Protected by pictures

Friday 6 November, 2009

TeaserPicAi Weiwei - the modest megalomaniac, the relaxed rebel. Hanno Rauterberg met China's most interviewed man in the cellar of Munich's Haus der Kunst, where the artist was preparing to turn the place into a battlefield.
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Summer of political art

Thursday 21 June, 2007

Both the Venice Biennale and the Documenta in Kassel have taken the dark side of modernity as their theme. Looking at how the two mega-exhibitons do battle, Hanno Rauterberg prefers Kassel's investigation of evil to Venice's concession to it. (Untitled, from the series Spring-Sow-Plum-Scene, 1996, mask 6, 2003. © Aoki Ryoko)
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In the slush puddle of existence

Monday 3 March, 2006

Far from the over-exitement of today's artworld, the 4th berlin biennale for contemporary art wallows in the dark depths of things jettisoned and biographical, offering the art pilgrim twelve stations along Berlin's Augustraße. By Hanno Rauterberg
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The art of the ape

Friday 30 September, 2005

Like no other painter of his generation, the terminally ill artist Jörg Immendorff took up things German in his work. In a new exhibition in Berlin he has dramatised his life's work like a brilliant play. By Hanno Rauterberg
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The only thing I can really paint well is anger

Friday 8 April, 2005

Bernhard Heisig is a controversial figure in the German art world, having served in the SS and painted state portraits of both East and West German leaders. As a professor at the Leipzig Art School he taught the younger generation of painters now enjoying the international limelight such as Neo Rauch, Tim Eitel and Tilo Baumgärtel. The Leipzig Musem of Fine Art is currently showing a large retrospective of Heisig's work "Die Wut der Bilder".
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