Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen.
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This year's theatre festival in Bregrenz hosted the world premiere of Mieczyslaw Weinberg's Auschwitz opera "The Passenger" from 1968. His biographer David Fanning introduces the life and music of this incredibly prolific composer, whose work somehow failed to emerge from the shadows of the Iron Curtain.
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To deny Stauffenberg and the other conspirators any moral and cultural relevance is blinkered and consitutes intellectual bigotry. Even if their ideas seem politically anachronistic today, these men showed the sort of noblesse and strength of character of which today’s politicians and other bureaucratic elites can only dream. Karl Heinz Bohrer responds to the thesis of British historian Richard J. Evans.
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It was the fall of communism and its attendant anxieties that gave birth to the European ideal. The first task of a new Europe must be to hack out clear paths through the jungle of ideologies, because a civilisation that does not clearly proclaim its values, or leaves its proclaimed values high and dry, treads the path to perdition and terminal debility. By Imre Kertesz
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Tadeusz Borowski survived Auschwitz, became a Communist, and committed suicide in 1951. A new edition of his stories was published in German this year: morally questionable, but a milestone in Holocaust literature nonetheless. Even Dante's "Inferno" pales by comparison. By Arno Lustiger
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In an interview with Eszter Radai, the Hungarian author Imre Kertesz talks about his new novel "Dossier K.", the breed of Euro-anti-Semitism after Auschwitz and how to survive a dictatorship.
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