Following a long period of restoration work that included an extension, the year 2013 has seen the reopening of the Lenbachhaus in Munich. Goethe.de talked to the director designate, Matthias Mühling....
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Both the Venice Biennale and the Documenta in Kassel have taken the dark side of modernity as their theme. Looking at how the two mega-exhibitons do battle, Hanno Rauterberg prefers Kassel's investigation of evil to Venice's concession to it. (Untitled, from the series Spring-Sow-Plum-Scene, 1996, mask 6, 2003. © Aoki Ryoko)
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Is today's art no more than the fashion of the day? Are there only niches in art, each with its own cutting edge? Brigitte Werneburg asks what contemporariness means in a world where the lines are blurred between fashionable art and artistic fashion.
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