For roughly two decades now, an unmistakable intercultural diversity has been leaving its mark also on contemporary German-language literature. By Klaus Hübner...
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Cologne Cathedral looks back at a long and eventful history. The inauguration of Gerhard Richter's stained glass window for the South Transept adds a new chapter, bright with 72-colour, frame-breaking abstraction. By Petra Kipphoff
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Cologne's Museum Ludwig presents Germany's first solo exhibition of the French painter Balthus. This self-styled "King of Cats" took a razor to reality and a guillotine to the metaphysical bombast of modernist painting. By Manfred Schwarz
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Now, as the last eye witnesses are dying out, totalitarianism is tempting a new generation to warm their hands in its fire. From Bernd Eichinger, Jonathan Meese and now Tom Cruise, is there no letting go of the Führer? By Georg Diez
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Both the Venice Biennale and the Documenta in Kassel have taken the dark side of modernity as their theme. Looking at how the two mega-exhibitons do battle, Hanno Rauterberg prefers Kassel's investigation of evil to Venice's concession to it. (Untitled, from the series Spring-Sow-Plum-Scene, 1996, mask 6, 2003. © Aoki Ryoko)
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Is today's art no more than the fashion of the day? Are there only niches in art, each with its own cutting edge? Brigitte Werneburg asks what contemporariness means in a world where the lines are blurred between fashionable art and artistic fashion.
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In a disused dockyard in Rostock, the "Art goes Heiligendamm" initiative has put the final touches to its G8 intervention. The preferred topic among the artworks is borders and overcoming them. Aside from that they deal anything that's good: information, documentation, irony, utopia, anti-consumerism. By Irene Grüter
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Probable, silent, public, inofficial - there are many categories of participant in this year's documenta. What's lacking are the official ones. Because the exhibition organisers are keeping tight-lipped about what artists have been invited, we are left to guess, speculate, hope and dismay. By Ludwig Seyfarth
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Dada is back. Erwin Wurm is the great grandson of the Surrealists. The hilarity and hidden meanings of his stagings and sculptures unsettle and get under your skin. To coincide with a major retrospective in Hamburg's Deichtorhallen, Werner Spies visited the artist in his studio in Vienna.
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The art of glimmer and of deception. Seminal works show the roots and origins of the Op Art movement in an exhibition at Frankfurt's Schirn Kunsthalle. The dynamic of black and white fields meets snuffling electric motors. And a bachelor machine makes jokes and winks. By Ulf Erdmann Ziegler
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Much of the work of the Renaissance sculptor Conrat Meit has been lost over the centuries. The Bayerisches Nationalmuseum in Munich has pulled together a goodly collection from around the world which proves Meit to be a master of the pot-bellied feminine ideal of the day. By Birgit Sonna
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With an exhibition opening in Hanover, photographer Wolfgang Tillmans talks to Dirk Peitz about the digital revolution, the futile search for absolute truth and his private newspaper archive.
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German painter Tomma Abts left for London twelve years ago. Her quiet, geometric paintings with Frisian names have just won her the Turner Prize. Morgan Falconer talked to her on the eve of award ceremony.
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A deadly brain disease connects painter Jörg Immendorff and neurologist Thomas Meyer. One has ALS, the other is working on a cure. By Jan Brandt (Image: Jörg Immendorff, "Solo". Courtesy The Saatchi Gallery)
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After being restituted to the heirs of its former Jewish owner by Berlin's senator for culture, Ernst Ludwig Kirchner's "Berlin Street Scene" will be auctioned off tomorrow at Christie's in New York. Critics argue whether the heirs really did have a legal claim to the painting. By Brigitte Werneburg
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Berlin's Museum Island is perhaps the most important museum complex in the world. It was embellished this week with the reopening of the Bode Museum, housing the finest display of European sculpture anywhere. Neil MacGregor, Director of the British Museum, takes us on a first-ever tour of European history in three-dimensional form.
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