For more than thirty years, Helmuth Rilling shaped the international Bach Academy; now he is succeeded by Hans-Christoph Rademann.
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Riding the retro wave, singers from across the spectrum of popular music have brought back falsetto with a vengeance. While this is mostly in homage to bygone styles and idols, it has also introduced new nuances of meaning. Ueli Bernays traces falsetto's high-pitched passage from expression to gimmick and back.
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