Gutachten: Digitalisierung des Filmerbes

Für die Rettung des deutschen Filmerbes werden einem Gutachten zufolge über einen Zeitraum von mindestens 10 Jahren jährlich 10 Millionen Euro benötigt.  more more

GoetheInstitute

A hard-nosed Utopian

Wednesday 25 January, 2006

Making audiences happy makes other people suspicious. Max Reinhardt not only staged theatre in Berlin, he also built and ran several of them very successfully. He democratised the closed world of theatre, but he has never been able to shake the accusation of being apolitical. By Esther Slevogt
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