For more than thirty years, Helmuth Rilling shaped the international Bach Academy; now he is succeeded by Hans-Christoph Rademann.
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Making audiences happy makes other people suspicious. Max
Reinhardt not only staged theatre in Berlin, he also built and ran several of them very successfully. He democratised the closed world of theatre, but he has never been able to
shake the accusation of being apolitical. By Esther Slevogt
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