All the members of the European Union espouse the common value of fair and efficient cooperation, which in turn involves smooth communication on as equal a footing as possible in business, politics, the arts and the EU institutions. The large linguistic communities, whose languages are often learned as foreign languages, also have particular interests....
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L'Espresso | New York Times Magazine | New York Review of Books | Observator Cultural | Le Nouvel Observateur | The Spectator | Polityka | The Huffington Post | The New Statesman | Nepszabadsag
L'Espresso 31.10.2008 (Italy)
O Italia! "The Wind of Hate" by Roberto Cotroneo is a novel Umberto Eco can recommend to anyone who wants to get to know Italy's dark underbelly. It takes place in an imaginary but scarily realistic perma-fascist Italy, where death and death-wishes abound. And Eco can well imagine suicide attacks taking place in Italy. After all: "There was a suicidal impulse in our terrorism too, 'an irresistible death pull, death which can be dealt out to others but which can also come over us too'. And when one of the protagonists watches a policeman dying after shooting him in the neck, he says: 'We didn't do it because we wanted a better world, but because we were the one who wanted to die, because I saw myself in these eyes, my anxiety, my fear, my view into the void in there, this hate of an unsaved land.'"
New York Times Magazine 02.11.08 (USA)
In the magazine, Susan Dominus portrays the president of Bravo Media, Lauren Zalaznick, a 45-year old former film producer, (Tom Kalin's "Swoon", Larry Clark's "Kids"), who today writes concepts and produces reality-based TV series such as "Project Runway", "Real Housewives", "Top Chef", "Blow Out" that appeal to "competitive, urban, coastal professionals - the gymgoers, the restaurant patrons, the trendy shoppers, the interior decorators" – in short, an advertiser's dream, whose world these shows persiflage, document and deconstruct. And in such an environment, product placement unproblematic. "Insult our intelligence with product placement? Impossible, since we know that they know that we know exactly how this business works. (...) Consider the hairstylist Jonathan Antin on the defunct show 'Blow Out' being filmed making a commercial for his new hair-care line. The plot is that he's a diva. The dialogue is Jonathan Antin saying over and over, as he films different takes for his pitch, some variation of the following: 'Shampoo is an incredibly important first step for your day.' He is laughable, this statement is laughable. And yet, if you sell shampoo, could you ask for a better advertising environment?"
Further articles: Iran is perhaps the only country in the world that the USA has failed to get at. One man, however, has developed a strategy which just might work, writes Robin Wright. Stuart Levey, the under secretary for terrorism and financial intelligence, managed, last year, to convince countless banks around the world to stop doing business with Iran. And now that China is producing two-thirds of all the world's pharmaceutical drugs,Gardiner Harris asks whether Chinese manufacturers are safe, because both American and European quality controls are anything but airtight.
New York Review of Books 20.11.08 (USA)
If we understand Zadie Smith correctly, Joseph O'Neill's novel "Netherland" has the same target audience as Lauren Zalaznick's TV shows. "It's a novel that wants you to know that it knows you know it knows". Balzacian lyrical realism, whose hero Hans, a Dutch stock analyst, has an authenticity problem. Smith describes a scene in which Hans is arguing with his wife about the Iraq war – this is to say, she is arguing, his thoughts are swiftly elsewhere. Smith quotes: "Did Iraq have weapons of mass destruction that posed a real threat? I had no idea; and to be truthful, and to touch on my real difficulty, I had little interest. I didn't really care." For Smith "this conclusion is never in doubt: even as Rachel rages on, Hans's mind wanders repeatedly to the storm, its specks of snow like "small and dark...flies," and also like "a cold toga draped [over] the city." The nineteenth-century flaneur's ennui has been transplanted to the twenty-first-century bourgeois's political apathy—and made beautiful. Other people's political engagement is revealed to be simply another form of inauthenticity." Smith prefers Tom McCarthys "Remainder", a novel that follows in the tradition of Robbe-Grillet.
Other articles include J.M. Coetzee on Irene Nemirovsky, Ian Buruma on Patrick French's Naipaul biography and Daniel Mendelsohn on the Greek poet Constantine Cavafy.
Observator Cultural 01.11.08 (Romania)
The Observator Cultural has compiled a new dossier on the writer Mircea Nedelciu. Born into a farming family in 1950, he spent 39 years in a totalitarian regime. The remaining ten years of his life he spent fighting Hodgkin's lymphoma. In an introduction to Nedelciu's work, Sanda Cordos quotes from his text "Horizontal Man" in which he confronts death. "The confrontation is inevitable. You have to fight and not try to get out of it. (...) From this point of view, the position of horizontal man can even be an advantage: you cannot fall; you can only advance or retreat (strategically, of course). We'll see where all these strategies lead, but I can say, I have now discovered a number of tricks. With certain opponents, there is no point in fighting without tricks. For example, to describe in detail a healthy foot, the toes that waggle freely up and down, the mobility of a fine ankle, the play of the shins and thighs in dance - all these things place my hideous adversary in a real crisis of uncertainty. It knows already that my legs belong to it, but I am talking about different legs. There are and will be so many!"
Read excerpts in English, Russian, Hungarian, Polish, Dutch, Spanish, French and Italian from "The Controlled Echo Effect".
Le Nouvel Observateur 30.10.2008 (France)
Jonathan Litell recommends the essay "Les elections presidentielles aux Etats Unis" by Roger Persichino (Folio Actuel) which addresses the business of US presidential elections in general. Littell writes: "If, as it seems likely and as we wanted, Barack Obama, is voted into office, many of us will want to understand the nature of the logic and obligations which sway his decisions and determine his capacity to act. Which is why I am convinced of the impossibility of analysing an historical or political phenomenon without a precise understanding of its underlying mechanisms.And Persichino's book communicates precisely this understanding in lucid, pointed and didactic prose, that is of value to Americans and French alike. The next president will be mainly defined by the election campaign which got him into power: to understand that, the hows and the why, is crucial for the aftermath."
The Spectator 01.11.2008 (UK)
Elliot Wilson profiles the China Poly Group, an arm of the People's Liberation Army which is part munitions manufacturer, part real-estate agent. And it also acts as China's de facto ministry of culture, where it is settling restitution issues at a break-neck pace. "While the PLA exerts simple heft, Poly wields a softer form of power. It quietly sponsors Chinese art exhibits that tour the world. When any Chinese art auction takes place, Poly representatives are there to outbid the private buyers. The job of scouring local and foreign markets for China's scattered cultural inheritance is the purview of 41-year-old chief archaeologist Jiang Ying Chun, who works at Poly Culture and Art. His job is to seek out the few remaining Chinese tapestries, vases, sculptures and bronzes in private hands, then buy them with cash raised by selling arms to countries such as Zimbabwe, Sudan and Pakistan. Poly also dips into China's vast foreign exchange reserves - £980 billion as of June 2008. 'If Poly needed £100 million to buy up all of the world's best remaining bronzes, they would,' says Colin Sheaf, chief China art appraiser at Bonhams auction house in London. 'If they needed a further £100 million, that wouldn't be a problem. It's a bottomless pit.'"
Polityka 29.10.08 (Poland)
In a series of talks commemorating 20 years of transformation in Poland (we reported here on an interview with Tadeusz Mazowiecki), the former finance minister and inventor of economic "shock therapy", Leszek Balcerowicz, talks about his motivation. "No one knew exactly what was happening at the time, but it was clear that capitalism was our only chance to catch up with the West. Everything had to happen very fast. (...) I was fully aware that this was an historic moment of change and that we had to grap the opportunity. Which is why I assumed, that if I was going to make mistakes – which was likely – that it was better to be too radical than not radical enough. You always have to choose which mistakes you most want to avoid."
The Huffington Post 23.10.2008 (USA)
Eight days before his death last Friday, Studs Terkel, "the man who interviewed America", gave his own last interview. Edward Lifson phoned him to find out what he would ask Barack Obama were he to interview him. The ailing Terkel, who was hanging in there to see the first African-American president, then shouted into the phone: "I'd tell him, 'don't fool around on a few issues, such as health care. We've got bigger work to do! (...) The free market has to be regulated. And the New Deal did that and they provided jobs. The government has to. The WPA provided jobs. We have got to get back to that. We need more reg-u-la-tion.I was just watching Alan Greenspan, he's an idiot, and by the way so was Ayn Rand! Community organizers like Obama know what's going on. If they remember. The important thing is memory. You know in this country, we all have Alzheimer's. Obama has got to remember his days as an organizer." At the end Terkel adds "I'm very excited by the idea of a black guy in the White House, that's very exciting," Studs said as we said goodbye. "I just wish he was more progressive!"
The New Statesman 30.10.2008 (UK)
Alice Albinia traveled to Kashgar, the capital of the Chinese Xingjian province with its Sunni-Muslim Uighur majority. Peaceful coexistence here is nothing but propaganda. "Today, if you visit the Id Kah Mosque, you will find state policy displayed in broken English on a signboard: 'All ethnic groups live friendly together here. They co-operate to build a beautiful homeland ... and oppose ethnic separation and illegal religious activities.' Unsurprisingly, given the level of interference by the state, many Uighurs see the Chinese as invaders who threaten their culture and religion. While Beijing remains intent on importing Han people and commerce to Xinjiang, in the streets north of the mosque there is still quiet resistance. Here, where old men play chess in ornately painted teahouses and stallholders sell a teeth-cracking sweet made from crushed walnuts, it is common to meet old women who speak no Mandarin, artisans who consider China a foreign land, and traders who refuse to follow Beijing time." And men who complain that women are not forbidden from wearing headscarves in schools or government jobs.
Nepszabadsag 31.10.2008 (Hungary)
Eastern Europeans are either blaming the finance crisis on each other (the Poles are blaming the Hungarians and the Romanians the Bulgarians), on the west ("they've abandoned us again"), or their own incompetent political elites. For Eszter Babarczy, this reaction has dangerous echoes of German Nazi rhetoric: "Of course the Eastern Europen tendency to pass the buck will not lead us into a world war, but it does lead to the feeling that we are constantly at the mercy of 'outside' circumstances and so every crisis comes as a surprise. If you constantly blame the others, you will never learn anything, nor will you learn to solve problems alone."
RSS
The Internet is changing our brains, philosopher Joaquin Rodriguez Lopez explains in the French magazine, Books. David Hockney shows his new iPhone drawings to the Spectator. In the New York Review of Books, historian Timothy Snyder calls for a new understanding of the Holocaust, that begins not in Auschwitz, but deep in the forests of Eastern Europe. In Literaturen, Aleksandar Hemon remembers an empty reading that turned out to be a success. Dawn introduces Michael Jackson as internalised by the Pakistanis. In the Weltwoche, pedagogy professor Georg Feuser calls for a ban on Ritalin for kids. The NYT witnesses the end of the black middle class in Detroit.
The Economist is impressed the by the hybrid of old and new media in the coverage of events in Iran. Outlook India looks at racism at home. In Le Point, Bernard-Henri Levy rallies support for the Iranian opposition. In Salon.eu.sk, Zygmunt Bauman continues his thoughts on the effects of totalitarianism in Poland. In the Guardian, Wallace Shawn explains why sex is still shocking. Al Ahram sings the praises of the Pakistanis who chased the Taliban out of their villages. In Nepszabadsag, Lajos Parti Nagy explains why he doesn't want to be Hungarian. And the TLS holds its nose in Versailles.
MicroMega wants nothing to do with the ritual of 1000 women – especially if it involves Gaddafi. Outlook India explains how Berthold Brecht put the fun into Hindu theatre. Polish author Pawel Huelle savours his vote while riding his bike. The Guardian learns from Abbas Kiarostami where to find the beauty in art. In Nouvel Obs Breyten Breytenbach wonders what went wrong in South Africa. Elet es Irodalom is irked by intellectuals who won't go to the theatre. The NYRB reads books about Darfur, the Nation reads books about Cuba. And the New York Times is very excited indeed about the new Grand Paris.
Al Ahram asks what the Arabs can do for Obama. Outlook India says the US president should have talked to non-Arab Muslims instead. Charlie Kaufman's film "Synecdoche, New York" plunged the London Review into a thick fog of existential questions. Polityka discovers a republic of soloists in Poland. The Economist loses itself in the life of an American dreamer who is pinned down by a 483,000 dollar debt. In Clarin, Beatriz Sarlo asks: What does Buenos Aires want to be? In Elet es Irodalom, Ignac Romsics describes the difference between the Western and Eastern European right. NZZ Folio travels the coast of the Black Sea. And in the Guardian, sculptor Alexander Stoddart reaches for his pistol. 
Al Ahram witnesses Tunisians hitting the roof at the Arab Theatre Festival in Cairo. Alaa Al Aswany assures the Observer that democracy is coming to Egypt soon. Polityka complains about the grumblers who have rained on the June 4 parade. The New Statesman, Prospect and The Nation discuss China. In Nouvel Obs, Michel Pastoureau describes the fine line between man and pig. In Salon.eu.sk Zygmunt Bauman criticises Slavoj Zizek for not looking "beyond the barbed wire". Bookforum is excited by the boom in African literature.
Wired explains what Google really is: an auction house. The New York Review of Books sees Pakistan near the brink of anarchy. Elet es Irodalom introduces a new Hungarian magazine about culture on the periphery. The Nation turns to the Kundera Affair. In Literaturen, novelist Barbara Vinken compares sex stories by children. The LRB is impressed by a wiki. In El Espectador, Hector Abad describes the potentially fatal consequences of reading. Espresso portrays the fascists of the third millennium.
What makes us happy?, the Atlantic asks. Outlook India celebrates the victory of secular politics in India. The Spectactor finds itself in the hour of the medievalist. The Economist explains why Perlentaucher is essential reading. Magyar Narancs asks what happened to May 8th in Hungary. In ResetDoc, Nasr Abu-Zayd explains why Afghan marriage laws have nothing to do with the Qur'an. And jazz is fading into the background in Poland.
The Nouvel Obs features an interview with Imre Kertesz about survival after survival. The New York Review of Books celebrates the affluent and brilliant Madame de Stael. Tygodnik Powszechny welcomes the first film of a Stasiuk book. In the Guardian, Elaine Showalter asks why America's women writers are so notoriously underrated. Le Point profiles Dieudonne, who has declared his anti-Semitism as art. Rue89 asks whether it's left-wing to block Internet access. And in the New Republic, John Banville reads Samuel Beckett's letters.
The Nation portrays Bulgarian mafioso and author Georgi Stoev, who met the same death as many a victim in his books. In Nepszabadsag, poet Akos Szilagyi explains why outlawing Holocaust denial would not restrict freedom of speech. The New Yorker wants to see more command responsibility. In the Gazeta Wyborcza, Roza Thun wants to see more Polish passion for the EU. Andrew Orlowski in the New Statesman has lost his belief in Long Tails on the Net. And in the New Yorker, Russell Shorto explains the difference between the Dutch and the Americans.
In Merkur Ralf Dahrendorf speaks out for the stakeholder. In the Guardian, Kazua Ishiguro warns writers not to "fart about" in their thirties. In Literaturen, Peter Sloterkijk tells it like it is: you have to put in at least 10,000 hours of practice to become even a passable craftsman or musician. The London Review explains the appeal of sharia-compliant banks. In Le Monde, philosopher and theologian Mezri Haddad talks about the vampirisation of Islam. The NYT fathoms the sub culture of drug smuggling.
In Espresso, Suketu Mehta calls upon his fellow writers to save the world from the banksters! In the Guardian, Julian Barnes reads the only poem Arthur Hugh Clough ever received a penny for. The Polish language does nothing but express distrust, Tygodnik Powszechny complains. In Commonweal, Terry Eagleton describes the clash of culture and civilization. Observator Cultural throws a spotlight on Norman Manea. And Google's clairvoyant, the Economist discovers.
In Eurozine, Serbian artists refuse to be reminded of their past. La vie des idees shows how the skirt has become a symbol of emancipation in France. In the Boston Review, Evgeny Morozov tells cyber-utopians that bloggers can be as anti-democratic as anyone else. The Spectator wants a "muscular Christianity" on its side. In Beszelö, the poet Akos Györffy sees a new Golem approaching. Paper money is confetti, Dr. Doom tells the NZZ Folio. And Douglas Adams cries on his bed in the Guardian.
Google Street View provides the London Review with the key to understanding, finally, Stendhal's description of realism. Le Figaro reads Cioran's juvenilia. Outlook India salivates over food blogs. Babelia observes the divorcees in the Teatro Colon. Vanity Fair gloats over the promiscuous micturition in the Bohemian Club.
In the Spectator, John Cleese tells a critic what a critic is. In Tygodnik Powszechny, philosopher Jean-Luc Marion has no problem proving the existence of God. In Prospect, Hanif Kureishi wishes authors had more balls. In the New Yorker, Seymour Hersh outlines the sort of sophisticated diplomacy that the Obama team needs. Espresso watches the Calabrian mafia using PTT. Wired visits a prison to hear the tale of the world's biggest diamond heist. n+1 is glad that the weirdness has been put back into German sex. The Gazeta Wyborcza drowned in the earnestness of a Berlin production of Dorota Maslowska's new play. And in the NYT, Freeman Dyson heats up the climate.
Lettre International prints Bela Hamvas' 1960 essay on direct morality and bad conscience. The Nation demands state subsidies for old media. In El Pais Semanal, Javier Cercas waits for a novel about Hitler's moustache hair. In the Guardian, Mary Beard dispels all hopes for a good death. In Novel Obs, Alain Finkielkraut does not mention the Kundera Affair. In the New York Review of Books, John Gray learns all about debt from Margaret Atwood. Elet es Irodalom dwells on otherness. The TLS celebrates Josef Skvorecky. Umberto Eco eyes up the bodies of Mussolini and Berlusconi for L'Espresso. And Carlos Fernando Chamorro sheepishly tells the New York Times how he opposed his mother.