For more than thirty years, Helmuth Rilling shaped the international Bach Academy; now he is succeeded by Hans-Christoph Rademann.
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This year's theatre festival in Bregrenz hosted the world premiere of Mieczyslaw Weinberg's Auschwitz opera "The Passenger" from 1968. His biographer David Fanning introduces the life and music of this incredibly prolific composer, whose work somehow failed to emerge from the shadows of the Iron Curtain.
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