Physical Dramaturgy: Ein (neuer) Trend?

Dramaturgie im zeitgenössischen Tanz ist ? positiv gemeint ? ein heißes Eisen. Idealerweise sind Dramaturginnen und Dramaturgen während der Erarbeitung eines Stücks die besten Freunde der Choreografen. more more


Workers of the world, be entertained!

Monday 13 February, 2012

TeaserPicThis year's Berlinale Retrospective "The Red Dream Factory" rediscovers the legendary German-Russian Mezhrabpom-Film (1922-1936). It tells of incredible film successes, ideological misunderstandings and astonishing blindness. By Oksana Bulgakova
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Talking to the lord of pain

Tuesday 16 February, 2010

The director Werner Herzog is the president of the jury at this, the 60th Berlinale. Katja Nicodemus met him in Los Angeles to discuss burning Lilliputians, how it feels like to be unsuccessfully shot at, and the life of a lone Bavarian wolf in Hollywood.
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The mild bunch

Monday 18 February, 2008

Only one truly original auteur filmmaker made it into this year's Berlinale Competition. With "Night and Day" Korean director Hong Sangsoo proved himself to be one of the great free-thinking talents of contemporary cinema. This aside, emaciated wishy-washy realism prevailed. By Ekkehard Knörer
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Berlinale box

Thursday 14 February, 2008

With the Berlin film festival well underway we pick out some of the highlights. Jose Padilha's "Tropa de Elite" might have all the components of an Egoshooter film but it's far off. Hongkong star Johnnie To's "Sparrow" is a bringer of unadulterated joy. Isabel Coixet's "Elegy" stars a couple of aging Roth rabbits. And P.T. Anderson's "There Will Be Blood" should be enjoyed on an empty stomach.
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Bordering on miraculous

Friday 8 February, 2008

A frighteningly intense Daniel Day Lewis, musical accompaniment from Martin Scorsese, Madonna and Patti Smith, home-made filmic fumblings from a music video genius, a mere smidgen of German material and plenty of Far Eastern promise. After the Berlinale Film Festival hit rock bottom last year, it seems a sharp upwards turn is on the cards for 2008.
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Giving mediocrity a chance

Monday 19 February, 2007

In its sixth year under Dieter Kosslick, the Berlinale has flung itself into the breach for boredom, lack of inspiration and conventionality. There were a handful of creditable, daring, self-assured films. Only these will be mentioned here. By Ekkehard Knörer. All the bears at a glance here.
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Breathless 8: a Berlinale diary

Friday 16 February, 2007

In Jacques Rivette's Competition film "Don't Touch the Axe", Jeanne Balibar and Guillaume Depardieu besiege themselves in an exquisitely wrought and rapier sharp love battle. And in the claustrophobic "Brand Upon the Brain", Guy Maddin serves up a huge portion of brain nectar.
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Breathless 7: a Berlinale diary

Thursday 15 Feburary, 2007

Zhang Lu's "Desert Dream" follows life in a yurt in the wide, empty expanses of the Mongolian steppes, punctuated only by North Korean folk songs. In "Celebration" Olivier Meyrou visits the spectral fashion house of Yves Saint Laurent. And Jack Snyder's "300", the film of Frank Miller's comic, is not the world's worst film, but it's damn close.
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Breathless 6: a Berlinale diary

Wednesday 14 February, 2007

Christian Petzold's ghostly "Yella" is marked by ruptures, and corner-of-the-mouth minimalism. "The Lark House" by the Taviani brothers shows the Turkish genocide of the Armenians with some beatifully composed torture scenes. Frederick Wiseman's "State Legislature" documents the nuts and bolts of American politics. And Hal Hartley's "Fay Grim" has a plot driven to the height of absurdity.
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Breathless 5: a Berlinale diary

Tuesday 13 February, 2007

With "The Witnesses," Andre Techine consolidates his reputation as a master of mitigation. In conservative Clint's "Letter's from Iwo Jima", there is much militarily senseless, politically objectionable, but highly heroic dying for the fatherland. And Angela Schanelec's "Afternoon" shows the unbearable weight of being.
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Breathless 4: a Berlinale diary

Monday 12 February, 2007

In Stefan Ruzowitzky's "The Counterfeiters", concentration camp victims are set to work making fake money for the Nazis. Robert de Niro's "The Good Shepherd" shows a block of ice created by the Cold War. Park Chan-wook's "I'm a Cyborg, but that's OK" inquires with refreshing naivity into the meaning of life. And Rudolphe Marconi shows Karl Largerfeld and his laissez-faire attitude towards status, privilege and luck.
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Breathless 3: a Berlinale diary

Saturday 10 February, 2007

Pascal Ferran's "Lady Chatterley" has kept cheap thrills and overbearing symbolism at an arm's length. It is self-assured, unpretentious and observant. "This Filthy World" by Jeff Garlin reveals filmmaker John Waters as an exquisitely funny stand-up comedian. And in Hong Sangsoo's "Woman on the Beach," true faces emerge from behind the booze.
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Breathless 2: a Berlinale diary

Friday 9 February, 2007

The Berlinale opened with Olivier Dahan's film "La vie en Rose", a confrontational Piaf portrait replete with smeared make-up, champagne and morphine, flunkies and fans, misery and deity. Altogether much more exciting than the "The Good German" by Steven Soderbergh which fell flat on its faux forties face.
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Breathless: a Berlinale diary

Thursday 8 February, 2007

The Berlinale opens tonight with Olivier Dahan's film "La vie en rose". The programme is the usual hotchpotch we have come to expect from director Dieter Kosslick. Ekkehard Knörer guides us through the rather populist selection of the Competition and the overwhelming variety that awaits film fans in the Panorama and Forum sections.
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Healing takes time

Wednesday 19 July, 2006

Jasmila Zbanic's debut feature film "Grbavica" about life in post-war Bosnia won the Golden Bear at this year's Berlinale. Here, the young director talks with Jan Schulz-Ojala about the war's ugly aftermath, the boycott of her film and the redemptive possiblities of art.

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