 2011

The Martin Gropius Bau in Berlin is currently hosting Germany's first major retrospective of the legendary Japanese artist Hokusai, featuring over 430 exhibits, many of which have never left Japan before. It is hard to believe that such incredible diversity could stem from the hand of just one artist, but it is the product of a lifetime's dedication. By Katrin Wittneven. Image: "Onikojima Yataro and Saihoin Akabozu"© Katsushika Hokusai Museum of Art
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Who's afraid of Ai Weiwei?

Tuesday 12 April 2011

German museum director Martin Roth, who has just organised the exhibition "The Art of Enlightenment" in Beijing, belittles the attention focused on Ai Weiwei. His response to the arrest of the Chinese artist is alarming and clearly shows how marketing takes precedence over ethics in the world of culture. A commentary by Rüdiger Schaper.
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Protected by pictures

Friday 6 November, 2009

TeaserPicAi Weiwei - the modest megalomaniac, the relaxed rebel. Hanno Rauterberg met China's most interviewed man in the cellar of Munich's Haus der Kunst, where the artist was preparing to turn the place into a battlefield.
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The aesthetics of notation

Monday 4 May, 2009

TeaserPicAn exhibition in ZKM Karlsruhe explores the enormous range of artistic processes that exist between the moment of conception and finished work. By Kathrin Peters
Image: Dieter Appelt "Partitur" © 2009 ZKM
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Inflated phrases

Wednesday 28 May, 2008

When matter leads to immateriality and transcends the actuality of the object, we are reading a text about art. Notes on the crisis of criticism by Christian Demand
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Coincidence and illumination

Wednesday 19 September, 2007

Cologne Cathedral looks back at a long and eventful history. The inauguration of Gerhard Richter's stained glass window for the South Transept adds a new chapter, bright with 72-colour, frame-breaking abstraction. By Petra Kipphoff
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Poison in the air

Thursday 19 July, 2007

Now, as the last eye witnesses are dying out, totalitarianism is tempting a new generation to warm their hands in its fire. From Bernd Eichinger, Jonathan Meese and now Tom Cruise, is there no letting go of the Führer? By Georg Diez
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Summer of political art

Thursday 21 June, 2007

Both the Venice Biennale and the Documenta in Kassel have taken the dark side of modernity as their theme. Looking at how the two mega-exhibitons do battle, Hanno Rauterberg prefers Kassel's investigation of evil to Venice's concession to it. (Untitled, from the series Spring-Sow-Plum-Scene, 1996, mask 6, 2003. © Aoki Ryoko)
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Art on the cutting edge?

Thursday 14 June, 2007

Is today's art no more than the fashion of the day? Are there only niches in art, each with its own cutting edge? Brigitte Werneburg asks what contemporariness means in a world where the lines are blurred between fashionable art and artistic fashion.
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Art to the rescue

Wednesday 6 June, 2007

In a disused dockyard in Rostock, the "Art goes Heiligendamm" initiative has put the final touches to its G8 intervention. The preferred topic among the artworks is borders and overcoming them. Aside from that they deal anything that's good: information, documentation, irony, utopia, anti-consumerism. By Irene Grüter
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The unofficial documenta list

Thursday 3 May, 2007

Probable, silent, public, inofficial - there are many categories of participant in this year's documenta. What's lacking are the official ones. Because the exhibition organisers are keeping tight-lipped about what artists have been invited, we are left to guess, speculate, hope and dismay. By Ludwig Seyfarth
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Wurm holes everywhere

Wednesday 11 April 2007

Dada is back. Erwin Wurm is the great grandson of the Surrealists. The hilarity and hidden meanings of his stagings and sculptures unsettle and get under your skin. To coincide with a major retrospective in Hamburg's Deichtorhallen, Werner Spies visited the artist in his studio in Vienna.
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Smiles permitted, grins less welcome

Thursday 29 March, 2007

The art of glimmer and of deception. Seminal works show the roots and origins of the Op Art movement in an exhibition at Frankfurt's Schirn Kunsthalle. The dynamic of black and white fields meets snuffling electric motors. And a bachelor machine makes jokes and winks. By Ulf Erdmann Ziegler
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